Skylight from Dialogues in Paradise by Can Xue.
The light shrank back into two dots. A dark shadow brushed by, a clumsy night bird that shrieked and swooped toward the skylight, its huge wings tapping the roof fiercely, echoing like thunder.
Anubis and his box of threads.
I am going through the wiki list of mythological hybrid creatures and imagining their lives and what they might be like and what they might like to do. It's been fun - sometimes; some of the myths are dark and sad.
Joyce Carol Oates (b. 1938)
The first several weeks of a new novel, Oates has said, are particularly difficult and demoralizing: “Getting the first draft finished is like pushing a peanut with your nose across a very dirty floor.”
From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JoyceCarolOates @masoncurrey
I collaged "Krampus is Coming For You" together with my own monoprints as well as one of my drawings of Japanese Noh masks that I cut out of an old sketchbook. For the second piece, I had a drawing of Marie Antoinette as an ice cream cone, so I gave her a dress, put a background of my monoprints on her, etc. Then I added more cherries, and the circle reminded me of a clock, so I inked in the arms accordingly.
Samuel Beckett (1906–1989)
On a late-night walk near Dublin harbor, Beckett found himself standing on the end of a pier in the midst of a winter storm. Amid the howling wind and churning water, he suddenly realized that the “dark he had struggled to keep under” in his life—and in his writing, which had until then failed to find an audience or meet his own aspirations—should, in fact, be the source of his creative inspiration.
“I shall always be depressed,” Beckett concluded, “but what comforts me is the realization that I can now accept this dark side as the commanding side of my personality. In accepting it, I will make it work for me.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #samuelbeckett @masoncurrey
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
10/20 days, 20 films that made an impact on me. No title, no comment, just a picture. In my case, a drawing.
Daily drawing #628
#imaginarythinking #illustration #portraitillustration #comic #handwritten
