Congrats to anyone else who took part in inktober this year! I focused on combining witches inspired by different types of teas and I had so much fun! I’m conquering my irrational fear of side profiles and I think it’s working, I’ve been really liking side profiles lately and finding them easier to do. I experimented on this piece with adding freckles (they’re a feature in all of my inktober sketches but I haven’t liked how freckles have looked when I’ve dotted them in with a pen or brush) and uh, I guess it was kind of a success? Next time I’ll use my lighter shading colour for them, as I used the ink I use for my lines and it turned out really dark and concentrated, but I think they’re cute! (and I have ink sprays everywhere)
Crosshatching was used to build up the shadows. It's probably my favourite drawing technique. Works best with pen and ink. This is the cover image for one of my children's picture books.
My first ballpoint pen person. This was a lot more time consuming than I expected, but I'm glad I hung in there and finally finished it. The reference for the drawing was a Getty Image.
Finally something new and fresh, again it was my first time to draw an animal with fur, which seemed always so difficult thing for me and still is, but now I'm not afraid of it anymore.
"And I Can't Get It Out of My Head"
Watercolor
I feel like I may be cheating since the song I was inspired by is not so simple, but I'm pleased with the result. To be completely honest, this was the piece I needed right now.
The past week has been interesting for me, I've found myself in a peculiar slump. There's not one thing I'm thinking or worrying about, it's a constant buzz of thoughts streaming through my head. Sometimes I can get the buzzing to quiet down, other times it gets overwhelmingly loud.
I've always found art to be a release, it fills in the blanks when I can't figure out how to make my words work. Lately, it's been more of a challenge than usual, but I think this piece says all I've been wanting to say.
White and sanguine conte pencils on toned paper. These ruins captured my drawing itch with the quality of the light filtering brilliantly through the tangled growth outside, and the open shade within. At a metaphorical level, the image is about the sense of having a laborious path set in stone for me by custom, convention, and culture, while way is wide open to the chaotic fertility of nature, should I choose to follow my own feet and heart.
Watercolors and fineliners on Aquarelle, 300 GSM. Fantasy has always appealed to me ever since I was a kid, and I often find myself lost and wandering around in the fantastical world of "could've been's"
