Watercolour crayon, crayon and fineliner drawing... i like to think everything is connected and feeds off each other, a constant cycle. Im fasinated with plants like the venus fly traps and tried to incorporate into the flower with some snake eyes.
Being the guitar geek I am I decided to draw one of my favourite fuzz pedals...Ladies and Gentlemen, may I present to you, the Electro Harmonix Big Muff!
Jook’s doodle colouring books are a collection of true gems. Her anthropomorphic and surreal scenes depict a plethora of creatures, spanning from cute and innocent-looking to downright bizarre and monster-like. Flip through the pages, get colouring and get inspired. Join Jook’s world. Colouring books for ages 7 to 77.
I am a Belgian female artist & illustrator and I use a self-invented technique of automatic drawing to delve into my subconscious. I doodle everywhere and every spare moment. By quickly drawing, barring any conscious thought, I am giving as much room as possible to my imagination. Through extensive, at times even compulsive, doodling, a new and totally unique world arises. Come visit, get inspired and maybe get lost in my subconscious. Join my world and my obsessive-compulsive drawings. More info: doodleart.shop | Facebook | instagram | youtube page of the book
Painting, drawing, crayoning, markering (I just made that word up)...it's always more fun when a child is involved, even when they purposefully color over a character. It adds character to the character, no?
This was done for my first Scrawlr Box challenge. Which I was super excited to finally get to try, and I loved the supplies that were in the box. I am really happy with how this has turned out, it brings the two things I really like together; deer antlers and flowers.
I took part in Jake Parker's instagram Inktober event making a drawing everyday of October; these drawings eventually turned into one larger drawing by the end of the month.
A moment suspended between departure and arrival. Interim explores transition—where movement pauses, direction is uncertain, and meaning exists in the waiting. Rendered with restraint and negative space, the piece invites reflection on the quiet spaces between what was and what will be.
