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dust

Chris Richards Chris Richards
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Cilwendeg Woolen Mill

I stumbled across this old mill some years ago while walking in Drefach-Felindre. The area was once a hub of the wool industry, and now houses the National Wool Museum. I only managed to discover its name when I was doing a Google search as at the time of drawing, it was up for sale as an 11 bedroom property!

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m.a.W. m.a.W.
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You Dont Own Me

Starring Lesley Gore: You don't own me (1963). Let me tell you a story about women struggling to build careers in "man areas" as if building a house of cards. About a 17-year old girl singing a feminist anthem written by men in the 60s music industry dominated by men. About a young female journalist called Gloria who was supposed to write in "Womens' pages" only. About the same woman shouting out to the pink hats in 2017 as she already did to women in the 70s. Tricolor linoprint using one lino plate. December, 2020.

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Abby Abby
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Shopping Spree

Ta-da! Finally done! This was inspired by my annual back to school shopping trip in August with my mom, my siblings, and my grandma. The sign is a bit of a clue to that, the heart is similar for he logo of one of my favorite stores (until they closed last month), and the tan thing in the corner reminds me of the dusty playground we stop at between stores. The hair clip, butterflies, and purple corner (it's really a hair extension) are all from my favorite accessory store. The railing is for the walkway between stores and I don't really have to explain the shirt, skirt, pants, and shopping bag. No trip is complete without a bucket of pretzels to eat on the way home! Anyway, I hope you like my art!

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Ioannes Ioannes
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Tomorrow and Tomorrow and Tomorrow

creeps in this petty pace, from day to day, until the last syllable of recorded time, and all our yesterdays have lighted fools the way to dusty death

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Marie Ysabelle Marie Ysabelle
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A thousand metaphors.

Graphite pencils and a sprinkle of some Pixie Dust

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Anne Lotz Anne Lotz
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Pampered pets

Day 7 - of suggestion to upload for 7 days ... done and dusted :)

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Wouter Wouter
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Old steel mill - WIP

Work in progress. I am left-handed, so i always work from right to left when inking the drawing.

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Ryan Ryan
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Kyoto Animation Tribute

Emotionally speaking, this is definitely the hardest pieces I've made so far. On July 18th, 2019, an arson attack on Kyoto Animation's Studio 1 left 36 dead and 34 injured, one of the deadliest mass casualty incidents in Japan since the end of WWII. KyoAni has some of the best working conditions in the industry and have made some of the most iconic anime to date, including Clannad, A Silent Voice, and the show that got me started on anime, Violet Evergarden (as seen in this drawing). I sent this drawing to them through their website, and there's a good chance it was displayed along with thousands of other fan submissions in Kyoto this past November as part of a public memorial service. While this was a tragic blow to the company and community, they're healing and getting back to their feet, and I can't wait to see what they create next.

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Stephen Stephen
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Fed by a Miracle of Compassion

Fed by a Miracle of Compassion Medium: Acrylic on canvas Size: 11”x14” Year: 2019 Artist: Stephen J. Vattimo Matthew 14:13-21 New American Standard Bible (NASB) Five Thousand Fed 13 Now when Jesus heard about John, He withdrew from there in a boat to a secluded place by Himself; and when the [a]people heard of this, they followed Him on foot from the cities. 14 When He went [b]ashore, He saw a large crowd, and felt compassion for them and healed their sick. 15 When it was evening, the disciples came to Him and said, “This place is desolate and the hour is already [c]late; so send the crowds away, that they may go into the villages and buy food for themselves.” 16 But Jesus said to them, “They do not need to go away; you give them something to eat!” 17 They *said to Him, “We have here only five loaves and two fish.” 18 And He said, “Bring them here to Me.” 19 Ordering the [d]people to [e]sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave them to the crowds, 20 and they all ate and were satisfied. They picked up what was left over of the broken pieces, twelve full baskets. 21 There were about five thousand men who ate, besides women and children. This illustration is part of a mural about the ministry of Jesus of Nazareth. The mural consists 9 images that depict the Miracles of Compassion Christ worked that are recorded in the Bible and He continues to perform in the world today. Understanding the symbolism in the painting. The basket of to fish and bread sits in the grass; Jesus had instructed His disciples to have the people sit down in the grass. Dead grass: the event took place in a desolate place. Historical and cultural illustration. Basket design: In the first century in the middle east people traveled on foot and when on a long journey they carried food with them. The common lunch pal during this time period was most likely a small wicker style basket with a removable lid, and a leather strap attached to it. So, a person can sling it across their shoulder for comfortable transportation. The basket would most likely be lined with a cloth wrap around the food to protect it from dust and bugs. The fish and bread: In John 6:1-15 which mentions the same event, tell us the 2 fish and five loaves of bread belong to boy, so most likely his meal was that of a poor person. The common fish that was eaten by the poor in this region and time period, were sardines. The five loaves of bread: Were most likely a type of flat bread which is commonly consumed by middle eastern people. The Bible verse that best communicates the message of this illustration is: Matthew 6:25-33 New American Standard Bible (NASB) The Cure for Anxiety 25 “For this reason I say to you, [n]do not be worried about your [o]life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is not life more than food, and the body more than clothing? 26 Look at the birds of the [p]air, that they do not sow, nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not worth much more than they? 27 And who of you by being worried can add a single [q]hour to his [r]life? 28 And why are you worried about clothing? Observe how the lilies of the field grow; they do not toil nor do they spin, 29 yet I say to you that not even Solomon in all his glory clothed himself like one of these. 30 But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the furnace, will He not much more clothe you? You of little faith! 31 Do not worry then, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear for clothing?’ 32 For the Gentiles eagerly seek all these things; for your heavenly Father knows that you need all these things. 33 But [s]seek first [t]His kingdom and His righteousness, and all these things will be [u]added to you. Written by Stephen J. Vattimo 3/25/2019

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Jared Woods Jared Woods
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I Still Think About David Bowie Every Single Day.

Every working day, I post what I call a #legobiscuit to my Instagram here: instagram.com/legotrip The best of these eventually get the full Photoshop treatment. This one is very close to my heart.

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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erik cheung erik cheung
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A little dust devil

From gibberish to treasure. Spontaneity is all over!

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Cinna Marol Cinna Marol
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Sketch 2

I'm trying to improve my character design skills, so I asked twitter mutuals to let me dress their ocs. This is Dust and she belongs to @bb_schwarz - https://twitter.com/bb_schwarz/status/1074741896616894464

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Wesley C. Phillips Wesley C. Phillips
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Weather-vane Cruiser

Sky-trundling in the dusky night through the dusty rain-bowed clouds.

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Lúcia Martins Lúcia Martins
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Scaremeister

Kevin "cEvin Key" Crompton of the electro-industrial band Skinny Puppy with one of his many pets: Fisherman, the cat. Prints for sale @ etsy.com/shop/DrawingsByLucia.

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Lúcia Martins Lúcia Martins
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The Jackal

Kevin Graham "Nivek Ogre" Ogilvie of electro-industrial band Skinny Puppy in one of his many stage costumes: the bloody Jackal. Honorably approved by Ogre himself. Prints for sale @ etsy.com/shop/DrawingsByLucia.

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Lúcia Martins Lúcia Martins
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Masters of experimental heaviness

A full page portrait of the legendary British industrial metal band Godflesh. Prints for sale @etsy.com/shop/DrawingsByLucia.

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Shari Wolf Shari Wolf
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Industrial

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Imaginary Thinking Imaginary Thinking
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Thunder, Ziggy Stardust ⚡

Thunder, Ziggy Stardust ⚡ Daily drawing #616 #imaginarythinking #inktober #thunder

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Ibby Brown Ibby Brown
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David Bowie Envelope Back

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Cate Anevski Cate Anevski
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Untitled

This is a little piece of hand-lettering I did from one of my favorite Joss Whedon quotes. You can print out your own copy from the file on my blog: http://blog.beeskneesindustries.com/cateanevski/2015/07/print-no-power-in-the-verse.html

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