Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
(HB pencil - 38mm x 20mm) A very small (and yes, those sizes are in millimetres!) example of a dreamscape piece taken from an A6 sketch-booklet I made. I chose this one from it to display here because it turned out so insane.
Watercolor of a bunch of grapes after a botanical sketch by the artist Troncy.
This painting was made with gouache on cardboard 400 gr / m² with a height of 32 cm and a width of 24 cm.
