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Finished the color! I feel I rushed it a little bit, but i'm reasonably happy with the finished product. If I tried to perfect it, I'd never get it done >_< I've added some new background details, some new peeps and edited the dialogue a lil' bit. I feel very strongly that an immersive world is part of good storytelling, so I try and sneak details in wherever I can, such as the graffiti in the second panel. I am, in fact, unsatisfied with that graffiti. It's not magical enough. what does magical graffiti look like, I wonder? Do you guys have any ideas?

it's from my studies of the masters, here implying to Herblock the famous editorial illustrationist from the 1900s. studying his art and implementing my art style on top made me really hooked to this piece. I hope you all like it.

Edit: yhis drawing uses the new watermark basdd on my new watermark called " M.B.H." meaning

An old piece. It was previously very rough, but recent improvements in photo editing skills made it look better and better as time passed. Probably... my impression of a wondrous dream world? Music inspiration: Metrik - Freefall (Ft. Reija Lee)

Meditating alien

Meditating creature in soace

Chilling, meditating alien

A young elf is interrupted during her meditation.

Years ago, I sketched Gibby at work—pencil in hand, bold strokes alive with motion. I caught them from over the shoulder: just the back of their head, the soft curve of their face, and that focused arm bringing something into being. They were 9 or 10 then, already showing the spark of creativity and concentration that pointed toward who they’d become. Now in their mid-20s, Gibby is thoughtful, insightful—quick to listen, slow to speak, and wired to process the world with care. Their path has been remarkable: two degrees in 2.5 years, no debt. That didn’t happen by accident. It took grit, German immersion schooling, 16 college credits earned in high school, and testing out of 24 more once at university. That’s Gibby—quietly determined, resourceful, and steady. But their story isn’t just academic. Gibby’s always been gifted with their hands—drawn to set design, locksmithing, welding. Trades they wanted to pursue early on, and still feel pulled toward. They’re at a bike shop now. It’s not the dream, but it fits: their hands know how to build, repair, and reshape the world. There’s been frustration—maybe even anger—that we didn’t let them follow the trade route right away. I get that now. Life veers, and sometimes the path chosen isn't the one imagined. But Gibby’s resilience—their ability to adapt and press on—is what I admire most. They’ve embraced their journey with honesty, stepping into their identity as a they/them person, unafraid to define success in their own terms. That takes courage. I’m proud of them—not for a résumé, but for who they are. This old drawing isn’t just a memory—it’s a thread connecting past to present. A reminder that the creative spark, the steady hands, the deep soul I saw back then is still shining. So here’s to you, Gibby: the kid who sketched with fire and the adult who still shapes the world with quiet brilliance. Your value has never been about the path you’re on. It’s about the person you are. And I’ll be here, cheering you on—every step of the way.

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Having spent a good four to five hours today editing photos from a photography gig I undertook earlier this week, the title seems more than pertinent!

Love cartoon art-comics, panels, editorial. I am heavily influenced by Mad Magazine

Health matters. A healthy person can have several goals. A sick person has one goal. Make good choices, because they will make you. Easy to say. Not always easy to do. Eat well. Move with intension. Read to learn. Meditate and pray, and receive from that. Do what I say, not what I do. This writing is for me, not you.

Original meme: https://knowyourmeme.com/editorials/guides/what-is-the-nine-months-in-my-womb-meme-the-viral-look-like-his-stupid-dad-redraw-memes-explained

I love watercolors. (:-D

Wolfgang Amadeus Mozart In a 1782 letter to his sister, he gave a detailed account of these hectic days in Vienna: "My hair is always done by six o’clock in the morning and by seven I am fully dressed. I then compose until nine. From nine to one I give lessons. Then I lunch..." From "Daily Rituals: How Artists Work", edited and with text by Mason Currey.

Wanted to work with some color, felt like drawing clouds. Why not both? Made with Pixilart on my phone, doodled with my finger. Edit: This came out much more pale on my phone than I thought...I'll have to upload from my computer next time. :/

What my shadow might appear to be, in the simplest way for others to comprehend... There is more that what it appears. This is done with colour pencils and some photo editing.

Made with gel ink pen for a future art book about mediterranean way of life. Trying to add more detailed people in my drawings to make them more lively ! hope you enjoy

Made with gel ink pen for a future art book about mediterranean way of life.

Orange haired girl is my character playing with Tina credit to cayboychoreo.

I watched a yt vid of a doll show in Paris for this reference. This is a pretty grounded character credit to Reapookie.

Technical info: title: El Traje de Luz Installation in situ Inside the church Pzza Rena Merano Asfaltart Festival event 2024 edition / Long Night of the Churches Technique: Tempera painting on paper (selection of double pages of the daily newspaper Le Monde March/April/May 2024 with reports on the economic, social crisis and international conflicts) Size 5x7m = 16 double pages x 27 boxes = 432 double pages = 864 services/articles

The Watermelon Folk is an Acrylic painting on canvas measuring 61 x 61 cm. It is an intuitive painting. I practice Raja Yoga Meditation .which is an open eye meditation; so while I am painting I am in a meditative state. What appears on the canvas is straight from my inner being. If I like what appears I will let it live but if I don't like it , then it needs to go, and I will paint over it. My paintings go through many lives before they are complete.

"Moon Lady" Acrylic on canvas 61 x 61 cm. Intuitive work. This painting wasn't planned. My art evolves as I work. I am obsessed with colour and composition. All shapes and colours are edited as I work.