Doodle with Pentel brush, and posca! A little bit note to self. "In between goals is a thing called life that has to be lived and enjoyed." by Sid Caesar.
"Man on the Train: Hey, are you a dreamer?
Wiley: Yeah.
Man on the Train: I haven’t seen too many around lately. Things have been tough lately for dreamers. They say dreaming is dead, no one does it anymore. It’s not dead it’s just that it’s been forgotten, removed from our language. Nobody teaches it so nobody knows it exists. The dreamer is banished to obscurity. Well, I’m trying to change all that, and I hope you are too. By dreaming, every day. Dreaming with our hands and dreaming with our minds. Our planet is facing the greatest problems it’s ever faced, ever. So whatever you do, don’t be bored, this is absolutely the most exciting time we could have possibly hoped to be alive. And things are just starting" - waking life (movie).
°
So the other day I had a beautiful conversation about lucid dreaming with some friends. We shared amazing dream memories that we all had experienced and right the next day this sleeping beauty started showing up on a piece of paper.
What about you, are you a dreamer? :)
♠️
Scketchbook. Coffee and Ink.
School of galaxy fish. 2017
@ Ania Pawlik 2017
Part of an upcoming collaborated animation.
Littler teaser here: https://www.facebook.com/GalleryOnWheels/videos/1965707283643130/ Enjoy and stay tuned :)
Bearskullpine
A new bigger version of my earlier drawing
In the Finnish mythology killing of a bear was followed by a great feast in honour of the bear (peijaiset), where a substantial part of the celebrations consisted of convincing the bear's spirit that it had died accidentally and hadn't been murdered. Afterwards, the bear's skull was hung high upon a pine tree so its spirit could re-enter the heavens. The bones of the bear were then buried under the pine.
These are watercolor and pencil and ink drawings. They are 5 of 10 images of my hand from a child's board book from which I peeled the laminated pages and exposed the underlying cardboard. I have always struggled with a very large Port Wine Stain birthmark, and periodically make art about that, this one of two books this year.
This comic came out of a conversation I’m having with a friend. We both found it fascinating that so many comedians and creatives come from broken and dark places. Robin Williams said, “I think the saddest people always try their hardest to make people happy because they know what it’s like to feel absolutely worthless and they don’t want anyone else to feel like that.”
Little watercolor horses, they were fun to draw and paint and each seems to have it's own personality. Some look a little too much like a donkey though. lol
It's Weinerman Sam with his weiner schnitzel fam,
Putting sausages to bed like a good fam-i-ly man.
Doing ev'ry thing he can just to get them into bed,
For a restful night of sleep in a warm bun made of bread.
Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JosephCornell @masoncurrey
Recently I saw beautiful Van Gogh exhibition. I really enjoyed movement of his brush and vivid colours. It was more about energy and feelings than realistic details.
I am always gravitating towards realism and always want to spend more and more time perfecting paintings like they are never really finished so this time I decided to challenge myself not to do that.
