I find backgrounds in paintings challenging so I deliberately tried to make a more complex background with this one. I sometimes have difficulty deciding when to finish and in this case maybe I overworked the background a bit too much. Still, I feel I learned a lot from the process.
This is a piece I did for a short film about the life of a victim of sexual abuse, after all the court cases and conviction. The film wanted to show the side that you don't see, the director wanted me to paint a picture capturing that emotion. Although I have never been through it personally so I cant speak on the feeling, I hope this makes you think about someone who has been having a battle in their mind. Give them some love !
I had this bizarre dream recently that I saw some
maniac driving in circles around my neighbourhood in what looked like a Reliant Robin, ready to crash into whatever they could at any given moment… yes, my mind (awake or asleep) works in weird ways but it gives me ideas so, hurray?
My Sketch Book drawings = 15€ :) 36 x 27.5cm - shape seems to change coz photos have been cropped https://facebook.com/media/set/?set=a.1222732179673725&type=3 https://artdavidmeehan.blogspot.com/p/c.html +351 969 534 520 artdavidmeehan@gmail.com
Often I am given to making marks on paper that reflect the objects I see coming towards me as I gaze out the front car window. I do this exercise as a passenger of course. The goal is not the end product, but the process of connecting what I see with motor control. The product is an indication of movement and energy. Give it a try!
George Balanchine (1904–1983)
Balanchine liked to do his own laundry. “When I’m ironing, that’s when I do most of my work,” he once said. The choreographer rose early, before 6:00 A.M., made a pot of tea, and read a little or played a hand of Russian solitaire while he gathered his thoughts. Then he did his ironing for the day (he did his own washing too, in a portable machine in his Manhattan apartment) and, between 7:30 and 8:00, phoned his longtime assistant for a rundown of the day’s schedule.
- From Daily Rituals: How Artists Work by Mason Currey
“I like to do things certain ways and I disagree with everybody but I don't even want to argue.”
― George Balanchine
#dailyrituals #inktober #balanchine @masoncurrey
Jung here. Done with lead pencils on 11x17 bristol paper. One day I was flipping through Frrank frazetta art book I had and one of his painting inspired me, so I close the book and started to draw and this image came about. Original art is up for sale $90 (shipping fee will apply) USD email me jungmeister4@yahoo.com
Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar
https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
Recently I discovered a hard drive full of my old digital art from 2011, back when I first started digital art. I decided to challenge myself by redoing a piece from the hard drive to see what I could do with it with 11 more years' experience. I must say I'm pleased with what I can do now.
Done 2022 with lead pencils on 11x17 strathmore drawingl paper. just wanted to draw some image with some story to it cuz usually my drawing do not look like it has stories. Original art is up for sale $60 USD (shipping fee will apply) email me jungmeister4@yahoo.com. This prequel, it is revealed that the Cârța Monastery was built somewhere in Romania by a duke centuries ago. Becoming obsessed with dark magic and Satanism, the Duke attempts to summon a demonic force from the catacombs only to be killed by the members of the Vatican who then sealed the rift with the Blood of Christ. Hundreds of years later, the monastery was bombed heavily during the events of World War II, releasing the same evil spirit from its imprisonment. The demon had since taken the form of a nun as a means of blending with the other nuns as well as to mock their faith. Throughout the years, nuns continuously prayed in communion to combat the evil, but in vain as the demonic entity walked freely around the monastery all nights, in the form of a nun to mock their faith.
In 1952, Valak had slain several of the nuns, leaving only two survivors. Sister Victoria, with a key in hand, commits suicide in order to prevent Valak from claiming her as a host. Sometime after her death, the Vatican tasks Burke and Sister Irene to investigate. Valak manipulates the characters throughout the film ranging from creating mass illusions with the ghosts of the slain nuns to weaken Sister Irene and tormenting Father Burke by taking the form of a young boy who had died from a botched exorcism at his hands. Valak then buries Father Burke alive before luring Sister Irene to become possessed. When the catacombs began to flood, Valak tries to strangle Sister Irene to death. While inspecting her for any vital signs, Sister Irene spits the Blood of Christ onto Valak, burning it severely. The rift is then resealed. However, this would prove to not be the end of the Demon Nun as when the group was leaving, Frenchie, a French Canadian otherwise known as Maurice is revealed to have an inverse cross branded on the back of his neck. This segues to the original Conjuring film during a lesson the Warrens were giving about demonic possession. Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calaneder. https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
My sweet boy !!!! I'm sure I've spoken about my Latios before, but I can't help but bring him up again. He's been with me ever since Omega Ruby, and is currently waiting on Shield for his next big adventure
Children adorn our lives. They’re so innocent, carefree, and open to the world! They are not burdened by adult problems... If only we could be kids again!
And this is the painting re-done (Posted original the other day). Original painting was done in 2006! I'm sorting through my art--what is worth a little more work--and what cannot be saved!!! This has been an emotionally challenging project. For one thing, in many of the paintings slated for re-do, I'm looking into my past.
I passed this old workshop numerous times going from Carmarthen to Drefach-Felindre. Eventually I parked up and took a photo so I could sketch it. I love old buildings like this which seem to be everywhere here in Wales.
Sketching expression is important to me. I think this one succeeded. More often I miss the mark. Guess that is the price paid for sticking with art through thick and thin.
