Re-did an older animation I did as a still-doodle, just improved on the general look and feel of the scene itself. Tried to go much brighter than I normally do, color-wise.
my memory is my recent character i made so far inspired by serial experiment lain. my memory is partially self projection. a computer scientist who lost a student he was close with and saw them as their own spent 20 years creating a new project to commemorate his former student, emory. after 20 years, the project was a success, a humanoid machine has emory's memories stored in her and everything feels like deja vu for my memory. a confused and curious my memory must learn to function in society as a robot.
This is my first attempt at traditional egg tempera painting. The panel is a Masonite board from Michaels, but I need to use true gesso because the egg tempera will not adhere to acrylic gesso. Some of my favorite artists used egg tempera. Andrew Wyeth, Robert Vickrey, and Colin Fraser are all masters of this ancient and archival medium. I have been self studying this technique for months and I was very excited to start experiencing the medium. Egg tempera is like layering stained glass on top of stained glass. the painter can expect a luminous glow to take shape as the colors blend visually through the layers of paint - assisted by the chalk of the true gesso. Egg tempera has been described as the closest painting technique to drawing, hence my draw to this medium.
Drawing trees and other landscape elements was my daily routine for the last two months.
For two months, I've been developing my style.
It's essential to create consistently in one style for a long time. It's the way you get to know better:
- yourself,
- what you like,
- what you enjoy.
Drawing florals in the landscape scenery was a pleasure I gave myself on Friday afternoon.
Just a relaxing and creative process without any expectations is something every artist needs.
Give yourself a bit of pleasure today
I made this as a reminder for myself. My past and my environment might hurt me, but inside I am safe, I am enough, I am okay, I am minee. I'm experiencing hard times with trauma and other stuff, so I needed a reminder for myself. This is on my door now. I covered up some personal details, the white blobs. March 2020. Pastel on paper.
I am composed. I am more than just a label. Sometimes I'm happy, sometimes anxious (well more than just sometimes), sometimes playful, sometimes sad, sometimes brace, sometimes even too brave, sometimes creative, sometimes numb, sometimes... Oh by the way, I got a bipolar II diagnosis, for context. March 2020. Pastel on Canson cotton, honeycomb surface paper (32cmx24cm).
First portrait I ever made back in 2009/2010. This is my daughter, and she was 16 when she took this lovely selfie, and I just had to give it a try. I am very happy with it, and so was she.
Yet again, this came from a doodle... then from there, i just couldn't help myself & continued to add more fun & a few extra nutty bonus cartoons. Hence the number 6. A great caricature artist by the name of Al Hirschfield used to add & scribble his daughters' name into each drawing. He then would add a number next to his signature signaling how many times the name 'Nina' would appear. So in a similar way i too have decided to add a number but mine will simply offer a hint for how many extra cartoons i have deliberately added. Can u find them?