Now you seen cheery geeky side, I know wish to introduce my dark and horror side... This is something I drew last autumn. While growing up I always had a taste for ghost stories and eventually horror films... Creating demonic entities eerie and unsettling scenes... The Darkness... the unknown can be both scary... and exciting!
hi! here are some little self portraits in a semi-lineless and more cartoony style. i'm pretty pleased! my hair at the moment is probably closest to the second from the right, but the middle head is probably my fav style to have it in. hope y'all are having a lovely day and like this little piece!
xoxo honey
I was supposed to be doing homework yesterday. I did not. Instead I drew fan art of random thought bunnies me and my friend wandered through. So...enjoy. Floofs cuddling and being grumpy. Medium: Procreate on iPad. Time: I have no idea, wasn't paying attention.
Sunday morning, more than a decade ago.
Music, fellowship, and reports about what God was doing here and there.
Some things are worth remembering. We learn from looking back—
but we must live forward.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening.
* Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth.
* Symbolism:
* The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world.
* The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.
A little while back I started doing little triptych cartoons, something I could have fun with and zip off pretty quickly. Then I expanded them to four panels when it felt necessary. Some people think too deeply about my little toons and are confused about what's happening. I just tell them to look at it more simply, and not to overthink it. Like this one.
Recess just got more interesting at Hades Elementary when a new kid starts 2nd grade. The books float, staplers mysteriously attack the bullies, who is this kid and where did they come from?!
Yeah......that's all I got. I have had this idea for over a year and just let it sit there.
Main Character: Emily
New Kid: No clue?!?!?!?!?
Sounds like a cheesy manga title lol
This Is a cousin to the Shoebill Stork, his name Is Bootstrap Bill. (My Imagination for this one Is through the roof, and I'm extremely funny right??) Hahah.....ahahah?... .... .
Really wanted to erase mistakes but I think it’s interesting to leave em there to see if you’ve improved or not. Anyways, this is just practice ^_^ references were used
Starring Richard O'Brian: Science Fiction Double Feature (1975). Let me tell you a story about watching classic science fiction movies in the cinema. About sitting in the backrow. About the day the earth stood still. About what went wrong for Faye Wraye and King Kong. Tricolor linoprint using one linoplate. November, 2020.
Hi there, I wanted to uploade this art work as the quarantine quarter submission.. But due to my harsh luck the time was out...and I was late by 2-3mins...I was extremely sad about it but then thought to upload it on my profile only...so this is basically a drawing of me and my family enjoying time in this quarantine period :) and please please please tell any kind of lack in my this drawing... Hope you like it ;)
