(I had gotten some new fine-point pens last week, and I figured this was a good way to test them out.) Two very different things have been on my mind lately, maybe there's a connection? I think it's interesting how it's taken me 4 years to figure something out, become comfortable enough to open up to others about it, and then embrace it. Yet it's like living a double life, being authentic to some and keeping secrets from others. On the other hand, to the person receiving this drawing, I know I can't do anything to change the situation even though I wish I could. All I can say is I'm forever grateful for all you do, and I truly hope you decide to take advantage of all the opportunities coming your way.
April has truly started off on a high note: 3 days of warm weather (a rare occurrence in an early Chicago spring), I finally did double-backs to the floor at gymnastics, found out I won a few art contests, and I got my first COVID vaccine! It's nice to have things starting to work out, even if it is just temporarily.
I wanted to draw a crowned animal with a crest on top of its head. Originally , this was colored with colored pencils but I didn't like how it looked so I tried to save it by painting over it with acrylic paint.
Inspired by Stephen Gammell and Scary Stories to Tell in The Dark.
1. Graphite Powder
2. Charcoal
3. Charcoal Powder
4. Kneaded Eraser
5. Electric Eraser
I have no mouth and I must scream! ink, watercolour, gouache and gold leaf on paper, 75x50cm, 2020, POA. Another artwork created in lockdown. A reflection of and introspection into thoughts and feeling of living during a pandemic.
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
hello:) the themesong of my favourite series is stuck in my head and i love it. drew this some time ago. love to sit under a tree drawing, reading or just look at the sky and this inspired this drawing hihi. have a nice day!:)
At the top of Pentregwenlais near Llandybie is Gwenlais Quarry. In itself, the quarry is quite beautiful with its sheer rock faces and the way that nature has started to reclaim it. This scene is one of the paths that leads down from the top of the quarry back towards Pentregwenlais. I was going to do it as a pen & wash but by the time I'd finished with the watercolour I thought it was too complex to start putting ink in there. Watercolours on watercolour paper (6x8")
Gwenffrwd-Dinas is an RSPB nature reserve out in the wilds of mid-Wales. You could easily miss it driving past, but if you do park up, you're treated to some gorgeous scenery. Here the river Tywi (the longest in Wales) flows past the wooded riverbank then through a rocky gorge on its way down to Carmarthen. Pen and watercolour on watercolour paper (6x8").
