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'Hug a Friend Today' a quick pen and watercolour 12 x 12cm drawing = 15€

This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling. Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.

Ben Freeling reminds me of someone. Hmmm. . Ben Freeling (Haunted Hotel) ©️ Matt Roller : voiced by Skyler Gisondo. Dipper Pines (Gravity Falls) ©️ Alex Hirsch : voiced by Jason Ritter. Hunter (The Owl House) ©️ Dana Terrance : voiced by Zeno Robinson. Finn the human (Adventure Time) ©️ Pendleton Ward : voiced by Jeremy Shada

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Toad Drawing Sketch Study by Oz Galeano Instagram: https://www.instagram.com/arte_ozgaleano/ Comissions: https://ko-fi.com/c/775fa10e7d Donations: https://www.paypal.com/paypalme/ozgaleano Youtube: https://www.youtube.com/@OzGaleano?sub_confirmation=1 Patreon: https://www.patreon.com/Ozgaleano Shop: https://www.inprnt.com/gallery/ozgaleano/ TIK TOK: https://www.tiktok.com/@oz_galeano Behance: https://www.behance.net/ozgaleano KO-FI: https://ko-fi.com/ozgaleano/commissions

"Ghost" ©️ Mystery Skulls

The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live. Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.

Jimi Hendrix, fun, doodle, splatt

In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

Ps i hadn't drawn Cleetus from flamingo on their own in an while was his commission pt 3 i drew 1 month ago yet again in the sneezy art era aka last time i drew him sneezy art era and Due is busy drawing other YouTuber flamingo fanarts lolz

Post-Apocalyptic Pastime In a world where decay replaces diamonds and cracked walls echo memories of youth, a lone figure stands ready to swing. Post-Apocalyptic Pastime reimagines America’s favorite game as an act of defiance—finding hope, peace, and play amid the ruins. The graffiti and broken skyline hint at what was lost, but the stance of “LEE 01” reminds us that even in the aftermath, the spirit to keep playing endures.

A whimsical yet haunting reflection on the passage of time, From Time to Time imagines a fragile machine built to bend reality itself. The “Tempus Machina” stands as both invention and relic — humming with promise but tethered by a frayed cord and a warning: Watch Your Step. The cracked wall, warped floorboards, and distorted clock hint that tampering with time comes at a cost. Blending humor, nostalgia, and existential tension, Patmore’s work transforms a steampunk curiosity into a metaphor for our human impulse to repair, rewind, and relive what’s already slipping away.

A whimsical yet reflective scene blending humor and nostalgia. Ty Patmore transforms an ordinary tavern tabletop into a surreal narrative—where a whiskey bottle doubles as a rocket, a lighthouse watches over the horizon, and every object hums with quiet irony. Mixing ink and graphite with storytelling detail, this piece captures the playful spirit of escapism and the bittersweet comfort found in small rituals.

"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.

A captivating exploration of form, this work features an imaginative flower with a distinctive, almost sculptural head. The smooth, folded petals suggest a soft resilience, like a fleshy, protective helmet, while delicate antennae reach tentatively toward the light. The long, winding stem and minimal leaves anchor the drawing, creating a strong vertical movement. Rendered in a mix of colored pencil and graphite, the piece uses subtle shading to give the subject a remarkable three-dimensional quality, making it pop against the neutral background.

This captivating drawing by Ty Patmore (2025) beautifully illustrates the final stage of a dandelion's life cycle, transforming the common weed into a subject of elegant art. The central, spent head of the flower is rendered with intricate texture, while the detached seeds are given a light, airy quality as they float away. The subtle shading and focused color on the stem provide a grounding element to the otherwise ethereal composition, making it a perfect piece for anyone who cherishes the simple, magical moments in nature.

A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed. First posturing: -A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual. Second posturing: -A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement. Third posturing: -The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing. (Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)

A striking jellyfish is depicted with flowing, colorful tendrils. The intricate lines in vibrant blues and oranges give a sense of movement and grace. This image captures the delicate beauty of marine life with an artistic flair.

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Collage inspired by Kyle Henderson.

A birthday card I made for my friend in Australia.

You know you can always count on me, friend Like no one else, I've gotten used to the coldness of the stone So I can be with you often Silver rain will wash away the tears of the Dread Sky I will rise with the sun… I will rise with the sun… - Valyrym.  Referring to the story "The Dragon In The Dungeon" Some say I'm hitting the point. So I strike again. When the Writer dies, the World creates a seemingly imperceptible void, a void waiting to be filled, greedily begging others for revelation.  For the next One to take its place in this great spiral. Light. Narrow tunnel. Echoes. Arise. Rest in Peace Coyote - Of The Wilds was a talented writer, author of many fantastic stories which he never managed to finish. He was able to convey true, deep emotion through words, through many unfinished stories. Now, through the ending of the Story. These stories have contributed a lot to my life in 2020, as I wrote about in “Split Of… Personality”. Like for many others, he inspired me to create. I wrote “Split Of Fate”, deleted it, now I'm bringing it back to life, but I also have other plans - regarding the stories of Of The Wilds… but more on that later… This was difficult to draw. Difficult without getting eyes wet. Just a quick doodle… Well, if I were nearby, I would place an apple on his grave. 

What started out as a bored doodle has become this. I'm rather proud of it, hoping to add water colors soon

(PS I hadn't drawing Felipe & junior on an date in 6 month's / now almost 7 months l exp last time was Jeffpayricks day 2025 the one where Felipe had his childhood bff non blood related friend named junior back in March 2025 for st jeffpayricks day in pot of gold together was last time i drew the 2 together on. *Ps:not my bestest work yet but its great tho! Due colors r too bright and its an Finished rn i draw this 3 person drawing on this.

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Ps i hadn't drawn Happy Boyfriend aka chad from flamingo on the last Jeffpatricks day 2025 group drawing but last time i draw him in group or i hadn't drawn Happy Boyfriend aka chad from flamingo since my very first Sneezy art post (shout out to u if u seen it) but last time i draw him on his own was sneezy art first post but Due busy drawing other YouTuber flamingo fanarts and some original ocs lolz agains

King of the rot King of decay Worlds will end, upon his say King of the rot King of decay Is all you bring, just misery? Upon my cries i heard him say “Yes its true, I’m father to dismay” “Loathe me, hate my ways” “But look beyond the death” “You find in my wake” “I may swallow life” “I may bring pain” “But how beautiful is the rose that blooms on the grave?” “How soft to the touch is the grass, after the rain?” “I am the king of rot” “I am the king of decay” “But i also bring new life to the day” #embracingnightmares