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Hey boos. I'm sorry I haven't been posting often. I've been really depressed recently. This morning, I though about ending it all. But I didn't. It was to close to Christmas and I didn't want to ruin anything for anyone again. I'm sorry guys. I'm so sorry.

In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

Dont fall!

I tend to use line art a lot and did this in Procreate to practice breaking free. It was gonna be a T-Rex per my son’s request but it evolved into a squirrel-like creature. Still made the T-Rex too later.

Once, my parents and I visited the zoo, I came here very often because my parents let me go out every weekend, as well as to let them relieve the stress at work. Every time I come, I visit the king of the forest. Its body is also very large, it is short, not as tall as zebras or antelopes, but on the movie channel we see that it can catch those horses. Why so? It is because they are so fast even though they are short that it does not become the tiger's limitation. Its whole body is covered with a beautiful plumage of black and orange, which looks very beautiful. The color scheme on that body is also very delicate. In places like: the neck, inside the legs… there are beautiful white hairs that look like cotton cream that I'm holding.Its fangs are very sharp like large, sharp needles. Every time people feed it, those sharp teeth come out looking really scary. It used those jaws to tear raw meat into pieces. The tiger's paws have very sharp claws, the very paws that help it grab food. I like it because it is a powerful and powerful animal. It is that curiosity that helps me get closer to it and see it in every position. And the weekend comes to see how it grows bigger and stronger.

Acrylic on wood 42x19cm

hope you like,,,,,,epic leyend?

Only took like 2 hours. Honestly, this is the hardest I have EVER worked on a digital piece. Surprised I even got this finished in one sitting because I have been pretty nauseous today. @Hirsch I hope I didn't mess up qwq. By the way, are we friends? Sorry if I seem weird for a stranger but I just need a quarantine buddy. It's ok if we aren't, I understand, I'm only a random kid on a platform of other strange people, so it's alright indeed. (P.S. I'm in a super good mood today because I got a new Furby :3 I'm so weird)

"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere. In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.

Drawing up my friend's OC again. I tried to make him in a more dynamic or badass, but I couldn't do it. So, I went with this pose and focused more on the lining.

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A friendly, Sunday afternoon sketchbook

I was trying to do more details and do more complex drawings, it kinda made the colors a lot harder :( but I thought it was super fun

I made this based on a photograph that made me think a lot about my friends and how we connect with each other

I think they had a disagreement... (my friends and I like to challenge each other to draw random little scenarios like this...try it, it's pretty fun!)

So I did one of these with a couple of friends over on dA, where we each sketch something then ink the lines of someone else, and digitally colour the third, and as they both chose to draw their characters I scrapped the squid-creature idea to jump on the bandwagon as well! I need no excuses to draw Verus

This two horses are bit older but still not so bad in my eyes. Will draw when have my other artwork done again a horse... maybe some differences to past. The left horse was from a friend a horse. "Buddy" unfortunately dont living anymore.

Geometric pen drawing detailed with stippling. What started out as a simple mountain doodle turned out to be a bit more chaotic than I'd anticipated but I like the end result!

Ending the night with something a tad maximalist here!

Oil pastels on board. I used terpenoid to blend the pastels like paint on the canvas. From my latest art class.

Final assemblage - manual drawing enriched with digital elements, A5 format The punch line: An external, independent force ruined the morning by shattering the cup. Fate took its share. The question is: Does this same external interference have the power to destroy the rest of the day? Does one rotten fruit have the chance to rob all the others of their flavor? The sun will shine no matter the situation. Choice and acceptance don't have to be mutually exclusive!

I spent christmas holidays 2015 inking a very small children's book as a present to my friend's kids. About 20 pages or so. Here the main character of the story is tuning the instrument owned by The Strange Animal, with help from The Whistling Compass. A terrible noise from The Magical Forest was disturbing the night sleep of a local king and the problem was solved thanks to our protagonists skills.

A request by a friend to doodle their Dog. Not sure of the breed. Hope it turned out okay :-)

Dutch kitties. A picture for a friend to make her smile.

Emotionally speaking, this is definitely the hardest pieces I've made so far. On July 18th, 2019, an arson attack on Kyoto Animation's Studio 1 left 36 dead and 34 injured, one of the deadliest mass casualty incidents in Japan since the end of WWII. KyoAni has some of the best working conditions in the industry and have made some of the most iconic anime to date, including Clannad, A Silent Voice, and the show that got me started on anime, Violet Evergarden (as seen in this drawing). I sent this drawing to them through their website, and there's a good chance it was displayed along with thousands of other fan submissions in Kyoto this past November as part of a public memorial service. While this was a tragic blow to the company and community, they're healing and getting back to their feet, and I can't wait to see what they create next.

Daily drawing of the Joe Rogan Podcast guest, Brendan Schaub; podcast host, ex-mma fighter, stand-up comedian. Pencil drawing and colored in Procreate.

My mind is on Puna so much lately. I love Hawaii...was born there and rediscovered it as an adult. I stay in Puna area when I go, in little houses I rent, or once, housesitting for a friend. This drawing was made one day when Mom and Dad and I went to Pohoiki to sketch. This little cottage and park is in the path of the flow and may already be gone. You can no longer drive there as the roads have been cut off by the lava flow. My heart goes out to all Hawaii residents dealing with this massive lava flow, and the VOG that goes with it. There might be a few weird reflections in this as I had to take a pic of it on my screen to get a file large enough....I gave the original to a friend who lives near the park.

So much noise presses in— screens, engines, endless chatter. But silence is not gone; it waits in a turned page, in breath, in light, in the hush between sounds.