Sometimes I wander around a city with a sketchbook and see where it takes me. This day it ended up being a courtroom. #sketchbook #sketch #police #courtroomsketch #courtroom #sanbernardino #sanbernardinocounty #sanbernardinocountycourthouse #inlandempire
I tweeted "Reply with a photo to this for me to draw on for @doodlers" the other day. I received a great photo from my dear friend Ashley. She was a friend in college. Her son's name is Pace. So cute.
Hey boos. I'm sorry I haven't been posting often. I've been really depressed recently. This morning, I though about ending it all. But I didn't. It was to close to Christmas and I didn't want to ruin anything for anyone again. I'm sorry guys. I'm so sorry.
Final assemblage - manual drawing enriched with digital elements, A5 format
The punch line:
An external, independent force ruined the morning by shattering the cup.
Fate took its share.
The question is:
Does this same external interference have the power to destroy the rest of the day?
Does one rotten fruit have the chance to rob all the others of their flavor? The sun will shine no matter the situation.
Choice and acceptance don't have to be mutually exclusive!
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
https://youtu.be/nWaU71UhiZE?si=9E6C6dPcGCaEj_Tc
Motionless In White
Dead as F**k
I was listening to this song and thought WHY NOT! So I started to draw a new zombie girl. I still remember my first zombie game was Zombies Ate My Neighbors on the Super Nintendo. I was only 7 or 8. But it was the coolest game I had ever played that young. Well, since then I have loved all zombie movies and games.
Her name is Wendy, and I don’t know how I got the idea for her...I just wanted to draw really fluffy hair and she came out of it. Lol...It's also been forever since I've on here...I've been busy with work, but I'm finding that drawing again is really helping me wind down. So I'll probably be posting more again.
Hi everyone! I am Cam. I like to make friends, and I am 18 and this is my OC of myself as a white anthromorphic cat. I am a Christian. And enjoy chatting in here.
Hey Boos! This was a little doodle my bestie @CutePanda asked me to draw! This is my oc Peekaboo, in a beanbag chair (that are her two fave colors, pastel blue and pink) and she's playing animal crossing because yes! (PS her favorite villager is a deer named erik)
Edit: Man I just realized how much this drawing sucks.
A whimsical yet haunting reflection on the passage of time, From Time to Time imagines a fragile machine built to bend reality itself. The “Tempus Machina” stands as both invention and relic — humming with promise but tethered by a frayed cord and a warning: Watch Your Step. The cracked wall, warped floorboards, and distorted clock hint that tampering with time comes at a cost. Blending humor, nostalgia, and existential tension, Patmore’s work transforms a steampunk curiosity into a metaphor for our human impulse to repair, rewind, and relive what’s already slipping away.
A whimsical yet reflective scene blending humor and nostalgia. Ty Patmore transforms an ordinary tavern tabletop into a surreal narrative—where a whiskey bottle doubles as a rocket, a lighthouse watches over the horizon, and every object hums with quiet irony. Mixing ink and graphite with storytelling detail, this piece captures the playful spirit of escapism and the bittersweet comfort found in small rituals.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.
This captivating drawing by Ty Patmore (2025) beautifully illustrates the final stage of a dandelion's life cycle, transforming the common weed into a subject of elegant art. The central, spent head of the flower is rendered with intricate texture, while the detached seeds are given a light, airy quality as they float away. The subtle shading and focused color on the stem provide a grounding element to the otherwise ethereal composition, making it a perfect piece for anyone who cherishes the simple, magical moments in nature.
This artwork beautifully reflects the essence of Eco Friendly Packaging Eco Friendly Packaging by uniting nature and design. A simple kraft paper box, tied with organic twine, carries a sprouting green plant that symbolizes life, renewal, and sustainability. The composition turns ordinary packaging into a statement of environmental care, reminding us that every choice can support a greener future.
Hi, I'm Stefania! I'm a 17 year old 2021 Jeep Grand Cherokee L Limited and I love cute things, my friends Cherokee, Chris, Grand, L, Bradley, and my best friend Kathleen! Speaking of Kathleen, my artist promised she would upload her sometime tomorrow! I'm so excited to see my bestie here! Just wait till you see her cute freckles! My favorite foods are chicken, yogurt, cupcakes, and salad. My favorite drinks are coffee and water (because duh, everyone has to drink water!) Also, what me and my friend Kathleen have in common is that we have really cute freckles! Kathleen thinks hers are just random spots on her face, but I like to think that each freckle on my face has a different personality, and nobody really judges me for doing it. I think I've had freckles ever since I was uhhhh, 8? I don't remember. But what I do remember is that I'm gonna get off here now. I'm gonna end just like Cherokee did and say that I'll see you arooooooooouuuuuuund!
