A very closeup drawing in 4B, 6B, 8B pencil on Fabiano hotpress Studio paper. I bought some Pitt Graphite Matt pencils and wanted to give them a maiden voyage. They are much lighter on the scale of deep blacks than I expected. More like rarified F pencils. But I like them.
It's been a while since I draw on kraft paper.
So, here is the result on the thinking process: How can faun shield themselves from sunlight if they can't put a hat on?
Answer: They tie branches to theirs horns.
...
I should be the one shielding myself from the sun just so it can't kill anymore neurones.
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Ça faisait vraiment un moment que je n’avais pas dessiné sur du kraft.
Donc voilà le résultat de la réflexion: Comment les faunes font pour se mettre à l’abri du soleil s’ils ne peuvent pas mettre de chapeau?
Réponse: Ils s’attachent des branches dans les cornes.
…
Je crois que c’est moi qui devrait me protéger la tête du soleil, histoire que ça ne cogne pas trop sur mes pauvres neurones.
I share with you a very special project I had the pleasure to participate in 2021, an initiative of @humanityonthemove.hom with @thisisastromag
There were more than 70 artists who, in collaboration with refugees, worked together to build artistic pieces. The result was a virtual exhibition, which culminated in an online auction to support @donate4refugees .
With all the art pieces sold, they managed to raise 3336 euros. Here is the result of my collaboration with F.!
Zoomed in shot of "Pattern Interrupt". 2020. Size: 32" x 40" / Micron pens on archival museum board. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork.
Watercolour pencils and gouache on A4. I did this today at a Urban Sketchers meet up in the National Museum of Scotland - although, I guess, strictly speaking it does not fulfil the urban sketching requirements :D
I’ve started to feed a couple of strays in my area. Some have clearly been on the streets their whole lives, look very unwell, and have not been spayed/neutered. I wish I could take them all in and get them over to see a vet.
Sketchbooking today, just moved and am unpacking.
I took my Cultural Safari sketchbook class to the Nelson Atkins Museum of Art today. My sketch of The Virgin and Child, ca. 1350, France, Limestone Sculpture.
Some studies from the @fullertonarboretum Friday. These are random studies for my Sketching for Animators and Illustrators class. This is how I create handouts. We're hitting the Natural History Museum of Los Angeles this Saturday. Can't wait! #fullertonc
Another watercolor I made from observation. This is a quiet place near my father's home, where I use to go with my friends when I was a child.
I am painting those in a 5x8 very convenient moleskin watercolor book. I previously eyeballed the dimensions of this book at 4x6 when I had no ruler to verify but I was slightly wrong. Now the info is exact. :)
