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Heuristically programmed ALgorithmic computer

Superstitions: Virginity. The most bizarre superstition about virginity was the notion originating from Central Europe that a woman who gave birth to seven illegitimate children thereby regained her virginity.

JUST FLEURS

Superstitions: Nipples According to a strange middle-european superstition, it is possible to tell from a man's nipples whether or not he has fathered children. If they are pink in colour, then he has not - while if they are brown, then he has! https://www.instagram.com/p/CE9eRXBBeRQ/?utm_source=ig_web_copy_link

Superstitions: Nightmare The 'nightmare' was originally believed to be a huge spirit which settled on people while they slept and gave them a feeling of being stifled - and in Europe an old preventative for this was to place a knife or something similar at the end of the bed, as it was well known that the denizens of darkness feared iron and steel.

from the "Seeds" series.

The Black-and-yellow Broadbill (Eurylaimus ochromalus) is a species of bird in the Eurylaimidae family. It is found in Brunei, Indonesia, Malaysia, Myanmar, Singapore, and Thailand. Reference: @hokduan. More like this on: https://www.instagram.com/camilojulianc/

Animaux origamiques répétés et rapprochés pour former de manière subjective un vêtement ou un accessoire. Un animal seul est représenté par illustration. L’animal donne une indication sur l’apparence du vêtement en suggérant une texture, une nuance, une odeur. Dans la série, « lipstickrabbit » fait référence au testing des rouges à lèvres sur les lapins.

Dyptique aux couleurs chaudes. Art brut, style bande dessinée. Acrylique sur toile.

Victory Through Prayer Medium: Water Color Markers on Illustration Board Size 2' x 4' Year completed: 1991 This illustration is part of a collection of artwork I did while in the military entitled, "The Army Years", I served in the Army National Guard for 5 years, and the regular Army for 4 years. One of the main reasons I got out of the military is because I didn't have much time to do my artwork. While I was stationed in Germany I did a few posters, and banners for a German/ American Playhouse, and I was in a European art show. This illustration was done during The Desert Shield / Desert Storm, during this war, many soldiers were afraid that our military equipment would fail to function due to the desert sand. While I was stationed in Germany, I attended a Christian hospitality house, that ministered to military personnel, and their families. I knew and heard of soldiers who died or were wounded in the war, we prayed for God's protection for those we knew were in harm's way. I believe the reason the casualties were low for the collision force is that God gave them a swift victory on the battlefield. No one should think that it was just might, and smart bombs, Iraq had the 4th largest military in the world. The Bible teaches that God causes the rise and the fall of nations. Decoding the symbolism : The " v " with lightning bolt shooting out of it =God giving the collision forces victory over Iraq's military. The large bold eagle with the arrows in its right talon, and with it's left talon open to attack, = the U.S. attacking Iraq. The banner made up of the flag of the collision, tie to the eagle's open talon= The U.S. leading the collision nation in the war against Iraq. The necklace with the cross attached to it, around the eagle's neck = God protect around the U.S. forces, the result of intercessory prayer of Christians. The flag of Iraq illustrated in the shape of the geological area mass of country, being shattered by the lighting = God judging Iraq, by giving the collision power to conquer Iraq and occupy her land. The land mass colored red at the bottom corner of Iraq = the country Kuwait, that Iraq invaded, that was the cause of the war. Written by Stephen J. Vattimo October 12, 2008

watercolor painting I made from observation last summer in a scout camp.

an odd little sketch of mine.

Last month, on Artefact Challenge, I was the one choosing the theme. After what I got them, I think it'll be the last XD These were two characters meant for Okhong, for an eventual PONIES event, so I keep them for myself. To the left, Fi, the unicorn centaur, on the right, Tak, the draft-horse centaur. One of them is a mean killing machine, and it's not the draft-horse. Fi: What did you say about my WIFE? Tak: Dear: No. --- Le mois dernier, pour Artefact, c’était moi qui devait choisir le thème… Je me demande si ce sera pas la dernière vu ce que je leur ai sorti XD Il s’agissait de deux personnages que je voulais sortir pour un éventuel évent PONIES d’Okhong, du coup, je les ais gardé pour moi. A gauche, Fi le licorne centaure, à droite, Tak, la percheronne centaure. L’un des deux est une machine à tuer, et c’est pas la percheronne. Fi: Qu'est ce que tu viens de dire sur ma FEMME? Tak: Chéri: Non.

Faenggen Forest giant from South Europe Switzerland, Germany, Austria. Is also descriped as a witch or elfes.

This theme describe well how my Xocolatl, born and raised near the equateur, feel about European winter. She doesn't quite care for it. (She is a jaguar/peacock centaur. Her pet is an inverted griffon, front of a cat, backside of a hen. Her name is Nugget.)

This picture was a participation to one of Creads' contest. I had to create a mascot for a french animation convention, with the theme CMYK. So... hu... I actually don't remember why I made the kitty six limbed, but hey, I'm not surprised by myself. Contest page https://app.creads.fr/u/recherche-illustrateur-dessinateur/concours-japanexpo-chara-design-2017/creation/417135/show

Art !? Enough fucking around with art! Fucking idiots! Where is fucking here? cardboard 100x 70 cm

Français : Réalisation du portrait de @Anissa Arfaoui dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. English : Realization of the portrait of @Anissa Arfaoui as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 and the dissipation and vapor of television memory. https://www.pierretomyleboucher.fr

Français : Réalisation du portrait de @Anaïs Baydemir dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. English : Realization of the portrait of @ Anaïs Baydemir as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 and the dissipation and vapor of television memory. https://www.pierretomyleboucher.fr

Français : Réalisation du portrait de @Alexia Mayer dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. English : Realization of the portrait of @Alexia Mayer as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 and the dissipation and vapor of television memory. https://www.pierretomyleboucher.fr

Réalisation du portrait de @Béatrice Benoît-Gonin dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

Réalisation du portrait de @Olivia Schaller dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

Réalisation du portrait de @Valérie Maurice dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

Réalisation du portrait de @Olivia de Lamberterie dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

French : Réalisation du portrait de @philippe-collignon dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. English : Realization of the portrait of @ philippe-collignon as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 and the dissipation and vapor of television memory.

English : Realization of the portrait of @Nathalie Schraen Guirma as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 and the dissipation and vapor of television memory. French :Réalisation du portrait de @Nathalie Schraen Guirma dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

Realization of the portrait of @Myriam Seurat as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 (French television) and the dissipation and vapor of television memory. Réalisation du portrait de @Myriam Seurat dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

Réalisation du portrait de @Sylvie Adigard dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.