A young woman tossed into a strange world in an attempt to prevent harm to hers, discovers she is connected to it in ways she never imagined. Violet is declared to be a new Archfey Queen and budding goddess of Magic. Having been raised in a world where magic was thought to be an archaic belief, to suddenly being it’s master throughout the eons was needless to say, a terrible shock.
I had some inspiration from H.P. Lovecraft and Disney. The tentacles come out from under her dress. I guess I'm embracing my inner villain or anti-hero, she is...disturbing but in an innocent sorta way.
I have a little Moleskine (3.5 x 5.5) notebook that I only draw skulls in. I started in November of 2013 and I do one whenever the urge strikes me. It's not like a skull-a-day thing but sometimes I do get into a period where I will draw one every day for a while then I won't draw any for months. I even lost it for a while and was very sad. I think the longest gap between pages has been a year. This is the most recent skull, drawn on 05.28.2018. Most of them are posted on my Instagram but you have to scroll back a ways to get at the bulk of them.
These thoughts are in my mind daily. I take care of my 91 year old father. I'm certain he has dementia but I can't get his doctor to diagnose him. He can easily pass a competency test, even though he is no longer competent. My mind is messy, to say the least.
*Ps:not my bestest work at all! even I took 11 days on this aka 1 an half weeks on it and I liked finished ver better then inked ver!* (finished ver is better)*
(Ps emma fan pride month is very soon
It was just a dream. When I woke up and realized my subconscious was telling me something before I even knew. He never let go...I did. Dreams have a way of inspiring me.
Acrylic on river rock. Believe it or not, except for the sun, I only painted over lines that were naturally in the rock...you can even faintly see the outline of another saguaro to the right of the shadowed one!
The symbolic painting "Expectations" is filled in with both literal and metaphorical meanings. Time passes very quickly, but when we are waiting for something, it practically stands still. Expecting an event can be unbearably tiring, or it can be enjoyable. It all depends on the circumstances. And everyone can remember something similar. The girl depicted in the painting is possibly expecting a child, or perhaps some other event. She gently hugs the clock, a symbol of time, like the belly of a pregnant woman. This expectation reveals all her inner feelings, doubts, fears, and hopes associated with this event. Time drags on for an impossibly long period, so long that it seems to her that she has already grown old from this expectation. In the painting, the artist indicates this with the gray hair of a young girl. Despite the long wait, the girl smiles and hopes for the best. The artist used warm pastel colors of oil paints on canvas with gilding. The painting was created using clockwork to enhance the meaning. The artwork "Expectations" is part of a “Time” series of paintings with clocks.
The result is not as good as I imagined. But anyway I want to share it, because:
- others may find it great,
- art taste is subjective,
- even if it's bad, you can receive a constructive critique or tips on how to improve it.
Don't be afraid to share your failures. They push you forward. You can learn a lot from them.
Another little fox drawing. I loved the reference picture and wanted draw a smiling fox. Even was the first time I tried to draw the nice fure... red, orange, yellow, brown, mahogany makes the wonderful red fure which I do love.
Wanted to paint something soft - something my kids might like. What is more gentle and peaceful-looking than a sleeping koala? Check out the full timelapse painting here https://youtu.be/IxmUol8dsBs
"The painting ""The Girl in a Shirt"" is one of the paintings series ""Her"".The artwork is painted in oil on canvas with wide textured strokes of a brush and a palette knife. In the work, we can see the opposition of a gentle female image and deliberately careless aggressive rough strokes of paint. The artist plays of black and white hard contrast against delicate pastel colors. The girl depicted in the painting feels
constrained by external conditions, which prevents this painting from having an erotic value. The girl nervously tries to unbutton her shirt in order to get more air and freedom. Her pose is not balanced, which shows even more uncertainty and indecision. That's why this artwork is considered rather dramatic."
segments , steps, blindfolded, a difference of language between the body and something subtle , lack of movement.click -switch! the union of body and soul , the disappearance of the blindfold from the eyes and the flight between the immensely endless bright layers of fields .I am very curious about the sophisticated nature of things and phenomena: myself, people the Universe, I like to consider and feel them like a multi-layered cake, where each layer has its own history, worldview, and even its own temperature. I love to listen lectures of charismatic lovers of philosophy, design, music, human psychology and I enjoy the excitement it brings and the birth of new layers inside me. I rarely manage to silence my inner critic and for many years I have been learning how to be able to do it productively. I am still in the process though. I treat my life as a long voyage, changing directions and yes - sometimes those around me. I understand that even 24 hours a day is not enough and I definitely realize that my life today is much more colorful and interesting than when I was 20 years old.
Day two of my art training! It took way too long, haha. So, anyways, this is my DnD character, Pox's, dad. I have no idea what to name him because lately, I have been very uncreative. Anyways! This guy is the god of illness and poison, and is just generally really cool. I like him, even if I don't like this drawing all too much.
I drew this mechanical horse. I had this idea of making my favorite animal with gears and plates and all kinds of weird stuff. Eventually it grew into this large drawing. Mechanical Horse - Mixed Media (Ink and Procreate) - Janelle Dimmett 2026 - www.janelledimmett.com
Sorry that I haven't posted anything I just have been feeling like bleh. I can admit quarantine makes me a little depressed even though I'm an introvert, I guess it combined with the rain gives me an excuse to stay in my room and never come out... Okay so there is some really sad news for the wonderful people that follow and support me... I am leaving next week, I have to give my computer back to the school... I might come back mid summer.... I might come back during the beginning of the year... I might forget about this super positive platform (not likely unless I go back to Deviant art (also not likely)... I will miss you guys and I'm only posting 1 more time after this post... Thank you... all....
The fight which happens in everyone's mind at
some point. To go beyond the comfort zone.
That can be whatever you are ignoring but which
is going to expand you
It can completely tear you apart but eventually
you'll be in peace with it.
hahaaaa... sad times... I had a friend who had recently shot himself, and while everyone else with this prompt drew birthday parties and other kinds of happy surprises, I drew this, you can only imagine how concerned my art teacher was. Also, the lack of sleep I had was wearing on me, I spelled surprise wrong so I had to go on paint and correct it. It was the beginning of the school year and my friend had killed himself just at the end of summer break, when I was so busy having fun in the sun, it was the most surprising event I have experienced. So I tried to paint a beautiful scene with bright colors with a depressing scenario so that it wouldn't really match up... aka surprise.
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
Re-watching the series now. Really liked the general concept, visual character design and the action scenes. It even inspired me to make an AMV about Korra >> https://www.youtube.com/watch?v=-TIidatQrw8
It was nice and refreshing to see a (physically) strong rebellious female character, something different from a usual portrayal of female characters. However something went down the hill and I'm struggling to go past the 1st season hehe.
I know, Korra and the whole series are quite controversial and I understand why, but as a female myself I was inspired by this badass female character (well, as I explained, until some point, but nonetheless). Anyways, hope you enjoy my drawing ^^
Program used: Paint Tool SAI
This is part of my daily Sketchgrind day 22. Well, I wasn't eating my lemons and now I am infected... Remember prevention is better than the cure - keep healthy and have some lemons.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
Galacons are these giant space robots, and there's two variants. The Solar Galas are much larger and thinner, and sport huge solar sails like frills along their necks and tails, a few even have sails on their long limbs, somewhat like wings. The Solar Galas are surprisingly passive, despite hosting hundreds of concealed turrets (some with EMP missiles), blue/white laser flames from their mouth cannon, and smaller lasers from the lights down their body and limbs. The Solar Galas can hold fleets of cruisers in their chest-like docking bay, and smaller ships down the rest of its body to the hips. Solar Galas are still dangerous though, as their diet consists of metallic asteroids, and small ships can be mistaken as food. Magma Galas (not featured in drawing) are much more bulky, sporting massive drills on either side of the head, as well as drills instead of front claws. They also have much larger and more powerful lower jaws, also used to tear through planets to eat the cores. Though they're much smaller, most have huge tails to store lava/magma, and most can spew superheated laser-like blasts of white magma from their mouths and tails. Magma Galas also have extremely tough armor all down their body, the largest having plates nearly 80 miles thick. They are hyper aggressive until they find a planet to bore into and slowly devour, however if attacked while feeding they won't hesitate to vaporize their enemy.
