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Debbie Clapper Debbie Clapper
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Pattern Study 16: Red

Simple study in straight line doodling.

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Ben Ben
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Montpellier tram

Work in progress with perspective and reflexions

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Debbie Clapper Debbie Clapper
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Pattern Study 15: Light Blue

Geometric pattern doodle - all freehand! Markers used: Posca Pens

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Ben Ben
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Eddie Izzard

The British executive transvestite comedian extraordinaire.

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Debbie Clapper Debbie Clapper
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Pattern Study 14: Black

Doodled out a simple circular pattern repeat study.

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Stephen Stephen
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Peter took His Eye off Jesus and began to sink.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

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judy g judy g
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a little sketching experiment

i haven't used just pencil in a while so i thought i'd try it out. i think it turned pretty well. i love constructive criticism, so feel free to hit me up.

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Debbie Clapper Debbie Clapper
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Pattern Study 12: Blue

Quickie pattern study doodle with Posca pens.

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Debbie Clapper Debbie Clapper
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Pattern Study 11: Red

Boxes… upon boxes… upon boxes…

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Debbie Clapper Debbie Clapper
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Pattern Study 10: Green

Swirly doodly pattern study time!

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erik cheung erik cheung
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Knowledge

Done on 24 in x 48 in gallery wrapped canvas! Wanna hear me explain? Watch 'The Canvas' entries on www.patreon.com/erikcheung

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Zygotegarden Zygotegarden
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Tree Monkey

I find backgrounds in paintings challenging so I deliberately tried to make a more complex background with this one. I sometimes have difficulty deciding when to finish and in this case maybe I overworked the background a bit too much. Still, I feel I learned a lot from the process.

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Jeanne Rose Gomez Jeanne Rose Gomez
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The Beauty of Hope

"Beauty of Hope" as one of the original painting I donated to charity and it was auction in exhibit. It was one of my favorite painting so far. I used koi watercolor and a fabriano 200 gsm paper. Most of the color I used are blue, green, light green and yellow and a bit of orange. The metallic gold paint was one of the color that added flavor to the painting.

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Judith M. Mosley Judith M. Mosley
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Ancients

Acrylic paint and hairdryer art

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Lindsay Baker Lindsay Baker
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Krysten Ritter

It's official. I've gone to the dark side and fallen in love with acrylic gouache - specifically the Liquitex one. If you'd like to read my detailed thoughts I've put them in my blog ( https://www.lindsaymadeit.com/2020/03/05/acrylic-gouache-review-new-portrait/ ) , but otherwise, here's my first painting with them.

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Debbie Clapper Debbie Clapper
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Pattern Study 7: Pink

Freehand triangle pattern study doodle created with Posca Pens.

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Andrea Andrea
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I am composed

I am composed. I am more than just a label. Sometimes I'm happy, sometimes anxious (well more than just sometimes), sometimes playful, sometimes sad, sometimes brace, sometimes even too brave, sometimes creative, sometimes numb, sometimes... Oh by the way, I got a bipolar II diagnosis, for context. March 2020. Pastel on Canson cotton, honeycomb surface paper (32cmx24cm).

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Jeanne Rose Gomez Jeanne Rose Gomez
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Imperfection

And most of the time, imperfection is the way to see the balance of life. It's where you see and understand the most beautiful lesson that we will carry upto the end of our existence.

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VictoriaRoseMartin VictoriaRoseMartin
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Sketchbook Page

Flipping through the sketchbook for inspiration.

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Debbie Clapper Debbie Clapper
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Pattern Study 6

11x14 freehand pattern study.

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Oscar Bestenbier Oscar Bestenbier
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Portrait

Exploring my talent

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DD DD
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Shapes

Dry and wet bristles in Krita. Getting somewhat familiar with them. Need to remember to do actual background planes next time.

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Jeff Syrop Jeff Syrop Plus Member
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Slug Monster with Caveman Head Balloons

Slug monster child excitedly holding caveman head balloons.

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Ryan Ryan
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Feather Fields

First experiment using a pair of Japanese calligraphy pens that I recently got. Finished off with a charcoal pencil.

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Richard Taylor Richard Taylor
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London Street, Excelsior District, San Francisco

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David Terrill David Terrill
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Cadaver Drawings
1/4

So thankful for this experience that I shared with my class today. For the last 3 spring semesters, I’ve had the opportunity to take my KCAI Cultural Safari senior sketchbook class to draw from donor cadavers. Every year I am reminded of how amazing and intricate the human body is. I am also humbled by the generosity of the donors giving their remains to train young physicians. The conversations that result from these encounters always prove to be enlightening and inspirational. These are a few of my drawings I made.

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Samantha Samantha
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Painful Truth ^idk i suck at naming stuff obviously^

I don’t know, I doodled on my hand and took a photo of it and edited it. I personally think it looks cool but that’s just my opinion. -I have depression, and have been/am a cutter so that explains the words written.

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AKU NAPIE AKU NAPIE
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Explore

Using white in on a3 size mounting board. Work on progress my detail work. Just using one pen.

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Debbie Clapper Debbie Clapper
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Pattern study 5: Light Blue

Freehand hexagon pattern study doodle. Made with Posca pens.

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Antony Siganakis Antony Siganakis
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Character sketch 1

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