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so I did this cause I wanted to see how my anatomy was being put to a test. It came out better than I had expected.

Second up in the "uploading progress pieces since I get questions about my art process" is a Teenage Mutant Ninja Turtle print I'm working on for a convention. This is the rough sketch, next up I'll clean it up and do my guide lines for inking. Hopefully I won't have to redraw Donatello

Exploring the opportunities of my only three colors: ultramarine deep (pb29), cadmium yellow medium (py35) and madder lake red light (pr187) P.s. and my waterbrush too

Pencil on paper. Getting back into the swing of things.

Eve is a continuation on my series of portraits. This piece represents my maturing technique and style as I begin to experiment with creamy consistencies. The painting displayed my ability to capture facial expressions. My trip to Paris, France influenced my painting style. I was struck by the realism and drama depicted in various compositions, but also the lack of diversity. This piece is named "Eve" questioning whether the holy subjects depicted in European art were, in fact, part of a different race altogether.

Beaten mention through words that of a dark age reveal vines that bleed into the hearts of many. To present your reflective waves, to be ridiculed by voices lacking the complete understanding. In thoughts, a depression emerges.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

The inspiration for this collection came from a conversation I had with the Founder and Executive Director of the Underprivileged And Underserved Foundation (UAUF), George Goodwine. While discussing race and whether or not every opportunity was fair based upon someone’s familial structure or “starting line,” I was asked the following questions. How does someone overcome these hurdles? How can the playing field be leveled to make things fairer, when others may only have 50 hurdles to overcome in the same competition? My response was simple. “The person in front of 150 hurdles has two choices. They can either get discouraged before they begin, or start jumping. In the midst of the race they might get tired, unsure, or discouraged, but if they press on to the finish line they may become more physically fit than the person who jumps over 50.” I used to dance ballet and at the time, there were a lot of hurdles I had to overcome solely based upon inconveniences that came with being raised in low-income, single parent home. Above are pencil sketches and sharpie drawings that I have drawn from actual photos. I plan on making these images my own by adding more abstraction and vibrant color to them. Over the course of the project, stay tuned to see how these pictures will transform into a work of ART!!! Check out my artwork at theservingartist.com

Done with dip pen and black Talens Indian ink. The dip pen is very old, 1967, I used it at school when I was 10. The next year we started to use fountain pens. Only the nib I used was ofcourse new.

This is an expression of human relations.

further practice in extreme angles, adding facial features

© 2017 Joe Blend. All rights reserved. — Artwork made by redacting words in a newspaper article to create a haiku. A contour drawing was added using white ink, to convey the meaning behind the haiku (note: the word "the" was added by using semi-opaque tape to remove the word from a different newspaper article). The piece was scanned into Adobe Photoshop for small adjustments, to prepare for printing.

As one line informs the next, I bring you my Alter-Ego series drawings. Pen and ink on paper. 2012. ©Tabatha Jarmulowicz

A form of poetry in which you make up your own language.

Photographic experiment.

Macro photography exercise.

A surprise scribble done on a whim, and I did not expect this myself. The drawing progress felt very smooth and sleek, almost like it felt more natural to draw characters in this style over my "usual" serious mode.

Squid Wit has never really felt like a person, a human... especially when it comes to gender. Continue to check out my comics to see where Squid Wit goes next!

In the words of Captain Kathryn Janeway: "Do it!" . Esther reminds me of someone. Hmmmmm.... Art by me by hand, colored pencil art. .. Esther Freeling ©️ (Haunted Hotel) Matt Roller : voiced by Natalie Palamides. Louise Belcher ©️ (Bob's Burgers) Loren Bouchard : voiced by Kristen Schaal. Michelle Green (The Green Poncho) ©️ (Craig of the Creek) Matt Burnett & Ben Levin : voiced by Michaela Dietz. Wendy Corduroy ©️ (Gravity Falls) Alex Hirsch : voiced by Linda Cardellini

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(Ps its my 22th / 23th time drawing my oc Junior in my Sneezy art and doodle addict era and forth time in my counter social era but not my first time drawing my sml trans woman Jewish 6'2 woman oc exp I drew her during her now being 9 months pregnant btw still. (PS 9th junior drawing on sneezy art and 5th time on doodle addict btw.) *PS photo 2 inked ver is better is better then photo 1 is finished ver.* *Ps: it's not my best work at all! But its tge one i rilushed the whiteout process to do someone bday art so far! But it's bit if an downgraded remake of last time an few days ago even I took 4-5 days aka almost an week to draw this I started it on oct 13th and finished it on oct 16th and I hated than last junior I made last time and its better then the the 2023 ver from dev art era. (Ps shout to those dev art users who saw the og vampire junior in 2023!) (Dorry if remake duspointed u future remake ne better whiteput nib job i rushed it for Maxwells 17th b-day request.) (Ps jeffoween 2025 is here but came bit late this year

Abusers are minimizers. Abusers are gaslighters. Abusers are liars. Prejudice is always abusive. x x x Part of a series of drawings. You can find more lying vegetables here: https://www.furaffinity.net/view/62376633/ https://www.furaffinity.net/view/62298147/ https://www.furaffinity.net/view/46199210/ https://www.furaffinity.net/view/46226637 x x x “We can disagree and still love each other unless your disagreement is rooted in my oppression and denial of my humanity and right to exist.” -Robert Jones Jr.

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このデザインは私の Patreon でレター サイズで印刷可能で、価格は 3 ドルです | This design is available on my Patreon in letter size to print for $3 | Este diseño esta disponible en mi Patreon en tamaño carta para imprimir por $3: https://www.patreon.com/posts/renziya-ranger-136543377

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Child portrait in graphite. It is never easy with graphite to get the density dark enough - graphite tends to be grey and glossy. This is my most successful attempt yet.

Teddy Bear's Change of Seasons - Sophie's Christmas included! Is beautifully written and illustrated, Teddy Bear’s Change of Seasons includes four charming stories, wonderfully rolled into one children’s novel.  Teddy Bear and his friends create magical ways to explore and learn about the snow-white, wonderful world they live in, which changes from summer to autumn and into an unforgettable Christmas.  Teddy’s journey of self-discovery through four seasons, Christmas included, begins in a magnificent old-growth forest, but Teddy is stuck inside a dark and lonely place. His dreams look far away and out of reach, until Teddy rescues a small mouse, who is desperate for help. From this one act of kindness, Teddy's life changes in ways he never imagined, bringing him close friends, a new loving family and the kind of challenges and adventures other teddies have never encountered before.  This is a dream of a book, the perfect snuggle-down bedtime story, accompanied by hot, sleepy cocoa.

This striking black and white ink drawing personifies Time as a dark entity surrounded by flying souls. A half moon hovers between two hourglasses, symbolizing the passage of time, while smoke billows from two pit fires below. The scene is grounded by skulls and bones, emphasizing the theme of mortality. The artwork is elegantly framed in a gothic style, enhancing its surreal atmosphere and dark symbolism, inviting viewers to reflect on the inevitability of time and its impact on existence.