This artwork was inspired from snapchat, an app which I really love. I took one of my favourite filters and drew it on a person. It was an interesting experiment, I got the idea of google! Anyway I think it went really well. If you wanna see more of my art head to my YT and subscribe. Sorry I haven't been posting for a while, have a good day bye!!!
This is a 19 in by 24 in oil painting on Bristol paper. I love this piece because of the textures and the bright but muted colors. I did this in 2019 in the spring at the Fashion Institute of Technology. The professor always pronounced "fruit" in a very bazaar way. It was a great class overall.
One of my favorite Mammals, the Pangolin. Like a mix between an Armadillo and an Anteater with a prehensile tail. Yes, they do actually exist. :P (it's done in pencil, and I just added a green filter to it to liven it up)
My drawings depict figures that are created from my imagination. My figures are distorted and usually out of proportion as I prefer not to be constrained by reality of what we see around us . My work typically is done using a simple black biro. I find the act of drawing a vehicle to express and explore ideas in figurative forms.
This a figurative inspired abstract sketch using layers of pencil crayon. I wanted to express an individuality and togetherness at the same time. I also wanted to experiment with space, shape and depth.
Spring in St. Petersburg. Several years ago. It’s actually an exercise where you need to add something extra to your urban scene, like splashes of stamps
P.s my laptop also got some splashes alright
This art piece underlines the duality of eastern and western cultures. I love when they combine.
I’m a first generation Canadian with Indian descent.
My artistry shows that duality of co-existence
an illustration from the dragon pearl book - he showed his mother the pearl that he had found. She was delighted and they decided to sell it the next at the market. With the money from selling the pearl they would not go hungry for a while. She took the pearl and to keep it safe she put it into the nearly empty rice jar.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
I am quiet and sharp, strong and calm. I learn from the trees, I become the tree, I nurture the soil while it gives me back, and let the energy flow throughout the universe. I am a master, I am a slave, for the existence of them before me verifies my frivolous character in this game.
Réalisation du portrait de @Brigitte-Fanny Cohen dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Réalisation du portrait de @ Laurent Bignolas dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. Laurent Bignolas est un journaliste, syndicaliste et animateur de télévision français dans l’émission Télématin sur France 2.
Here's a portrait of Yuko Shimizu that I'm working on for an IlloStories project (check the group out on Facebook).
I took her pose from one of her photographs, then used colours, patterns and textures that were inspired by her artworks.
This could be a front page for a book about her, or maybe a page for when her story reaches this point!
Beneath the wonderful realms of expression compose a vibrancy in relaxed waves into the dreams of limbs that enchant the viewers. Ability to portray kingdom of soothing pleasantness, yet a loud inspirational spirit that seems to flow within us all. By these imprints on eyes to the mind, what does one see here?
A creature happily roaming lands to question and feel the wonder in realms delightful. Eyes through trees, feathered expressiobs, loud poetic verses. Wood realms unveil an interesting reality here.
Watercolor sketch for an acrylic painting I’m about to start. I messed some of the elements up but it’s so nice to have some kind of expectation as to what I want it to look like instead of painting blindly.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
