Zoomed in shot of "I'll Sleep When I'm Dead". Created in 2012. Size: 22” x 30” / Micron Pens on Archival Paper. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork. 2019 kinda looked like this. It had a lot going on. Lots of changes. A close friend of mine predicted 2019 would be "The year of change", and she was right… at least up in my neck of the woods. Anyway, it has been full of good, fun and challenging things – all worth while. Excited to dive into 2020.
Rad experience joining a local drawing group for the first time yesterday although I didn't realise how inconvenient my backpack was going to be, it made me slow to set up / pack up and a few of us had to organise a locker at the gallery as we didn't know backpacks weren't allowed so I spent most of today sewing a bag/sketchbook cover which fits an A4 sketchbook, pencils, id and phone and also has some backing in it so I can easily sketch on my lap without dropping my stuff all over the place. I'm going to do a bit more work on my weird comic book page tonight but in the mean time this is my sea serpent digitally coloured, he lives at Apollo Bay and likes to sleep camouflaged amongst the lifesaver rings.
Hey guys, hope yall had a great weekend! I couldn't resist doing another iPad drawing on using the Sketch Create plug-in this weekend.
I think its awesome that you don’t even need to buy app to do drawings like this-Simply get this Edge extension!
A print of one of my pen and ink drawings…
Comes as a high quality print on 12 mil . paper.
Signed and packaged in an acid free sealed sleeve.
approx. size:
8″x10″
Packaged with care and mystery extras…..
It's an odd feeling to reexperience the old anger and frustration I thought I had overcome, but, in all reality, I've been letting it creep back in for a while now. There was a moment of fear, it's still in the back of my mind, I'm afraid to slip back into the mental place I was a couple of years back. I'd like to say I've finally realized that it's ok to be afraid, and even a bit frustrated, but it's a matter of how I handle those emotions and my own reactions that make the difference.
First illustration of Tehuacan tetra, Astyanax tehuacanensis that is endemic to the Río Salado (Gulf of Mexico versant), south of Tehuacán, Puebla, and part of Oaxaca, Mexico. Technic: mixed media (graphite and digital color).
Overwhelmed...started as a little tiny sketchbook sketch and turned into my statement about recent events. It complements my previous post "Fevered Dreams." Bic ballpoint pen on archival 9” x 12” paper, scanned into Photoshop where the text overlay was added. Model: Jose
Whew! Baby yoda was fun to draw and gave me an excuse to get familiar with some of these brushes. The original sketch had a special guest, so you might see this one pop up again in the future. Hope you like him! .
An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
One of my favourite series. I'm trying to strike the right balance between the abstract and the realism, and I think I try to do that through my use of colours. It's the most rewarding feeling when you use unexpected colours and they come together somehow! Acrylics, watercolour pens and posca markers.
Happy to sharing with us my final plate of Dwarf Jay (Cyanolyca nanus), there are a few illustration for this taxa that is endemic to Mexico. Dwarf jay show patterns of occupancy consistent with habitat specialists. Like raccons, Dwarf Jay have a black mask and is predominantly blue. Technic: hybrid media (graphite, colored pencils and SketchBook Pro).
Painted as a project for My Painting Environments class: https://skl.sh/32Khrti
I am studying and working on my environment paintings, focusing on building textures and painting with light. This was submitted as my project for a Painting Environments course. If you have any advise, tips or comments on this painting I would love to hear from you. Thanks!
Epic Valley Project parameters:
- Hugh, expansive valley with mix of grassy and rocky terrain
- Haunting, dramatic sky with rays of light beaming
- Stone formations
Experimenting today with an oil transfer drawing technique. The red and purple lines are oil drawn/transferred to hot press 140 pound watercolor paper with watercolor applied. The oil resists the watercolor.
I have dragged this typewriter around for more than 50 years. I found it in an antique store when I was in college. It's still fully useable, except that it's REALLY hard to find ribbons. Basically, it's just another object to dust. But it is a beautifully made object. The basic shapes and perspective were blocked in with a 2H pencil, then I used a Sakura 005 micron pen to do the contour drawing.
Over a year ago, I finished my Robin Williams portrait, and I decided I wanted to create a series of different black and white portraits. So far, this is the happiest I've been with a piece in a while. There's no expectation, there's no real pressure on this, it's me falling in love with painting again. I've only been working on this for a week, so there isn't a ton of progress. I suppose I'll reveal who the person is later once more progress is made but for now, enjoy.
Drawn from a garden photograph. This took me much longer than expected. I kept stopping because I was getting discouraged. I still don't like the leaves, but there's not too much I can do about it at this point.
