I take pride in experimenting with different photo exposures to bring out new dimensions in my creations. My work never feels complete, as there's always more room for exploration. I invite you to view my upcoming uploads from all angles as I bring them to life through my artistic expressions, such as dance, writing, or meditation.
Part of a personal project I'm working on right now, to experiment with unfamiliar art styles and practice lettering skills by drawing animals. This is my first foray into cubism-inspired artwork (definitely don't claim to be an expert on actual cubism)--it was way more fun than I expected! I think I'll be trying some more...
I've started an experimental phase of my art journey. It's a challenging time for me. I try to draw and paint using different techniques, brushes, and color palettes.
I'm on the way to exploring my artistic voice.
I hope it'll be a great time to share my thought and emotions about this.
The 1st thought I can say is:
I need to be an explorer as often as possible. It allows me to look inside myself. It allows me to get to know myself better. It's very motivating.
This is was more of an experiment as I wanted to see what black ink would like on paper with an "aged" like background. I think it came out quite nicely but I also think that the black ink might seem a bit too bold. I'm not really sure.
Spent some time last week trying to work through a new digital painting/colouring technique . It needs some more work and I haven't decided if I like It yet or not. One of the images turned out blander but the original skin tone was very orange I did like the brush textures a lot better on the orange skin but the lighting feels better on the purple-toned image.
Daler Rowney and Winsor Newton do a watercolour called Sepia. I absolutely love the tone of the Rowney one and had a play with it here. I'd really like to do a proper sepia painting some day.
i haven't used just pencil in a while so i thought i'd try it out. i think it turned pretty well. i love constructive criticism, so feel free to hit me up.
Ever have one of those days when you want to pull your hair out? Here it is in black and white! I was experimenting with white ink in a journal with black pages.
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
Part of a personal project I'm working on right now, to experiment with new art styles and practice lettering skills by drawing animals. The color palette and symmetrical motifs in this one were inspired by the boats on Lake Xochimilco in Mexico, which is the last remaining place wild axolotls live.
