express

It's always fun to come to the Art gallery of the assheads, marginal artists of the World of Fantasy. Today I have seen the picture you are looking at, it made me interesting, as more people worked on it, not considering the picture as a whole, nor the work of its predecessors. Then, out of a large cardboard box, an old man came out and came to me. There were two big holes in the box, so I realized that the guy was looking at me from the box for a while. - Do you like the picture? - he asked. His eyes, red from lack of sleep, staring at me. On the old clothes he wore on himself, there was a stain of color. - I was impressed with - I said cautiously, knowing the unpredictable nature of people who deal with art - Did you do it? His face was stretched into a smile, a few teeth that he had left, flashes from the mouth cavity. - Yes - proudly erect his chicken breast an old man - Inspiration wore me all the time! He looked at me with a look that required my other questions about the image, need to tell any story, to anyone, about his work, was in it taut like a catapult. - What inspired you? - I ask the old man, and he barely welcomed the question and said: - Last week I was visiting my friend Jergon, the King of the Dwarves. (His statement that the mighty King of the Dwarves his friend was so incredible, that it must have been true. Assheads usually have unusual life stories.) "It is well known to you that the dwarves appreciate their privacy, keep their place of residence confidential and may be ruthless if you disturb them. As a friend of Jergon, "the old man says," I have surely passed the territory of the dwarves. As I approached his home, I noticed more and more than the vicinity of his underground apartment - in the old roots - was edited by the gardening techniques of the dwarves. Dwarves worship their king and their nature makes them do something for him every day. For example, to clean the weed and planted rare plants and flowers around his house. Some day they polished the old root under which the King lives. So the environment of his house went out completely artificial, unnatural. The king is angry because he now has no privacy, his home has become like a public park, sweet hide, dear dwarves, was taken away from him. He told me. "Dear friend, if you think it's nice to be a king, you are not right. Everything has its own price." This visit inspired me to paint this work. - I nodding my head as if to understand how much potential was in that situation, so inspiration was a natural consequence. - Art freedom is expressed here - I said to the old man - maybe with the King of the Dwarves, on it, the picture was even more effective. The old asshead looked at me strictly and asked: - Did you see the King of the Dwarves? "I did not even see an ordinary dwarf," I admitted. The old man looked at me for a moment or two with a disappointed look, then he turned and entered the box. I felt a look from the box on my back as I left the gallery.

A 3 format, mixed technique. "My dissatisfaction with my progress in magic is growing," I said to the wizard Cirilo Bum, "I want to quickly become a wizard and not stagnate in the place." "Every creature, so the wizards, have their own way, and always travel, even if they stand in place," the old wizard answered. Then make a quick gesture by hand, a piece of paper was created in his hand. Give me the paper and say: "This is your way, the way you will have to pass before you feel the pleasure of becoming a wizard. When you get to the green path, you've almost succeeded." This paper, the picture you are watching, was a weak attempt by Cirilo Bum - one in a row - to express his artistic side. - If there is a magic spell or magic process in the picture, it would be good - I mumbled sullenly - what is this drawing at all? - The drawing contains all the answers. You have to start thinking with your head, think a lot, if you want to become a wizard - sighs Chirilo Bum - You are on one of the yellow points. The picture shows two tracks, each you need to cross. Paper, namely drawing, is a world of magic and witchcraft. The world of witchcraft, then, touches on the real, material world. I was studying the picture for a while and all I've concluded is that the green trail is not connected to another path. "There is an error here, it is impossible to reach the green path," I said to the wizard. - The only one who learns and understands the material world in which he lives is advancing in every sense - answer me the wizard Čirilo Bum - if your ground is firmly under your feet, it is easier to climb the path of witchcraft. On the other hand, too long a stay in the world of magic may end up with a fall in the unknown. I nodded because I did not get the answer I needed, so I went to the forest. "Do not forget to clean the house, my boy," Cirilo Bum told me as I left. I was in the mind other things, the formulas I found in the old books of Cyrus Bum. (Speaking of these magical formulas will lead to the appearance of five giants (Mato Bumps, Bruno Biceps, Miro Mass, Karlo Stone, and Alayas Him) in the world of Fantasy.)

sketching at the art museum , 6"x8.5"

Freehand lineart in the zentangle style

Just to express the feeling when saw from the window of the aeroplane

Inspired by the Neo-Classical period, I pushed myself as an artist to portray subjects in an idealistic fashion combining drama and artificial lighting. The subject is my sister who modelled as a reference, enabling me to control the shadowy effect over her face. The dim lighting and dark background resonated with the period style, focusing on the facial parts that are visible. The end result looks like she is emerging from the darkness. A somber atmosphere is illustrated through visual expression. Adding the fast drying oil on the brushes improved the blending of the colours on the canvas which was especially useful when it came to applying strokes on the face smoothly. Visit https://www.martiaposts.com for more

Heard the ladies love butterflies... This is usually followed by a "Not Amused" facial expression.

Inspired by the symbolism of the cherry blossom flower, which represents beauty and strength, as well as the expression, “Life, Death, and Renewal”, this piece completely embodies this expression, reflecting on the harmonious balance between human and nature. Each unique detail, from the soft elegance of the cherry blossoms, the chaotic nature of the setting, followed by the expression of complete calmness of her delicate features, helps portray the turmoils she once faced, and how she overcame her fears and saw her true beauty.

Part of a series of four illustrations I will be posting more of, based on poems written by children. These were made for a uni project working with Grimm & Co, a charity that enables children to express themselves through writing.

Part of a series of four illustrations I will be posting more of, based on poems written by children. These were made for a uni project working with Grimm & Co, a charity that enables children to express themselves through writing.

An image to be odd in these waves of loud expressive words. Walking creature amused in the dance that extends to the thinking realms deeper. Relaxed be the sight of a wonderful ride.

Beneath the wonderful realms of expression compose a vibrancy in relaxed waves into the dreams of limbs that enchant the viewers. Ability to portray kingdom of soothing pleasantness, yet a loud inspirational spirit that seems to flow within us all. By these imprints on eyes to the mind, what does one see here?

Color marker drawing, improvisation upon psychedelic state of mind. Book page opening size A4 / 2016.

A creature happily roaming lands to question and feel the wonder in realms delightful. Eyes through trees, feathered expressiobs, loud poetic verses. Wood realms unveil an interesting reality here.

Lad who wishes to gift lady beautiful expression to unveil a sense of happiness and love. Sweet thoughts in hand that bloom branches further.

Good thoughts roaming in wonderful expression. Through cemetery, woods of mystery, and these silent stones they walk upon. A conversation emerges.

Bright booze confirm an odd expression of sorrow and a look to lively eyes at this dance. Calamity surges through waves by which may emerge discomfort.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I just wanted to capture the beauty of the architecture. These are some random sketches i made to express my view.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

Pencil sketch

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

Retrospect

Watching my mind. Is there anything that is not moving and changing?