This was so enjoyable to do. Hand drawn using black 0.03, 0.05 and 0.1 fine liners on A4 medium cartridge paper. 22.5 hours of work and made my eyes hurt!
I love creating work that starts from a point in nature and develops into something more abstract, something that can be interpreted in many different ways. It’s interesting to hear what people see, what connection to their own life they bring when viewing a work.
Raise a hand if you've ever been pressured into any kind of physical activity that made you uncomfortable. Raise your hand if you've been raped, touched, pressured into sending pictures, or anything of the sort? A lot of you, ey? Bet you dunno who to tell, or how to tell em'. Or maybe you don't even want to tell them. But you still feel so many strong emotions about it, or maybe you don't feel anything. No matter what the case is, what you are going through/went through is valid. You are valid. I hope this piece finds you well. And if you don't understand this piece that's ok, don't judge it though hon. Ain't nobody got time for ur judgment. OWN YOUR GODDAMN STORY. IT'S YOURS DONT YOU DARE LET SOMEONE ELSE TELL YOU OTHERWISE OK SWEETIE?
Freehand sketching in ink from a photo reference I found online, to practice conveying that lots-of-stones look without drawing all the stones (photo credit: K. Mitch Hodge). Micron pens + alcohol markers.
Dreaming of that face again, its bright and blue and shimmering. Grinning wide, and comforting me with its three warm and wild eyes — tool - third eye (#embracingnightmares)
Part of a personal project I'm working on right now, to experiment with unfamiliar art styles and practice lettering skills by drawing animals. This is my first foray into cubism-inspired artwork (definitely don't claim to be an expert on actual cubism)--it was way more fun than I expected! I think I'll be trying some more...
