Model with Flowers Portrait Art by Oz Galeano
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The 3rd planet is sure that they're being watched
By an eye in the sky that can't be stopped when you get to the promise land
You're gonna shake that eye's hand...
~ modest mouse
Isn’t this girl something! The eye makeup and the amount and volume of black colour really turned my head. Fur and layers. Red and black hair. Something to draw with ink!
Due to financial/logistical reasons, I can't do literal linocuts as often as I'd like, so I draw my illustrations in reverse, flip them digitally, have them printed, and then color them in by hand. The result is basically an "artist's print". I only make one of each. These were watercolor, but I've recently discovered gouache, so keep an eye out for future pieces that incorporate that.
A very closeup drawing in 4B, 6B, 8B pencil on Fabiano hotpress Studio paper. I bought some Pitt Graphite Matt pencils and wanted to give them a maiden voyage. They are much lighter on the scale of deep blacks than I expected. More like rarified F pencils. But I like them.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
Progression image 4 of 6. 11x14 Marker paper, Medium Graphite Pencils (asst. B-5B). This is where I felt the piece coming together. I spent a lot of time working on her left eye.
