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face

Spearmint Chalk Spearmint Chalk
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The Fall of the Tower of Babble

I take a lot of Genesis as an allegory for birth and maturation, both individually and collectively. The Garden of Eden could easily be interpreted as the womb, and we are all cast out of it at some point. Genesis 2:24 says "This is why a man leaves his father and mother and bonds with his wife, and they become one flesh." Though people use this passage to refer to the tradition of marriage, I think that it speaks to something much, much deeper than that. Literally, when two people copulate, they create a child that is of one flesh. They do not "become one flesh" because they engage in a ritual institution and are now "to be viewed as comprising a single identity," but they literally become one flesh because their genetic compositions are joined into a new being (Mark 10:8 and the two shall become one flesh.’ So they are no longer two but one flesh. 9 What therefore God has joined together, let no man separate.”). That being said, I read somewhere once that babies born in every part of the world make phonetic sounds from pretty much every language in the world. It is only after a period of time that they start to key in on certain sounds that the people around them are making, and it is only after that that children key in enough to start developing more advanced language skills (typically). However, in this original state, there is a freedom. There are no assumptions. There is an innocence in that state. There is a lack of judgement. There comes a point at which babies/young children begin to mimic and to incorporate what they are experiencing from the creatures around them into themselves. To small creatures with an undeveloped sense of self or reality, the caregivers around them may as well be gods, at least from their perspective. They will learn from these gods around them and will begin to embody their cultural beliefs, their language, their idiosyncrasies, and their perceptions, often on a deeply unconscious level. Adults contribute to that quite thoroughly and somewhat consciously. (Genesis 1:26 Then God said, “Let Us make mankind in Our image, according to Our likeness..") (Genesis 11:7 7 Go to, let us go down, and there confound their language, that they may not understand one another's speech.) In our own way as individuals, we are each a Tower of Babel, and at some point, for each of us, that Tower fell. Barriers to communication of so many kinds were created for and/or by us. Perhaps we still spend time constructing new barriers and thinking up new ways to distance ourselves from the rest of our kind. I chose to use the phrase "materialism" to express how children engender these attributes of caregivers and others alike. However, this can easily be exchanged for a phrase like "socialism," or "corporate capitalism," or nearly any other thing that you can probably think of. Children are like sponges. They soak up even more than we realize. Most widespread religions in the world have some form of renunciation belief or ritual wherein an individual must 'cast off' the old self and put on the new. This is because, regardless of where or when a child is born in the world, the perspectives of the people around them raising them will likely leave much to be desired. It is necessary for beings to continue to learn, and this often entails a serious consideration of what was instilled into them at an earlier time. It is quintessential that we question and evaluate these things since the state of the world will have changed by the time that we reach maturation. The ideas that people gave us may apply to a world that is already different. The story of the Tower of Babel may refer to a state that earlier humans lived in, perhaps on a shared continent, in which the manners in which they communicated were similar. Then, at some point, perhaps these same peoples went off on their travels and developed new languages. In a funny way, we seem to do that as individuals. At some point, we strike out on our own, even if only a little. Though we may differ on surface level behaviors and in the symbols that we use to describe the human experience, human beings are more or less fundamentally the same. We let our differences create so, so, so many barriers between ourselves and other beings. Just think of all of the harm that things like xenophobia, racism, intolerance, and a lack of an ability to communicate verbally with one another have done to our species. Even beyond that, just think of how easily we dismiss the inner lives and inner experiences of creatures different than ourselves simply because they do not communicate verbally with us in our preferred tongue. Research is overwhelmingly in support of other beings communicating with others of their kind, whether we as individuals acknowledge it or not.. Some of us are just really into denial about it. We could achieve remarkably wonderful things, if only we would learn to recognize the similarities of our experiences. (Matthew 19:6 So they are no longer two, but one flesh. Therefore what God has joined together, let no one separate.”)

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Mike Mike
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4 Funny Faces.

A funny sketch I made of 4 different and funny looking faces. Alittle practice on "funny" art. Aren't you glad that god has made all of us different and unique?

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Luu Hoang Phuc Luu Hoang Phuc
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Rudeus character when angry.

This character is well known and has appeared many times in various comics and cartoons. The character I created has a face that contains a lot of sadness and is sometimes very ghostly. Many compliments to the author for creating this mysterious and magical character. ------------------------------ The work was created by Luu Hoang Phuc and posted on December 3, 2012 and the work was exclusively posted on two platforms Facebook and Doodle Addicts. The work was created by me using PaintTool SAI software, I am the owner of this work. Copying and re-infringing it is considered copyright infringement and may be removed by some reports. *This image contains a warning. Please comply with the warnings so as not to cause disputes. ------------------------------ Contact Information: Author: Luu Hoang Phuc Email: nminhphuc.piracy@gmail.com Address: St. Katharines Way, Tower Hamlets, London, E1W 1AA © Copyrighted work. 2022 All rights reserved by Luu Hoang Phuc.

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Katrina Greidanus Katrina Greidanus
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My first Anime work at Studio

This is the first work conceptualized and created by Katrina Greidanus in the Anime character design project in the famous Anime Studio and I used PaintTool SAI to be able to create it and then I published it on Doodle Addicts on February 25, 2022 as a souvenir. Contact Information: Artist: Katrina Greidanus Email: trungtriluao.vpbq@hotmail.com NOTE: This work is exclusively posted on three platforms: Facebook, Artpal and Doodle Addicts. Works posted on other platforms or not under my name are all fake. DO NOT COPY MY WORK!

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Iordan Daniela Iordan Daniela
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The Stolen Faces

Acrylic and watercolor on Canson Paper

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Brianna Eisman Brianna Eisman
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Empathy by Brianna Eisman

This portrait was created using mixed media like colored pencils, markers, and ink. The portrait features the face of a man resting in his hand, and staring dead-eyed at the viewer. I used non local color techniques to create depth and form using colors not typically found in the human face, like blues and violets for shadows and yellows and oranges or highlights. Parts of his face include small pink stars which originally faded from the previous page, but I really like the look it gives, they almost look like celestial freckles.

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Ginger Ginger
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Ms Chalice comforts Penny

Penny from "Enchanted Portals" gets a friendly face in the form of Ms.Chalice from "Cuphead".

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Step Agustin Step Agustin
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She always tells me to smile and put on a happy face.

Head #80 of my 100 Heads.

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Embracing nightmares Embracing nightmares
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Evolution

Dreaming of that face again, its bright and blue and shimmering. Grinning wide, and comforting me with its three warm and wild eyes — tool - third eye (#embracingnightmares)

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Brianna Eisman Brianna Eisman
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Daughter of the Moon: An Artsy Drawing by Brianna Eisman

Daughter of the Moon: An Artsy Drawing by Brianna Eisman is an ink drawing with painting overlay of a woman with the face of a moon. This surreal portrait has an ethereal feeling of loneliness and mystery.

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Shawn Shawn
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Just a Face

A face, but not in the crowd.

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Susannah E. Susannah E.
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faces

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Isadora Griffin Isadora Griffin
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Krissi dollface sketches 1

Looking through a book about cats and studying their body language. Does this look like the right mix of realism and whimsy?

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Sabina Hahn Sabina Hahn
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Many faces of Tom Cruise

On the airplane, on my way home, I lifted up my head and there was a Tom Cruise on all the screens. Different movies, or the same movie, but different scenes. Absolutely unreal.

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erik cheung erik cheung
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Remorse

Some works were born to be prodigious. Once the preliminary lines were laid within the first minute, the quality of the shapes, the diagonal composition and the weight were balanced out. With the black mass as the hood, a face, hidden underneath, is unveiled. With the addition of the black fingers and the white hand, the full figure surfaced naturally. The black fingers are the minimal suggestions to add character. The title `Remorse’ came about because of the bowed head and the pose. utube clip: https://youtu.be/mb48rCx-lYI

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Sleepy Castle Sleepy Castle
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face sketch

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Robert Falagrady Robert Falagrady
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Corpse face

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Carla J Patterson Carla J Patterson
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Untitled

Pigment ink drawing (bird shadow and profile of a face) on a watery background.

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Charlie Haggard Charlie Haggard
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Face time

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Sneezy Sneezy
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GAS FACE 3

Done 2023 color pencils on 11x17 bristol. Here is part 3 of the gas face characters. Original art is for sale $130 + shipping fee. If interested Email me artgod1974@gmail.com or Dm me here Also I do private commission as well . If interested you can purchase each book by clicking on the link My full color interior art book https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=

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Joselo Rocha Joselo Rocha
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Apply Axe to the Face -the way of the barbarian.

For the barbarian "Attack!" always sounds like a good plan.

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Janelle Dimmett Janelle Dimmett
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Patterned Fox Face

I love working with patterns on animal faces. : ) Patterned Fox Face - Ink on Bristol - www.janelledimmett.com

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DoodlingGuineaBird DoodlingGuineaBird
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Staredown

Black 'Faber-Castell' artist fineliner

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WinnieDeCat WinnieDeCat
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Let me go

This piece of art shows the struggles that youth has to face daily

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David Meehan David Meehan
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Lisbon Tram

Lisbon Tram postcards = 1.20€ each + post ... Dave +351 969 534 520 . Peace, love, hugs 'n' postcards 4 every1 :) !! https://www.instagram.com/postcards4every1/ https://postcards4every1.blogspot.com/p/0.html https://www.facebook.com/postcards4every1/ https://www.pinterest.pt/postcards4every1/ https://www.youtube.com/channel/UCRWwN4XFdcS-Amn-fjnOp2A https://www.etsy.com/uk/shop/postcards99 https://artdavidmeehan.blogspot.com/p/t.html

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Derek Lowes Derek Lowes
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Random Face

a sketch with an expensive fountain pen and green sailor ink…

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Robert Falagrady Robert Falagrady
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Corpse face

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Art Craft Land Art Craft Land
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Buttons demonstration

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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Art Craft Land Art Craft Land
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Paperclips mountain by Jaffa Meir

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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Art Craft Land Art Craft Land
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Home by Jaffa Meir

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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