falling

The picture depicts a fallen butterfly. Its wings falling apart and its colours fading. With nothing left to do the butterfly cries.

In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

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Witch-crafty as always!

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Starting the week off right :-)

"AN IDIOT! A FOOL!" "No... You're perfect, and don't let anyone make you think otherwise." Arkham Origins ends with angst for this pairing, which is not surprising. Context: Edward finds out that his girlfriend seduced him to ruin his plans because she is an informant, and his plan to expose corruption in Gotham would mean devaluing all the secrets she collected. It's a long story and who hasn't been a young ambitious careerist?.. Uh, maybe Amber is a special case, but she regrets it!.. Falling in love with him was not part of her plan, but it is what it is and everyone is unhappy and heartbroken in the end.

This poignant black and white pencil and ink drawing captures the essence of a dark, broken man with sand slipping through his fingers, symbolizing the passage of time and lost hopes. A hole in his chest reveals his heart, while beside him stands a similarly broken woman. In the foreground, withered flowers and a shattered hourglass accentuate the theme of decay and loss. The background features a forgotten playground, representing the loss of innocence, and a swirling vortex with lightning in the sky that engulfs the man's illusion of reality. This artwork speaks to the emotional turmoil and fragility of the human experience.

I used soft charcoal and a large sheet of newprint to depict this model in a life drawing class. He exuded a deep sadness and his poses seemed natural to his countenance. He was also very thin. “The bright side of the planet moves toward darkness And the cities are falling asleep, each in its hour, And for me, now as then, it is too much. There is too much world.” ― Czesław Miłosz, The Separate Notebooks

Original Photo by my Mother

Mother is explaining to Critter about the universe. I'm falling in love with this story and character already. The more I explore this character, the more characters are being created.

Coloured pencil and markers in my A4 sized sketchbook

In this drawing, I was striving to capture the spirit of contemplation and reflection, a sort of spiritual sojourn, an ancient practice of pilgrimage, focusing on subjects of transcendent nature, and exploring destinations of spiritual significance. (words taken from scholarlysojourns.com). It is a self-portrait (me as a 14-year-old boy). We had just moved from Mequon to Rhinelander. It was then that I began to romanticize the natural beauty of Mequon. But at the same time, I was falling in love with the beauty of Rhinelander. In this picture, I am walking through the countryside of Mequon. The stringed musical instruments symbolize my love for the progressive classical and folk-tinged acoustic and orchestral music that was coming out of England in the late 60s and early 70s, specifically the quieter pieces of music performed by the Moody Blues, Emerson Lake and Palmer, Yes, and Jethro Tull. A song called Reasons for Waiting by Jethro Tull is a good accompanying piece for this drawing.

In July of 2022, Brianna Grier died falling out of a moving police car while having a mental health breakdown. Since Brianna passed, I have been heartbroken for her twins and family but also reflecting on my struggle with mental health. Mental health needs compassion and empathy, not police and punishment. The brunch strokes are purposeful, but I completed them with empathy in mind. I want to keep the composition simple but filled with meaning. The color theme represents vastness and loneliness, but also kinetic energy found in warm orange tones.

there's one really easy way out of there... falling for hours.

The work is called "Crying Man" in the photo you can see a face wrapped in a cloth around the face, and tears are falling from that face. The work was conceptualized and drawn by me, this is my best work. Artist : Casey Jarrell Email : willambeckham@yahoo.com THE DAY UPLOADED ON 27/08/2010 ALL RESERVED! © The content of the photo is copyrighted. Prohibit any copying behavior.

Pain of falling...

BAM! Apple fell on Kismet's head. How unnecessary that was to prove gravity! Cats knew all about gravity a lot longer than people did. They test it once in a while to make sure it is working properly. https://www.instagram.com/p/CS9-uLPL3pa/?utm_source=ig_web_copy_link

Gesture of the Day

Falling apart

A piece I did about the dangerous alure of pycosis.

Developing a new art style, the shading is similar to LavenderTowne but the linework/color scheme/form is definitely a trademark of mine,

Over a year ago, I finished my Robin Williams portrait, and I decided I wanted to create a series of different black and white portraits. So far, this is the happiest I've been with a piece in a while. There's no expectation, there's no real pressure on this, it's me falling in love with painting again. I've only been working on this for a week, so there isn't a ton of progress. I suppose I'll reveal who the person is later once more progress is made but for now, enjoy.

Inktober 2020, Day 13: "Dune". After pondering for a while, whether I should come up with something surprising, I decided to go with what for me is the obvious association, the sci-fi book. I based it on this illustration of a sandworm (https://dune.fandom.com/wiki/Sandworm?file=Dune-sandworm.jpg) by Nathan Rosario. It’s not meant to promote the now postponed new movie, but rather based on the books by Frank Herbert, which I loved as a teenager. Brushpens and posca markers on coloured A4, this time with an acrylic underpainting (falling back on my painterly ways). “I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.”

Pencil Drawing