Painted Zip disk. Mixed media. I love old retro stuff and found rejected objects. It's hard to believe how fast zip, floppy, jaz, etc. disks became yesterdays technology. It's about time these old disks found a new purpose and some respect.
This is day 1 of drawing Sonic characters and it’s the man himself. Sonic is very fast who lives in green hill zone, loves eating chili dogs, and bashing Dr, Eggman and his machines. No matter where he goes, he will always keep on running. Sonic belongs to Sega
Satch’s perhaps the most resourceful dog on the planet. His legs are fast, his nose is keen, his mind is set, but the world has grown too complicated for a dog even as well-equipped as Satch. His owners got lost and he does not know how to find them in this never-ending maze of smells and sounds.
Thankfully, he stumbled upon Neal. He will know what to do.
My little fun series of everyday food during quarantine just to make it more cosmic ;) This one sketch a day approach helps with my long break in drawings! :) Sketchbook, coffee and ink.
My vision of the character ‘Smaug’ from J.R.R. Tolkien’s ‘The Hobbit’.
Pencil sketch, coloured digitally on IbisPaint X.
Here is a passage from The Hobbit describing Smaug’s appearance: “There he lay, a vast red-golden dragon, fast asleep; thrumming came from his jaws and nostrils, and wisps of smoke, but his fires were low in slumber. Beneath him, under all his limbs and his huge coiled tail, and about him on all sides stretching away across the unseen floors, lay countless piles of precious things, gold wrought and unwrought, gems and jewels, and silver red-stained in the ruddy light. Smaug lay, with wings folded like an immeasurable bat, turned partly on one side, so that the hobbit could see his underparts and his long pale belly crusted with gems and fragments of gold from his long lying on his costly bed.”
Inktober2018day14. Clock. I love time. I hate time. It goes too fast and there’s never enough of it. If I had more of it, I would be able to post every day for inktober. I wasn't going to participate this year, but after 4 or 5 days in, I figured if I did a very simple line drawing, like I started doing with the little box chicken character I could make every remaining day, but I just couldn't stop myself from going all out on some pieces. It's like I always want to add more. So maybe it’s going to be quality not quantity for me this year. Please enjoy.
Things I learned from fairy tales.
Being first is not always good. Being second is worse.
And so, slow down and enjoy not being the fastest!
https://www.instagram.com/p/COa3tsAhAWf/?utm_source=ig_web_copy_link
It's been an interesting week, one of which had events I didn't expect to affect me as much as they did. I'd like to say something that occurred was surprising, but quite frankly, it wasn't. It's concerning how far things have gone and how some seem to feel indifferent to or even support them. We'll see what will happen, 11 days can't pass soon enough... besides that, time ticks on. A bit too fast in my opinion, but it is what it is. I know this drawing isn't my usual style, but something about drawing like this feels mindless for me, it lets me zone out and disconnect.
And that’s a wrap from this current sketchbook! Closing things with some Peter Falk wisdom I’ve shared before, I think…
“My idea of Heaven is to wake up, have a good breakfast, and spend the rest of the day drawing.”
A sketch recalling an era when smoking indoors after a meal was commonplace—a fleeting pause of stillness before continuing the journey ahead. Done with mechanical pencil on scrap printer paper.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
I finally did it. I completed my 100 gestures Challenge. You can do a gesture in 2-3 minutes (or even faster if you are trained), so you can complete such challenge in 4-5 hours. I decided to do gesture drawing as a habit, take some extra time to select poses which I find interesting and draw on most of the days at least one gesture. I started in April and now I'm done in December, which means 7 months later. As it is now a habit I will not stop drawing gestures after the challenge, but I passed a milestone. Thanks for watching.
I can't believe October is already here, and it's startling how fast time is moving. I shouldn't be up this late, but I wanted to make some art, especially given how today has been (8-3:15 'in school,' 3:15-10pm doing homework). The honest answer is I just feel down. I can usually phrase things better but my brain is fried. Everything is non-stop, the time I have to breathe seems to get shorter. Anyway, it's 11pm, I should get to bed.
