Next up is the finalized sketch. Specifically when I'm working on prints and commissions I do a detailed final sketch. It makes the inking/painting process a lot faster.
This is part of my daily Sketchgrind day 7.Who is the fastest? Who will stay hungry?. If you want to see more check out my Patreon Page https://www.patreon.com/uliunique
Inspired by the Neo-Classical period, I pushed myself as an artist to portray subjects in an idealistic fashion combining drama and artificial lighting. The subject is my sister who modelled as a reference, enabling me to control the shadowy effect over her face. The dim lighting and dark background resonated with the period style, focusing on the facial parts that are visible. The end result looks like she is emerging from the darkness. A somber atmosphere is illustrated through visual expression.
Adding the fast drying oil on the brushes improved the blending of the colours on the canvas which was especially useful when it came to applying strokes on the face smoothly. Visit https://www.martiaposts.com for more
Ink and Watercolor sketch of octopus. Normally I start with a pencil outline, then go over it with micron pens. But I'm learning to skip the pencil step and just sketch with ink. I helps you not to overthink things. Once you lay the ink line down on the paper it's there to stay. You can't erase and there isn't an undo like you have when working digitally. You just have to work around any "mistakes" you make. I'm also working on sketching faster because I just don't have that much free time these days. Trying to produce a new sketch every day is a real challenge.
A quick sketch of a man holding a cup of coffee. This was drawn from a reference photo. Lately I've been practicing portraits. Trying to limit myself to 20 mins or so and just draw the basic form as best I can. Otherwise I'll fiddle with the details and spend hours trying to adjust things. Sketching in ink helps also since I can't erase. Need to get more comfortable sketching faster, but I like the way this turned out.
This is another improvised painting - in oils this time, but poured on after diluting with white spirit and then tidied up with a paint brush chasing the forms that appeared. You need to outside to do one like this. Very fast to make, but they stink like
