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felt

Avery Franken Avery Franken
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Shay Dixon (Skam Austin)

This is La'Kiesha Slade as Shay Dixon in the show Skam Austin :) As you can see by the dates, I left this untouched for more than 6 months, so it felt pretty good to finally wrap it up the other day!

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Jerilee Williams Jerilee Williams
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Pigeon holed

A doodle I did on a job where I felt like I was being pushed into a corner.

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susanne susanne
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3 Reyes Magos - k9 version

Mixed media on paper, A3 - oil pastels, felt markers

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Lone Stag Lone Stag
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Tobin Heath

Progression 1 of 5. Found this image and felt it captured the power a beauty of the sport. Also, this piece I did with out any blending or smudging, which is my usual go-to technique.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 17

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 14

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Hummingbird in flight

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Sh

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 13

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 6

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 4

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Leah Lucci Leah Lucci
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Collages: Snitches and Winged Things
1/2

Have you ever felt like you were scratching at the surface of a breakthrough? I'm in the middle of what might be something major or might be nothing at all.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 3

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 1

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Jim Bradshaw Jim Bradshaw Plus Member
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Music for your eyes.
1/4

Skip James is the man. I’ve been wanting to do something music related. I sketched this a year or two ago. It was fun to bring it into Procreate and add doodles, lettering, color and more elements like the guitar neck. I’m always looking for a way to combine my pencil with color and have it look like it really goes together. This one felt right.

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Kimmo Oja Kimmo Oja Plus Member
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The Sunbeam and The Troll
1/3

The Sunbeam and the Troll. Illustration of famous Finnish song. I draw three versions of it. Top of the drawings is last and then second and first one. I try to catch idea that Sunbeam fairy is more made of light than materia. Pretty tricky to me ;) ”When sun had ended its mission, The last Sunbeam Was left behind her sisters for a moment. The dusk was settling on the grounds, A Sunbeam with golden wings Was just about to fly before it, But she saw a small Troll come across: It had just risen up from his cave. See,a Troll before the twilight May never live on earth. They were looking at each other The Troll in his chest Felt an odd flame. He said:"You are burning my eyes, But never in my life have I seen something so wonderful!" It doesn't matter that your brightness will make me blind It's easy to wander in dark.”

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Lone Stag Lone Stag
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Drawing a Model

Progression image 4 of 6. 11x14 Marker paper, Medium Graphite Pencils (asst. B-5B). This is where I felt the piece coming together. I spent a lot of time working on her left eye.

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John McConnell John McConnell
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Frankie

A painting I did a bit ago. Felt appropriate for the halloween season.

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WieldingColor WieldingColor
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INFERNO

Watercolor on Aquarelle. This piece is incredibly close to my heart. It closely resembles the emotions that I was going through when I painted it. I tried to replicate the numbness and the restlessness that I felt in the eyes.

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Pat Henzy & Cici Henzy Pat Henzy & Cici Henzy Plus Member
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Fall Moon

I had something bum me out a little bit today. Nobody’s fault but it is what it is. So I decided to draw this up. I’m ready for fall and fall beers! I love to sit out under the moon once the temperature drops a bit and have some marzen lagers and other fall drinks. I felt like this captured the moment perfectly. I am excited for music fest in @havertownlife havertown tomorrow. I heard @levantebrewing will be pouring at brick and brew so I’ll be there sucking back some suds. I’m glad I forced myself to learn #adobeillustrator I’ve come a long way. Since then I have been able to help other artists that don’t use Illustrator or vectors and I am pretty proud of that, because when I was in their place it always felt like a huge struggle.

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Jasmin Jasmin
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Salmon swirls

water soluble felt markers and fineliner on watercolour paper

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Leah Lucci Leah Lucci
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All You Need Is Tattoos

I drew a girl holding a cupcake and felt bored by her, so I added some sweet-ass tats. This was fountain pen ink run through water brushes. For more Digital Random Joy™, be sure to check out Instagram Super_Starling, which is a fairly fun place, if I do say so myself.

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Joyce Cole Joyce Cole
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Puna Road

Just a page trying to depict the rainforest and road. I got lost in trying to draw the vegetation. I felt frustrated about this drawing at the time, but now I like it.

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Amit Ida Amit Ida
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Monet Fan Art

Monet is one of my favorite artists. Seeng is art in real life ose just so amazing I felt i.have to create something on my own...

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glen glen
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Haughty culture”

This piece was done with watercolour crayons, crayons, fineliner, acrylic paint and a touch of posca. I was showing that love can be blind and sometimes almost arrogant and selfish, the arrow has hit the spot on the second attempt but the scars are still to be seen. Although the person playing cupid aint always an outside force. I enjoy playing with the titles and am constantly changing and thinking of what it will be called when doing the piece, but i do like my wordplay. this one was a play on horticulture and felt it all tied in to the final design :)) This is available as an a3 sized print.

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Jim Bradshaw Jim Bradshaw Plus Member
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Chuck that page!
1/5

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

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Andrea Kennard Andrea Kennard
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Black and White Pen Mandala

For me, it's the process of creating - not really the end result. Once something is done, it's done and you move on to the next process. Life is the ultimate process after all. We don't hang around and admire the dead body once it has finished what it needed to do...On the other hand, the end result of someone's process can be felt through what they have left behind. I hope this is what will eventually happen with the art I create.

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Leah Lucci Leah Lucci
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Teacup Bear Adventures
1/2

This is a bear who's also a bit of a bear. It's a very, very clever illustration, or so I felt at the time. Please let me have this one.

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Jim Bradshaw Jim Bradshaw Plus Member
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Birdhouse Village
1/5

I felt like drawing birdhouses and this came out in my large Moleskine.

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Jim Bradshaw Jim Bradshaw Plus Member
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Mad for the Moon

Rabbits thorns and moons. I usual don’t know where I’m going when my pen touches down. The illustration took me for a ride and I’m not gonna lie. I kinda enjoyed it. As it progressed, it felt like an album cover so why not?

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