I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
I have been seeing the moon a lot and it is always shining really bright and full. I thought I would make this as a prompt for what's outside my window. (◍•ᴗ•◍)❤ Medium is white charcoal on black paper.
I drew Entrapta A) because she is cute and one of my favorite characters and B) .... because I don’t know I was watching She-Ra and love her so much? Okay anyway here we are. Not great at drawing full body so I left it like that. Might add more another time and repost.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
Found him sitting on a wall in the park where I go for a jog since pandemic started. Was so mesmerised by this magnificent beast. I couldn’t stop staring at him every morning. The contrast between the white fur and black skin. So shiny yet so peacefully he sat doing his job.
I've been working on this for a few weeks now, and I'm pretty happy with the result. Full disclosure, this is a school project, and I wish I had more time to really finish it. Curious about everyone's thoughts on this; feedback is always welcome!
Last illustration of 2020, represents well my intentions for 2021! Living to the fullest, exploring, staying open and curious, finding joy in the everyday, dedicating to my passions! ✨❤️ May your 2021 be magical in a way you wish for ❤️
This is for my best friend, we want to stay friends hopefully forever. I took things she said to me and put it in the background, honestly this wasn’t a thing I was gonna post but why not.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
A painting created in one of my favourite programs Rebelle 6 pro. this was more of an experiment than a full on planned painting - the stencil feature is an interesting tool
Watercolour crayon, crayon, fineliner and acrylic paint... . . . . . .. ... . ... .. ... . .. ... .. ............ . ... . . The tree is weary crying for some help, its roots are drowning and the taps on full pelt. Its head cant speak the evil, hear the evil, see it. Whilst its occupiers point the fingers at each other and dont even believe it... .. ... . .... . .. .
For this one, I hate drawing hands so they are awful but mostly I figured out how to make things glow. Recently we had a Worm Full Moon, I layed outside and watched the moon for like a half an hour.
Zoomed in shot of "I'll Sleep When I'm Dead". Created in 2012. Size: 22” x 30” / Micron Pens on Archival Paper. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork. 2019 kinda looked like this. It had a lot going on. Lots of changes. A close friend of mine predicted 2019 would be "The year of change", and she was right… at least up in my neck of the woods. Anyway, it has been full of good, fun and challenging things – all worth while. Excited to dive into 2020.
4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”
Two cows jumped over the moon and crashed. Now they both see stars. 8000 x 6000 pixels,
15.748" x 11.811",
Resolution 200,
Bit Depth 24,
DPI 508,
3.50 MB
Today is such a fun day, on September 20, 2018 I decided to stand on the balcony taking a landscape picture of my city. This landscape picture was taken by me one afternoon when the sun was about to set. The images here are all copyright of the photographer who created them In the absence of these digital files will be used, copied, displayed or pulled from this site without consent. of the photographer who created them. These landscape paintings are fully owned by photographer Nguyen Duc Nhan
Contact Email: ducnhandz130905a@gmail.com
Link url to my personal Facebook post: https://www.facebook.com/Nhandzvcl13/posts/2174868016064757
OCs for Starry depths. Originally we’re more then friends so this is like a back story, all I could think of when I was drawing was that song that goes “sittin on the dock of the bay, watching the clouds roll away.” I think it’s by Otis Redding. I’m not sure. But anyway. Ingrid and her now-friend Abigail.
Thankfully attempt number 2 came out better compared to attempt number 1, thank God!. I will say that I accidently went a little ham with the ball point pen on the first object.
Yet another senseless lynching that has me here with a broken heart. Like my other paintings on this subject, I wanted to focus on life. Tyre was dynamic and energetic, so I wanted to paint him soring. I also wanted to paint him defiant in the face of his oppressors. He was a skater, and they are no strangers to defiance. Thankfully, I found some excellent references to help me with the composition. Aesthetically, I wanted the comp to be modern, colorful, and hopefully impactful. I went for a pop art, illustration, and false-color vibe and minimized blending and refining layer edges. I painted this in Rebelle 6 and Photoshop. Much respect.
