I was able to find 6b and 8b 2mm leads. So I bought 2 more NIC PRO 2 mm lead holders. They arrived from Amazon today. I wanted to add more tonal depth...but I am not too sure it worked out the way I thought it would. I still need to tighten things up.
Nic Pro 2 mm graphite lead holders (4h - 4B) on Strathmore medium surface drawing paper (9"x12"). This was my first attempt at using a proportional divider.
So I'm a little behind the curve, but here's my day 1 for Inktober. This was my first time using my fountain pen for drawing, so I can't complain too much. There's definitely some room to grow. Lined with a TWSBI Eco: fine nib with Organics Studio Walden ink on Tomoe River paper. I'm a sucker for sheen, what can I say. The sad attempt at shading was done with a wet paper towel, so I'm guessing I could try upgrading my technique there ;D
I had a lot of fun drawing this but still haven't felt bothered enough to complete the right hand. Just decided that it is tucked behind the figures back because it was too hard
I’m dealing with a lot of stress right now... my mom just found out, well got it confirmed that I’m a cutter... she wants me to take happy pills but I don’t want to... I wonder if she knows that I’ve attempted suicide.... a lot...
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory
