Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
I painted this doll with the face of a middle aged woman. I like how distressed she looks, and the glasses complete the look. I sew on hair, but it just made her look normal so I removed it.
Pictures on demand - moving, immovable and moving objects of view by SUXIBU - frolicking in the gray area of what may not seem so important, but can sometimes become significant and colorful. The selection of motifs and themes are subject to individual assumptions, preferences and spontaneous ideas. get enough: www.suxibu.de
It’s like the first «stand-alone” work (meaning not as a part of the lettering course). Btw I haven’t made it to the faux calligraphy lesson yet being stuck with the serifs. Used the tracing paper on top of the initial sketch.
P. S. As for the shovels: in Russia we have long holidays at the beginning of May and that’s when the whole gardening thing starts
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The Super Bloom is still going in SoCal! On the trail are poppies, daisies, alyssum and now the mustard grass is in bloom. My process was an iPhone photo, then a drawing with color and then collage in Photoshop.
Graphite drawing of Ruth Ellis. She was the last woman in Britain to be hanged, in the 1950s. British justice was no where near as sophisticated then, as it is now. I am convinced that the overwhelming mitigating circumstances would have saved her life. Her confession was never examined or questioned. Today she would have received a manslaughter charge at most. Such a tragedy.
@siennylovesdrawing 's #handrawn #lettering ~ #Believe ~ specially #doodled for the #SexualAssaultAwarenessMonth (#SAAM) of #April 2019. Believe is a valuable support for the victims/ survivors to be brave & strong to speak up for themselves
#Pens : #ArtlineDecorite @artlinemy
#Colours : Metalic Green (Yeah!! She loves this closer colour effect to #Teal ~ Yes, the official colour of SAAM)
Be a supportive active listener to focusing on a victim's sharing, not thinking ahead on how to respond, not to worry about giving advice, just purely let the victims know that they are being heard
#believesurvivors very important, definitely the assault happened was not at all the victim's fault. She believes that every survivor deserves a safe place to receive support & help. "Yes, I believe you, you are not alone, I am here for you & you will get through this for sure"
#IAsk #30DaysofSAAM #girlpowercampaign #artlinemy #typography #letteringart #art #instadaily #instaart #insta #artwork #artistic #positivevibes #design #artist #artistsoninstagram #artwork #siennylovesdrawing #healthy
Had fun trying to capture this. Someday I'll figure out how to get the watercolor gradient I want. Meanwhile this was a fun way to practice and I freaking love these Daniel Smith watercolors. I definitely need to get some full tubes of certain colors. (Moonflower, Lunar Violet, Opera Pink, Cerulean Blue, all the Cobalts, i think all the Primateks - I haven't tried them all yet... *Sigh*)
