Inspired by the wonderful tutorial by rafy A, you can find it here: https://youtu.be/JM-esQnGIhQ
Camera photo source: https://www.pexels.com/photo/aperture-black-blur-camera-274973/
Forest and child source: Unsplash.com
It's National Toasted Marshmallow Day so this painting seems fitting. What do you think will happen to this guy? About 14 x 14 inches, acrylic on wood board. Sorry not the best photograph.
graphite on paper
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Did a doodle sketch. Didn’t really know where this idea was going when I started it then it grew into a kind of cityscape sunset in the end. I was trying to sort of do a bridge around the buildings in an abstract unidimensional way. Well thought it was creative and different in the end.
Before getting to this result, I never a actually drew a full fledge skeleton before. So rather than take on the entire thing at once, I took it upon myself to only focus on the upper half of the body. I’m still practicing human anatomy for drawing but I hope overtime, it only improves. :)
Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
I tried to catch my breath after all the running; I finally got to the bus stop. The wind was blowing vigorously, the rain clouds were approaching. It was a very typical spring morning.
