Unfinished value study for a painting, worked in graphite on hot pressed watercolor paper. Drafted and rendered using the Bargue method. Hopefully, I got the photo oriented correctly so that the drawing will be right side up, once I upload it! If anyone has advice for photographing a heavy application of graphite, without getting weird reflectiveness, or speckled effects, I’m very interested!
Graphite and charcoal with white acrylic paint for some of the stars. This year, my brother and sister in law got a telescope, so their family had a space themed Christmas. This was my contribution. Side note, I only just thought about how cruel I was to drop my nephew off in the arctic circle with only a tee shirt. We'll just say it's the north pole and the magic keeps them warm...
In this photo I drew two Betta fish, a clock and a female in a dark background. Drawing this picture was more of a self expression. The two betta fish expressed conflict; the clock expressed running out of time and the female I guess would represent myself. I was in a dark period while drawing this, but happy to say, I’ve managed to pull through my obstacles =)
While waiting in line at a convention to meet Erika Harlacher-Stone (the voice of Violet Evergarden), I sketched this from a reference. Pretty cool moment to see her reaction when I handed it to her, and I'm happy to report that she is indeed a lovely person.
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
A captivating exploration of form, this work features an imaginative flower with a distinctive, almost sculptural head. The smooth, folded petals suggest a soft resilience, like a fleshy, protective helmet, while delicate antennae reach tentatively toward the light. The long, winding stem and minimal leaves anchor the drawing, creating a strong vertical movement. Rendered in a mix of colored pencil and graphite, the piece uses subtle shading to give the subject a remarkable three-dimensional quality, making it pop against the neutral background.
