I decided to do this piece because one of my friends argued that bits aren’t invasive and horses enjoy the clear commands. I ride in a bit so if you are a rider and you use bits I’m in no way attacking you. I merely wanted to express that bits are painful and invasive to horses and how important it is to keep light hands and only pull on the reins when necessary.
Snack Attack is what happens when you don't pay attention to attacks from above while riding hands free on your bike and eating your triple fried fries and ketchup. I actually saw this happen. From my series Bikes of Amsterdam.
My next monkey watercolor -well, mostly - there is a touch of acrylic paint on the eyes. I do not know why they are called red-handed - since they seem to have yellow hands.
Size 4' x 5' Painted on canvas Medium acrylic painted 1995
In this illustration i am trying to portray how active the spiritual world is in every day of our lives. How heaven and hell, these two kingdoms are battling it out to win our devotion. Even when A person chooses to become part of God's family, the believer will still have to struggle with the forces of darkness as long as we live in these mortal bodies.
The room is suppose to look like it's on fire. This is to represent the destiny of man, spending eternity in the lake of fire, if he refuses to be saved through God plan of salvation. the two people in this paint are the two leader of the two kingdoms. The Devil on the left, Jesus on the right. They are both standing at the door way that will lead to their kingdoms. They are both beckoning the viewer to go through their door. In this painting I want the viewer to understand that spiritual battle take place with every decision we face.
When we come to a spit in the road our we going to choose the right road or the wrong road? What ever road you Choose will sooner or later reap the reward. The reward will either be destruction or blessing, the blessed think is we choose
I illustrated the devil in a beautiful purple robe with gold sequence , To show He is the king of the fallen angels. Purple in the Bible was worn by king and governors and ruling authorities. The purple hood is to show that Satan is a deceiver. He will take truth and twisted into a lie , kind of the way a person will put poison mix in peanut butter to get rid of an unwanted mouse.
Most people don't recognize when the Devil is temping them, because the only view of Him they have is the movie the exorcist. But He is more effective when He appears in the form of a used car salesmen.
The gold belt He wears and the golden door way represent His tactics to side tract us with the love of temporal thing such as the love of money , fame, power.
If a person gain the whole world yet loose his soul what has he truly gained.
Illustrated Jesus dressed in a golden Robe with a golden sash. This represent He is the High priest who offered the sacrifice that appeased the requirement to deliver man from the power of sin, and restore man back to fellowship with God The Father. The door way to heaven is made up of the cross that Jesus gave His life on. If you look at the painting closely you will see holes in Jesus hands and feet. You also can seen on the cross from the blood and the spike marks where Jesus was nailed to the cross.
The devils door has endless darkness of Hell , where Jesus' door has endless light of heaven.
The rocking chair was designer to represent contemplation. Their are hearts with question marks in side them on the head rest as well the seat. I think of people sitting in their rocking chair when they have a big decision to make. So i think before we make decision, we should thing what will be the fruit down the road. If I plant thistle when it grows up it will hurt me . If i plant wheat, when it grows up it will feed me.
Dear Friends , The Great Pumpkin Carve sponsored by the Chad Ford Historical Society is going to be held on the Thursday 18 October 2018 . Live carving is Thursday night, starting at 300PM. There is usually about 70-100 carvers, the creations of these artists are on display in a maze like setting. Other attraction are a hay ride , haunted forest display, food causations venders, live music. The event is Thursday night to Saturday night.
The Great Pumpkin Carve Chadds Ford Historical Society P.O. Box 27, Chadds Ford, PA 19317 610-388-7376 ~ www.chaddsfordhistory.org I have been carving at this event since 2007. I almost did not participate last year because I was unemployed, and could not afford the entrance fee of $25, but The watercolor artist Andy Smith paid my entrance fee. and my sister paid my gas. Well I am unemployed again, not sure I will have the funds to enter this year. Pray the Good Lord will open the financial door that I will get the money to pay the coast to enter this year. Below are some of the Pumpkins I have carved in the past.
I have been binging on the older X-Men shows and had the urge to draw up one of their most popular mutants. But what's better than Wolverine? TWO WOLVERINES!
Now, I wasn't really sure what I was trying to do with these two. At first, I tried to have them just do a handshake but then switched it over to them competing. Still not convinced on what these two are doing but it was fun to draw so all is good.
Question for all the X-Men fans out there. Which version of Wolverine is your favorite?
Unexpected Visitor
This color sketch was done for a pumpkin carving design I did for the Chadds Ford Historical Society Great Pumpkin Carving contest. The sketch is a a lot more impressive then what you can see here ,unfortunately when the picture was scanned ,The Kinkos sale person chopped half of the image that shows the hands, one point at you, and the other holding the sickle,and the flowing rope hanging off the Grim Reaper's arms. I spent a couple of week just studying skeleton to do this sketch. I was Inspire to do this design by the thought that came across my mine about death. We are like helpless babies playing Peek A Boo when it come to our knowledge of the time death will drop by to pick us off. Some people who are terminally ill and are told by the doctor they have only a couple of days to live,must feel like the Grim Reaper is sitting right in front of them with his face hidden behind his hands, and when you lest expected he opens his hand like to great door turning on their hinges to open up to reveal him sticks his face in their's and shrieking ,"Peek A Boo," and followed by a hideous laugh .
Stephen J.Vattimo July 19, 2012
Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character.
With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer.
Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.
Extremely useful around the house, but doomed to constant despair, the Kitchenware Octopus loves to cook but has no free hands for carrying groceries. The last of her kind, she yearns for a mate to lovingly entangle ladles with, but has yet to meet anyone willing to risk constant proximity to the cheese grater.
I liked her so much I drew her again, but I learned some things about her. (Damn those hands, gotta work on them.) Concept art
Name: Carina
Age: ???
Race: Demon (Father is a demon, mother human)
Ethnicity: Her mother was a young Italian woman who was tricked into falling in love with a demon.
Status: Sorceress
Abilities: She wields a staff that consumes souls of the living. She uses those souls to feed her power.
Extra (for now): The globe on her staff is an ancient artifact in which she had to prove her will and strength to achieve it. The artifact draws out the souls of her victims. But before it does, it puts them in a trance like state to keep them immobilized.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
