I drew Zilsti and Zizavy for the first time along with the other two in early-mid 2019 when I was 17 so the original drawing is really old,its from my original sketchbook I forgot about,i'll upload a few more drawings from there soon and redraw them.I changed the designs of the other imps especially Malicia (the yellow one)her hair being tied suits her the best
I think the best time of the weekend is driving home from work on Friday evening and thinking of all the potential of the weekend. Time to draw, paint, hang with family and friends and thank God for blessings.
Willow's an oc of mine... she's very quirky. She's better suited to hanging out with the dead than the living. Also, super open to tips on this one because, as a beginner, I'm not amazing at diverse people. Like, black people have different facial structures and hair. Asian people have different facial structures and hair. So if I got something wrong, I'm open to redrawing that part. Just lmk.
(Gel Fineliner on A5 paper) There are four of these. Done as if imitating a crude AI. You can probably guess what the next one and the other two are like.
A page of comic for a conquest
The story
End of the project: human species. The simulation has been achieving unexpected outcomes. Was increased free thought and the doubts fade away.
At that time, I recreate my own image. However, it's behaviours came with anomalies. We aren't.
You can't run away from you. Dreams were unexisted memories.
The likehood was that we're living an illusion. But, we change our view.
I couldn't attain the freedom I looked for. Everything became real. Everything came down. Am I still dreaming?
A great deal of upheaval in my personal life, including making steps to better my mental health as well as reflecting on changes in my work life (potentially) and also my living situation, have dominated my headspace as of late.
Long story short, Buddha reminding us all to still any madness in life got me to work here as did the obvious itch to get some drawing done!
Sea Change
Print of a pen and ink
9 x 4.75 "
This is an old piece created as part of a series of illustrations for a poetry book entitled "Fruit and Bones" by Elizabeth Zimmers (Yon) back in 2002. Had prints made and just found them again - so I added them to my website ~ which is still a work in progress. Please visit and let me know your thoughts! Next is to add more originals and prints. I am not done with the print on demand but fill ht need I need to add more.
Her poetry was awesome to illustrate - eerie and mystical. She has also written some books https://elizabethzimmers.wordpress.com/about/
Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JosephCornell @masoncurrey
(I had gotten some new fine-point pens last week, and I figured this was a good way to test them out.) Two very different things have been on my mind lately, maybe there's a connection? I think it's interesting how it's taken me 4 years to figure something out, become comfortable enough to open up to others about it, and then embrace it. Yet it's like living a double life, being authentic to some and keeping secrets from others. On the other hand, to the person receiving this drawing, I know I can't do anything to change the situation even though I wish I could. All I can say is I'm forever grateful for all you do, and I truly hope you decide to take advantage of all the opportunities coming your way.
A colour sketch of Llyn Brianne in preparation for a much larger piece. The sketch was done in acrylic, but then I changed my mind and started the full-sized piece in oils.
Woody Allen (b. 1935)
I’ve found over the years that any momentary change stimulates a fresh burst of mental energy. So if I’m in this room and then I go into the other room, it helps me. If I go outside to the street, it’s a huge help. If I go up and take a shower it’s a big help. So I sometimes take extra showers.
“I think in the cracks all the time,” he has said. “I never stop.”
- From Daily Rituals: How Artists Work by Mason Currey
“Some guy hit my fender the other day, and I said unto him, 'Be fruitful, and multiply'. But not in those words.”
― Woody Allen
#dailyrituals #inktober #Woody Allen @masoncurrey
I've always loved drawing on various objects! This coffee-lid is from several years ago but I still love it and have it hanging on the bulletin board near my art desk.
been revisiting some older characters of mine. this one's a kid called aimery who goes to this american boarding school called emerson. he leads a fairly mundane life, resemblant of today's average high schooler, until a boy called oak shows up as an australian exchange student for the year. turns out oak's a ghosty magic witchy person who "frees" ghosts, or releases them from their non-material but conscious form into complete nonexistence. in short, aimery becomes attached before oak's untimely death.
I created this card for someone to bring to a Law of Attraction event. I drew the flowers, came up with the phrase, and then set the type. The blue background is iStock.
