the next piece for #inktober environmental issues series continues with #day10 word #flowing. It's quite hard to correlate a situation with a word, but this is how flowing and plastic waste ended up looking like. How much plastic waste do I produce in a day? In a week? How about a year? Nature is full of plastic waste and is overflowing everywhere. In the rivers, seas and oceans... Next time they ask you at the supermarket if you need a plastic bag, think again...
I modified the challenge a wee bit. I didn't use the same paper for the various drawings since I was using (top row, left to right) hard graphite pencils (3H to HB), watercolor pencils, (bottom row, left to right) brush pens and ballpoint pen. These media work best on very different paper textures and moisture absorbing qualities. The second picture shows the object of my study --- and the apparatus I use to hold botanical subjects. "Third hand" tools are very useful and cheap. This one was under $10 and serves my purposes well. Just FYI. (Each drawing/painting was scanned and composited in Photoshop.)
Colored pencil drawing of pomegranates "in progress." Prismacolor and Verithin pencils with some fine lines done with Tombow Irojiten pencils. I like the harder colored pencils for fine detail, but the blending of high wax and oil pencils can't be beat for blending.
It's my third illustration with a lantern theme.
I had doubts while drawing this illustration. I changed the concept a few times. And I'm not sure if I got the expected effect.
But I'm not afraid to share it and say: "this illustration could be better."
It gives me the motivation to work harder.
It gives me reasons to push myself forward.
Have a creative weekend!
"Sometimes the bridges that are hardest to cross lead to most magical places. "-anon #painting #originalart #art_aristina.z #aristina.z #digitalpainting #illustration #autodesksketchbook
Here is another doodle drawn during Inktober that I turned into a logo or illustration. You can see a color rendering on this logo on my Instagram @richardkoehler1218
Brown ink and watercolour on paper, 4x6". Reference photo from Deviant Art. This is probably the closest I've come yet to the style I'm trying so hard to learn. Being self-taught, I'm very much open to suggestions and advice.
Patron Saint of Lost Keys and Small Things.
Reminded me of this poem by Elizabeth Bishop.
One Art
The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.
—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.
Hi. Am I hard to see? You are free to look closer.
This is how I will most frequently present myself as, drawn here in an effort to rejuvenate past drawing abilities . Both Ego and Shadow are delicately present as one, although still not the truly completed form. That is still outside my own grasp within the field of creativity.
Everything here has some meaning, including the blank background. A "Domain" in the form of a canvas. The ability to bend reality. A shadow that opens the door to the extraordinary. The simple tools to channel one's creativity. Most importantly, an Avatar of one's being.
Having younger siblings is 50% about having spoiled rotten playmates and 50% about making sure those little morons dont accidentaly kill themselves. Border collies are so hard to draw antropomorph! Ever noticed how they most of the time keep their head lover than the bum?
In my Blue Star sketchbook serious art has been interrupted by two cartoon characters I came up with years ago that I drew for my university student newspaper. They're back! Adolescent silliness returns with the adventures of Hardball and Riley. There's a bit of allegory at work in this story, so it's not as infantile as it first seems. They are certainly fun and my main characters are very easy to draw. I do sometimes spend too much time on the background.
I have found my new love in playing with the Glass Ink Pen where I can easily achieve specific lines that are hard to make with a regular pen. Here I am working to gain confidence in my permanent line work where I can't erase every second. I am also working to gain experience in cross hatching. which is very difficult.
The European Goldfinch is a striking small finch with a distinctive red face and black-and-white head. Its wings are black with a bright yellow wing bar, while the body is mainly buff or light brown.
During the breeding season, the bill of male and female goldfinches is white, but at other times of the year, it is marked with a black tip.
Female goldfinches are very alike in appearance to males, and visually, it is hard to tell them apart from a distance. At close range, the sexes can be distinguished by the size of the red facial patch, with the females not extending past the eyes as it does in males of the species.
Juvenile goldfinches do not develop adults' red, white and black facial markings until the late summer or autumn after hatching. Until this point, they have streaky buff-brown markings on their heads. Info: Birdfact . com
(2B pencil on 147mm x 133mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"
