A few years ago, I followed a Mooc about game design et so, I created a character named Will, a little spirit able to change his appearance depending of the pumpkin he possess.
So, he could become intangible (the ghost), fly really high (the bat), climb and manipulate object (the cat) and bowl over obstacles (the wolf).
So for last Halloween, I decided to redraw them for a fake video game screen.
Tadah!
To see the video version with sound and effect, go there https://youtu.be/JLq0vJM6L2w
Il y a quelques années, j’avais participé à un MOOC sur le game design et j’avais ainsi créé le personnage de Will, un petit esprit capable de changer d’apparence selon les citrouilles qu’il possédait.
Il pouvait ainsi être intangible (le fantôme), voler très haut (la chauve-souris), escalader et manipuler des objets (le chat) et défoncer des obstacles (le loup)
Du coup, pour Halloween, j’ai voulu les redessiner pour un faux écran de jeux vidéos.
Tadam!
Pour voir la version vidéo, allez ici ! https://youtu.be/JLq0vJM6L2w
Its a very rough draft to a painting i have in mind. I didnt really intend for it to have any biblical meaning to it but i could see how that could be something people take away from this
This is chucky I am terrified of it but it was an challenge this is my first time here so I am learning the ropes so I have no clue what I am doing but this gave me major chills while making it
This one was definitely fun to make! It was created during the chilly nights that November brought. I'd like to say I learned a lesson from this painting, actually. I learned that sometimes it's okay to doubt yourself. The background in this painting was originally pure black with out lettering. It sat in my room for days, but in the pit of my stomach I felt that it just wasn't right. Eventually, I surrendered to the daunting sensation and started incorporating other colors into the mixture. Slowly, but surely, life was brought to what was originally just a plain idea.
"Dragons breathing flame
On my counterpane
That doesn't frighten me at all.:
~ poem "Life Doesn't Frighten Me" by Maya Angelou
.
Please google or connect to link to read the complete poem - it is one all children hear:)
this one is illustrated by a master artist:
https://www.brainpickings.org/2013/05/03/life-doesnt-frighten-me-maya-angelou-basquiat/
FIND ME ON DEVIANTART: deviantart.com/laviolavana View this piece on my dA, too! https://www.deviantart.com/laviolavana/art/W3-4R3-W47K3R5-811987953 I'm sorry for not being active here as I pretty much forgot I had an account here, or that my friend did. I am MUCH, MUCH more active on my DeviantArt and my facebook page, though!
Didn't get a chance to finish the piece I wanted to for today's Inktober. I decided to finish up an old piece that I have had sitting around for awhile. Just some quick shading. Will hopefully be able to finish my other drawing tomorrow.
Every working day, I post what I call a #legobiscuit to my Instagram here: instagram.com/legotrip
The best of these eventually get the full Photoshop treatment.
Polyamory is Great! Until One Person Gets the Flu. I once posted this to the polyamorous subreddit and they nearly died from amusement.
Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
