New character I made for Taured. He can phase in and out of shadows: like, if he runs at a wall (or even walks), he can turn into a 2D shadow, which can travel at high speeds, morph into different shapes, and when he's done, he can just pop out whenever he wants to. His mouth is way bigger than normal; but for the sake of the rest of Taured's population, the government has sealed his mouth shut, side from a small section in the middle. The scars on his neck are not open and bleeding; they're just opening up to reveal a vibrant red energy within. Drawn with FireAlpaca.
I had a passion in painting,pencil sketching,etc.I do post daily art content in my Ig If you guys like my arts please do follow in my ig.I am also ready to learn new things in arts.my Ig id:miss.jeon_mi_hyun.
I copied this off of an artwork I found online, and hopefully it will improve my eye drawing capabilities... please, if you have any feedback, comment away! :)
Sketch from lunch break in between work-hours (poor quality sketch/photo). unrelated: I walk home from work 3/5 days every week, and I have leveled up a social link with a kind old stranger I frequently see /occasionally talk with on the walks home. This will unlock the good ending later, though I'm not sure what that ending is. Just hope it happens soon.
"Whirlwind 22”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 22nd in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 22, 2020.
I swear to goodness, If we had known DSaF 3 was going to end in such a tragic, tears-of-joy evoking way, none of us would have asked for it. Drawn with FireAlpaca.
I drew this up pretty quickly on a whim. I don't know what the story behind this is, what either of those creatures are called, or who that lady is. All I know is that the snail creature should be voiced by Tom Hiddleston
A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.
I don't mess with oceans. One time, I just wanted to cool off on the edge. The undertow was so strong that I got trapped, knee-deep from the shore. Nothing I could do but just wait for the giant wave to pile-drive me into the beach. So much sand crack.
