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Take the Rymans, for instance. There is Robert Ryman (1930 – 2019), the patriarch whose paintings are indisputable icons of the modernist canon. Then there are his wives and children. Ethan Ryman (b. 1964) is the oldest of Robert’s three artist children. Though his mother was not an artist, Lucy Lippard (b. 1937) was still a scrappy and eloquent art critic, a feminist, a social activist, and an environmentalist. Ethan’s meticulously considered and crafted artworks might be characterized as somewhere between photography and sculpture, the abstract and the (f)actual. Though Lippard and Ryman divorced just six years after their 1961 marriage, their son is arguably the closest to his father’s methodologies if not his medium, and was certainly the last to become a visual artist. Robert Ryman went on to marry fellow artist Merrill Wagner (b. 1935) in 1969 and they had two sons. Though Wagner is more quietly acknowledged than Ryman, her boundless practice includes sculpture, painting, drawing, installation, and more. With an emphasis on materiality, her sites are indoors and out, her styles alternating. Will Ryman (b. 1969) is the elder son of Robert and Merrill. He started out as an actor and playwright though he too eventually assumed a visual art practice to become a sculptor. He is best known for his large-scale public artworks and theatrical installations that focus on the figurative and psychological, at times absurdist, narratives. Cordy Ryman (b. 1971) is the youngest, and the only one of the three who knew that he was going to be a visual artist early on. His work is abstract, the sophistication understated, and his output is prolific. With his mother’s DIY flair, his homely materials seem sourced from the overflow of construction projects, lumberyards, and Home Depot. Ethan Ryman said that, when he was young, he didn’t want to be a visual artist. Instead, he pursued music and acting, producing records for Wu-Tang Clan, among others, getting “my ears blown out.” But he was always surrounded by artists—Sol LeWitt, Carl Andre, Jan Dibbetts, William Anastasi, and countless others at his mother’s place on Prince Street in SoHo and at the Rymans’s 1847 Greek Revival brownstone on 16th Street in Manhattan, where everyone was often seated around the family dinner table. He would spend part of most weekends in the highly stimulating chaos that reigned there—birds, dogs, plants, toys, art, people, everywhere. “While nowhere near as overwhelming, I was also constantly exposed to artists, writers and other creative folks at my Mom’s place.” “While nowhere near as overwhelming, I was also constantly exposed to artists, writers and other creative folks at my Mom’s place.” Ethan Ryman Lippard was “a powerhouse.” She took Ethan on her lecture tours, readings, conferences, galleries, studios, wherever she had to go. And while that almost always breeds rebellion, at some point, he began noticing all the art around them—both what it looked like and how it was made. He began to take photographs of buildings and realized that “abstract color fields were all around us.” He also began to notice his father and Wagner’s work more carefully—how sensitively it was executed and how reactive it was to its surroundings. “Once you’re interested, you notice. When I asked my dad questions, I would most likely get a one-word response. I had to go to his lectures for answers where he broke down modern art for me. After listening to him, it seemed to me we should all be painting, otherwise what were we doing with our lives?” Will Ryman, on the other hand, said that all his work has a narrative component. His background is in theatre and his interests have always been film and plays, his narratives about New York City and American culture and history. “It’s a city I love,” he said. “I try to observe culture in a bare-bones way and I’ve always been interested in telling stories—we’re the only species that tells stories to each other. It comes from an intuitive, cathartic place in me. I want to stay away from preconceived notions, although that’s not completely possible. I have no plan except to do something honest, with a little bit of a political bent and humor but I’m not an activist. I’m interested in exploring a culture and its flaws as an interaction between human beings.” His interests and his work are very different from his last name. There is no connection to minimalism. He didn’t go to art school, drawn instead to theatre workshops and theatre troupes. “I didn’t become involved with the visual arts until my mid-thirties. It’s easy to say what I make is a reaction, but I dismiss that. And I also wouldn’t say it’s rebellious after twenty years.” Of his family, he said, “we’re a normal family, a close family, with all the dynamics and complications that go along with that. And while everyone who came to 16th Street were artists, they were also just family friends. I have no other measure for how a family interacts. It was just the way it was.” Cordy Ryman was the only one of the three who went to art school, earning a BFA from the School of Visual Arts, but it was reportedly awkward for him, since all his teachers knew his parents. “When I started making abstract paintings, it was kind of push and pull but it became more interesting to me than my earlier figurative or narrative work. That’s when I started to know where I came from. I realized that I had a visual memory, and the language was there, a language I didn’t know I knew. We all had different ways of working; our processes are very different and it’s hard to compare us. Ethan and I use a similar inherited language but he thinks about what he does more. I work very fast, the ideas come from the process itself. I work in two or three modes simultaneously and bounce around.” At home, they were around Wagner’s work since her studio was there. “Will and I were always in her studio, helping her, going to her installation sites with her, adjusting her boulders or whatever the project was she was working on. That was special and made a deep impression, but I didn’t realize it then.” All five Rymans have in common an acute consciousness of space and of place as an integral component of their work. For the brothers, part of that consciousness might stem from their parents, but also from their attachment to their family home, which was a crucible of sorts for them, where everyone was an artist. To Cordy, the house was a “living, breathing thing, and the art in it felt alive, growing, and occupying any space that was available. It was the structure of our world. When I’m making work, it doesn’t need to be the most beautiful thing ever, but it needs to have its own life, its own space, like the art we grew up with.” And the next generation of Rymans, also all sons—what about them? Will said his son is still too young to know. Cordy thought the same about his two younger children; his oldest is in the art world, but not as an artist—so far. Ethan perhaps summed it up best: my two sons are artists; they just don’t know it yet.

VOLCANA (MARVEL COMICS) DONE 2015. ORIGINAL ART WAS THROWN AWAY Marsha Rosenberg was born in Denver, Colorado. She was a day care center employee who, along with her friend Skeeter, was among the residents of Denver transported to the Beyonder's "Battleworld" during Marvel Comics' first Secret Wars limited series. Seeking power and respect, she and Skeeter agreed to serve Doctor Doom in exchange for super powers. Doctor Doom had learned how to operate a machine utilizing alien technology. He used it to grant Rosenberg the ability to transform into a molten lava form with powerful thermal energy blasts, hence her codename "Volcana". She allied herself with Doctor Doom and the criminal faction and battled the She-Hulk in a confrontation with the heroic faction.[1] During the series, she developed a relationship with the supervillain Molecule Man, Owen Reece.[2] She bargained with the Enchantress,[3] and then battled the Enchantress with the intent to renege on her bargain.[4] During the Secret Wars II limited series, Marsha was residing back on Earth with Owen Reece. They hosted the Beyonder upon his arrival on Earth.[5] She tricked the Molecule Man into challenging the Beyonder[6] and then participated in the defeat of the Beyonder.[7] Some time later she accompanied the Molecule Man and the Fantastic Four to the Beyonder's universe. She separated from the Molecule Man when he apparently became irrevocably merged into another "cosmic cube" along with the Beyonder. Unlike her friend Skeeter who became the supervillainess Titania, Marsha did some superhero work.[8] She battled the Wizard[9] and Moonstone.[10] Volcana assisted the Avengers in repairing the damage to the Earth's crust caused by the Beyonder.[11] Volcana later took a comatose Molecule Man to the army hospital. After Molecule Man recovered, he turned the tent they were in into a hot air balloon as Captain Marvel's hologram wanted to talk. Volcana destroyed the projection. Because of the Silver Surfer, Volcana and Molecule Man were redirected to the Avengers and the Fantastic Four. After a brief fight, Molecule Man and Volcana were allowed to return to their apartment in Denver.[12] Later, she was briefly reunited with a de-powered Molecule Man (who had mysteriously returned to Earth) and battled Klaw. It was at that time that she gained the ability to assume volcanic rock and volcanic ash forms. She subsequently discovered that, just before his supposed "death," Molecule Man had secretly "willed" her a portion of his reality-warping power, and it was this power that gave her the ability to manifest these other forms at critical times, just when she needed them. Once he regained his power from her, she found herself no longer able to tolerate the darker side of his personality. She terminated their relationship, although Molecule Man vowed to one day prove his full love to her.[13] After losing a lot of weight, Volcana attended the wedding of Absorbing Man and Titania. Marsha discovered that Molecule Man was also invited. When Volcana went to check up on Titania following the supervillain attendees' fight with She-Hulk, she encountered Crystal, and Hydro-Man arrived to help Volcana until Crystal was defeated by Molecule Man.[14] Molecule Man still pined for Volcana. He captured Doc Samson, and after a fight with Doc Samson and She-Hulk, Molecule Man escaped and used his powers to carve Volcana's face in Mount Rushmore. Marsha saw the news of this on TV but did not suspect that Molecule Man was who made it happen.[15] During the "Fear Itself" storyline, Titania commented how Volcana just came along for the ride back when Titania was brought to Battleworld as she tells Dr. Wooster at the Farnum Observational Facility in Upstate New York.[16] Nightwatch later hired Volcana and Titania to fight She-Hulk in order to keep her from getting the documents that would incriminate him. With the help of her secretary Angie Huang, her supernatural monkey Hei Hei, and Hellcat, She-Hulk was able to defeat them with Huang redirecting Volcana's fire attack back to Volcana enough to melt her.[17] Powers and abilities Marsha Rosenberg gained superhuman powers through genetic manipulation by highly advanced technology performed by Doctor Doom. As Volcana, she originally had the ability to convert her entire body into a plasma form, in which she blazes with white-hot intensity, at times setting aflame any surface beneath her. In her human form, the 6 ft 5 in (1.96 m)[citation needed] tall Marsha has long black hair, and often wears only her magenta-colored swimsuit; her clothing is manufactured from unstable molecules, thus it is not destroyed when she is in her plasma form. The alien technology that empowered her makes her powers totally undetectable when she is in human form. Her plasma form grants her superhuman durability and consists of highly charged particles which surround her in white-hot flame and is able to emit controlled bursts of thermal energy up to 40 ft (12 m).[citation needed] She later gained the ability to convert her body into a stone form, a volcanic rock (basalt)-like composition which still enables movement and grants her superhuman strength. She subsequently gained an ash form, a volcanic ash (pumice)-like composition whose configuration she can shift, shape and control at will. Volcana cannot make partial transformations; she can possess the attributes of only one of her forms at a time. Monitoring devices subcutaneously implanted by Doctor Doom can be triggered to stimulate the aggression centers of her brain.

I always loved the wide-eyed screaming horror of Elsa’s original Bride, but for mine I thought it would be fun if she was instead just very, very, displeased. As soon as her motor-functions kick in, it’s gonna kick off, and Doctors Frank’ and Pretorius are gonna take a very short walk off that very high tower. On the set of the original movie, attached to one of the columns, you can see a big wheel that’s used to crank open the skylight. I thought it might be interesting to incorporate this, symbolically, as a sort of halo, like the kind of thing you see in stained glass windows and old religious art, and to give the scene an additional sixth day creation kinda vibe. Also, whilst working on this, every time I thought of the name “Pretorius”, I would involuntarily sing it in my head to the tune of, “No, No, Notorious”

Probably the hardest part of the job is to satisfy the sophisticated demands of customers and managers. But Covatar Team can do anything! Rest assured that your wishes will be fulfilled in the highest quality!

A.Taffelers is one of the most influential yet richest drug lords (richer than ruthleen and parslip) and also one of the youngest at 27 years old.Taffelers is highly temperamental yet cunning,he often has mood swings which leads to him having emotional outbursts (most of the time pulling his face or his "hair")he was homeless at a young age,went through foster care many times and never went to high school.His ex Darcel Cerise,who's the daughter of a deceased drug lord,met him and fell in love with him.years after he replaced her father and forgot about Taffelers and joined Madames Morada's mob.He,Ruthleen and parsnip are not enemies but simple rivals.all of his underlings are candy people

Painted a pot leaf as requested for my big bro as we got high together :) Acrylic on acrylic canvas

Guess who it is? It's the Servant of God Luisa Piccarreta! I finally inked and colored a sketch I made of little Luisa in her little room on her little bed! ^_^ If your Catholic and don't know what the Divine Will is, you got to look it up! It's the highest, freeing, most beautiful thing ever! It unites you to Jesus in an indescribable way! That's why I'm a Benedictine of the Divine Will! #LuisaPiccarreta, #ServantOfGod, #Catholic, #Chrisitan, #DivineWill, #Sketch, #Cute, #Cartoon, #Little, #SpiritualChildhood, #Fiat, #WillofGod, #Luisa, #Piccarreta, #Servant, #eternalvolition, #divinevolition, #eternalFiat, #DivineFiat, #ConqueringFiat, #ReigningFiat, #SupremeFiat, #room, #bed, #cross, #babyjesus, #jesus, #twohearts, #sacredheart, #Immaculateheart, #clock, #holyfamily, #Crucifix, #Window, #Blanket, #Drawer, #DigitalArt, #pen, #light, #shadow, #Shading, #benedictine, #tertiary, #Dominican, #laity, #floor, #somethingelse, #something, #umm, #hhmm, #areyoureadingthis, #spirituality, #spiritual, #gift, #Divinavolonta, #divinvolere, #ServadiDio, #Cattolico, #Cristiano, #Chiesa, #Church, #CatholicChurch, #God, #Trinity, #Unity, #DivineIndwelling, #Love

Reference was from a Google pic of the girl and a cat. I added mine and my cats features and everything else! Excuse the glare from the frame! ✌

Its been a while. Here is a new one that I have been working on for a few days. Its my first attempt at using graphite powder for the black background. I used a Lyra 9B Graphite Crayon and ground it down myself into powder. Worked really well. I also purchased a Strathmore Series 500 mixed media roll. The amount of high quality paper for the price - it can't be beat. I am excited with this drawing!

I just bought three bundles of incense today, so I took pictures for everyone to see. Contact the copyright owner: My name: Le Quoc Nhat Email: toidathongminhhon@gmail.com Tel: 0961819303 Email address: California Highway Patrol, 777 W Washington Blvd, Los Angeles, CA 90015, United States Of America. Photo taken by photographer Le Quoc Nhat, property of Le Quoc Nhat COPYRIGHT ON TONS OF MATERIALS DO NOT COPY AND UPLOAD ANYWHERE!

Story and art by Myself and Nitemara https://www.webtoons.com/en/challenge/american-maiden-/list?title_no=589911

Scene from the movie Highlander. Sean Connery and Christopher Lambert

Some endoskeletons I made a while back. The one on the left is spring-safe, which means it can be openly used as a costume. The one on the right is not spring-safe, and has a much higher chance of springlock failure. If you aren't familiar with the concept, springlock failure is basically where, while wearing a suit such as one of these (which are typically inside of mascot suits), the metal parts and such which pull in while a human wears it jolt back into position (which are there so they can operate on stage without a human in them) and dig themselves into your flesh. This normally kills the person inside the suit. Don't worry, though! Not like this is likely to happen. You usually have a 50% chance or higher to live... or less. ;) Drawn with FireAlpaca.

Another reimagining of a character from old high school cringe art found at https://imgur.com/a/CYVtgSo

Hi! This is another drawing of the character, I like how soft the colors are. I used Copic markers, Microns, white gel pens,highlighters and Ohuhu markers. I really love the finished piece.

The Annunciation to the Blessed Virgin Mary by the Archangel Gabriel. This is also considered the Incarnation of Jesus. Those letters "ICXC" are an abbreviation of the Greek name of "Jesus Christ" ("IHCOYC XPICTOC"), hence she is conceiving Jesus by the Holy Spirit and power of the Most High. ^_^ That's why the light is going towards her. Her arms are crossed in humility as if she was saying "Behold the handmaid of the Lord; be it done to me according to thy word". Gabriel the Archangel and Blessed Mama Mary, pray for us! O:)

Old painting of a Poison Dart Frog I did in High School. It was even put up in the zoo for awhile ^_^

6/10 Morphine, Cure for pain I was challenged to choose 10 music albums that defined my musical buds and I decided to draw them, in no particular order. I would listen to this one on a loop in the mornings when I was in high school. Daily drawing 676

(Criticism is highly appreciated!)

Somewhere in the Serpent's Bog...

Prisma colour on paper. This shows each stage of my drawing, how adding highlights and shadow can really bring it to life

World gone to hell Sons duaghters leaving their families homes, dying of a new and namles plague. Where are the gods? And what has become of my hero? I am king, but no more subjects are under my command. A kingdom falls. A new age dawns, the illest omens herald its bitter arrival . God preserve us. We have forasken god, they do not forasake us. This is why we must be stricken with sickness. . . .. … … Weep for me. Weep for all our brothers and sisters. And now every uncreative poet and halfwit bard seeks to make drama of our troubles. We are their muse, their grand epic to tell the children. Fear the virus, dont look away, disturb the dead, praise us for our lies to you. They lead the masses to slay each out of fear. Cry. Yes, cry Cry for your fallen. They will not be returning for you soon. But you are still alive, and for that you shall become stronger. Onward We cannot always bury the dead. Today , time is against us. We move foward, we carry the sorrow, but the ultimate goal is to defeat sorrow. Whatever form this darkess takes, we face it. Unafraid. And unrelenting. Forge on into the night. Not gently and quiet shall be our passing. For, if i am to end, and you likewise, we plant our flag atop the highest hill. We scream our battle cry and let none forget our actions . The very mountains will shake, and echo our last breath. This is my promise. If i shall die, i die as i am now A man. I have decided. So, i die ….. https://www.youtube.com/channel/UCKXBKF6a2BWVDy_SgMvk8GQ?view_as=subscriber

From the anime "Keep Your Hands Off Eizouken!", which I highly recommend if you have any interest in the imaginative process of how anime is made.

If you don’t remember, there was a TV show called, Ever After High. Me and my friends used to love it. So, I drew raven! She is one of my favorite characters from the show! Enjoyyyy!

Acrylic painting on a basic canvas 12inchs high and 16inchs wide

Size 4' x 5' Painted on canvas Medium acrylic painted 1995 In this illustration i am trying to portray how active the spiritual world is in every day of our lives. How heaven and hell, these two kingdoms are battling it out to win our devotion. Even when A person chooses to become part of God's family, the believer will still have to struggle with the forces of darkness as long as we live in these mortal bodies. The room is suppose to look like it's on fire. This is to represent the destiny of man, spending eternity in the lake of fire, if he refuses to be saved through God plan of salvation. the two people in this paint are the two leader of the two kingdoms. The Devil on the left, Jesus on the right. They are both standing at the door way that will lead to their kingdoms. They are both beckoning the viewer to go through their door. In this painting I want the viewer to understand that spiritual battle take place with every decision we face. When we come to a spit in the road our we going to choose the right road or the wrong road? What ever road you Choose will sooner or later reap the reward. The reward will either be destruction or blessing, the blessed think is we choose I illustrated the devil in a beautiful purple robe with gold sequence , To show He is the king of the fallen angels. Purple in the Bible was worn by king and governors and ruling authorities. The purple hood is to show that Satan is a deceiver. He will take truth and twisted into a lie , kind of the way a person will put poison mix in peanut butter to get rid of an unwanted mouse. Most people don't recognize when the Devil is temping them, because the only view of Him they have is the movie the exorcist. But He is more effective when He appears in the form of a used car salesmen. The gold belt He wears and the golden door way represent His tactics to side tract us with the love of temporal thing such as the love of money , fame, power. If a person gain the whole world yet loose his soul what has he truly gained. Illustrated Jesus dressed in a golden Robe with a golden sash. This represent He is the High priest who offered the sacrifice that appeased the requirement to deliver man from the power of sin, and restore man back to fellowship with God The Father. The door way to heaven is made up of the cross that Jesus gave His life on. If you look at the painting closely you will see holes in Jesus hands and feet. You also can seen on the cross from the blood and the spike marks where Jesus was nailed to the cross. The devils door has endless darkness of Hell , where Jesus' door has endless light of heaven. The rocking chair was designer to represent contemplation. Their are hearts with question marks in side them on the head rest as well the seat. I think of people sitting in their rocking chair when they have a big decision to make. So i think before we make decision, we should thing what will be the fruit down the road. If I plant thistle when it grows up it will hurt me . If i plant wheat, when it grows up it will feed me.

My attempt at combining the struggles of teaching with rhyme and cartoons. It is a work in progress. I am a novice when it comes to using my digital drawing tablet.