He may seem like a mobster but he's a greedy,sleazy, impatient boss.he is the owner of the snazzy bar and Alamea's brother.he has a thick new jersey or Italian accent.he out of all the ghost OC's doesn't have much of a personality although he does become more sympathetic later on.he was reluctant on hiring Al but eventually hired him.their relationship grows steady, Alanzo then becomes fond of Al especially when he found his true talent (being a magician) he has his hair fringes resembling devil horns because most of the time his behavior is devilish.
"She stopped to speak to him, altering her mind, and went on her way."
Trying to learn more about Kay Nielsen's style. He illustrated folk and fairy tales in the early 1900s for Grimm and Disney and others. I love his dark/moody style with everything so flowy, elongated, elegant, and tragic. And his amazing compositions.
Somehow the tree trunk looks like a female figure to me.
I'm not sure if I really like this illustration, but my imagination plays here a lot.
I could draw a bit lighter background to make more contrast for the tree trunk. What do you think?
Forgot to collar her collar gold but I guess black looks good too.she is a very talented,kind hearted, generous blue ghost who is also the co owner of the snazzy bar.she is older than Al (40 years old) and develops feelings for him later on they remain best friends instead.I guess you can say he friend zoned her,despite Al not knowing what being friend zoned is.He does date Ottalie this however does not make Alamea jealous.
This illustration tells me that I need to push myself forward. I was in my comfort zone while painting. And I didn't go out.
It's an important lesson for me. I'm glad I can analyze it and draw conclusions.
I drew this illustration without any expectations. It's not perfect, but I'm happy I created it. And I share it.
Perfectionism destroys your creativity and productivity!
Drawing trees and other landscape elements was my daily routine for the last two months.
For two months, I've been developing my style.
It's essential to create consistently in one style for a long time. It's the way you get to know better:
- yourself,
- what you like,
- what you enjoy.
Drawing florals in the landscape scenery was a pleasure I gave myself on Friday afternoon.
Just a relaxing and creative process without any expectations is something every artist needs.
Give yourself a bit of pleasure today
Something I’ve been working on for fun, a project from illustrator Victor Beuren’s Domestika class “Search-And-Find Illustration in Procreate”. One of the rare Singapore-inspired artworks I’ve done, and I don’t think I’ve ever drawn so many human beings in one piece… but challenge accepted!!!
I changed the composition, types of silhouettes, and background texture a few times.
I didn't have any expectations about the finished work. It was a creative flow with many changes. I think the creative process looks like this.
Don't be afraid to try.
If you make your art digitally, it's simple. You can:
- create a new layer,
- use shortcut Ctrl+Z.
In traditional art, it depends on the art supplies you use. Sometimes you can try more times. Sometimes you need to start again.
But any attempt is better than giving up.
It's a second attempt at drawing a landscape with a water element.
I'm not focusing on many details by drawing water. Creating a lot of blurry shapes and lines gives a great reflection effect.
This is a picture of Cartha Haginoux with her stump pistol from my current project, The Blackened Blade. You can find out more on my website davidjameswillet.com
Drawing water with reflections was a new challenge for me.
I decided to use a less saturated color palette. It looks like a foggy atmosphere around the forest. Something different
BEING GREEDY CHOKES ANANSI From Favorite Folktales around the world by Jane Yolen. One time, Anansi lived in a country that had a queen who was also a witch. And she decreed that whoever used the word five would fall down dead, because that was her secret name, and she didn’t want anyone using it. Now, Buh Anansi was a clever fellow, and a hungry one too. Things were especially bad because there was a famine, so Anansi made a little house for himself by the side of the river near where everyone came to get water. And when anybody came to get water, he would call out to them, “I beg you to tell me how many yam hills I have here. I can’t count very well.” So, one by one he thought they would come up and say, “One, two, three, four, five,” and they would fall down dead. Then Anansi would take them and corn them in his barrel and eat them, and that way he would have lots of food in hungry times and in times of plenty.
I got inspiration from my first gouache painting.
After a few minutes of research on Pinterest, I got the Eureka Moment!
"Hmm... Maybe I should draw the twisted tree from my painting, which will be full of stars on its branch?"
And here it is - the final look. I like it!
