Sketch from lunch break in between work-hours (poor quality sketch/photo). unrelated: I walk home from work 3/5 days every week, and I have leveled up a social link with a kind old stranger I frequently see /occasionally talk with on the walks home. This will unlock the good ending later, though I'm not sure what that ending is. Just hope it happens soon.
A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.
Face homework. This was following a couple of super uncomfortable hours trying to draw people moving in videos, which was such a struggle for me (and my deepest art desire right now!).
I think the best time of the weekend is driving home from work on Friday evening and thinking of all the potential of the weekend. Time to draw, paint, hang with family and friends and thank God for blessings.
I did this artwork for a public art exhibition called "Home is where the Art is". Initially the drawing was supposed to just be a open mouth with a snake coming out of it but I felt that it lacked a story and a strong enough message so I drew the other snakes on and added the 2 other faces. The story behind this image is entirely up to the viewer but my take on it was that different people react differently to certain information, my main focus was the distribution of secrets and since many teenager refer to people that let their secrets loose as snakes I thought why not depict it in that form. The drawing displays three reactions to learning another's secret, one passes the secret on to another, the other defends it ferociously in your face but lets it slip loose when nobodies looking and the other receives the information and holds onto it
Inspired portrait from Troye's single 'Take Me Home' from spring 2020 - combining with his first EP 'TRXYE'. Charcoal pencils and red oil paint used to complete this.
Sketching at the Academy (California Academy of Science) with my five year old. This was so fun. There was so much movement that he actually focused on his own sketchbook for long enough for me to get one in. Usually, he's done by the time I put the clips on my book! The Academy and all museums are closed again with SF preemptively joining the rest of the state in the extended stay at home order this past Sunday 12/6/2020. Grateful we got to go several times while it was open.
I asked my husband (who is our Covid-period grocery shopper as I am high risk) to bring home a fruit to draw. He came home with a dragon fruit. For those who don't know this interesting edible, it's from a cactus. There are two species: the Asian species is white inside, the Central American variety is shocking pink (see photo). Great in smoothies or when nicely ripe (as this one was) it's tasty eaten out of the skin with a spoon.
This oil painting was , for me, an explosion of a new freedom I found after finally getting a home nearly 40 years ago, a room with a sink and a bed and a window. I hadn't painted for years, and never without extreme self-consciousness. But years of homelessness changed me and my appreciation of "art". That freedom eludes me these days, that 'ignorant' notion that I can do whatever comes to me. I'd love to get it back. Surely it's in us all. It may be better to paint to be satisfied than to paint to satisfy...
