The mass absorbs the humans and creatures forming into a screaming husk. Hoping for death, the only live to feed the mass, with every thought fading slowly from consciousness. This drawing can also be found on my instagram with additional social found here: https://linktr.ee/malicemints_art The youtube playlist for the drawing and inking process can be found here: https://youtube.com/playlist?list=PLpMZhQlzPEpWzh630KabW98mJSf6_mYTD I used pigma micron on multimedia paper. Thanks for looking!
My half of the art trade with OptimisticJerk (https://www.deviantart.com/optimisticjerk). The trade was to draw a monster as made up by your counterpart without seeing a reference image, based only on the description. Here is her half (which is awesome): www.deviantart.com/optimisticj…
For mine, I had to draw a monster called a "niter" based off of his description:
"Niters communicate in whispers. Nocturnal. Shy away from light. They’re black and oily and emanate a bluish glow. Large, looming 6 foot shadow things with massive hind legs, clawed for climbing trees and they have ‘maws’ instead of arms, claw-like appendages they stab people with and only one gaping blue eye. Their mouths open up and they swallow their victims whole."
What's funny is that I didn't see the fact that they emanate a bluish glow until now. So, the glow from the eye is purely by coincidence. Figuring out the hind legs of this creature was difficult, and so I sought reference images, and of all things, the koala turned out to be a pretty good reference.
For a while, there, it was looking like Carnage from Spiderman, but I toned down the reddish-hue a bit. The intention was to give the appearance of motor oil.
So, now to find out how badly I failed at drawing this...
This art trade was fun, though, and I would do a similar one, again. But I am le tired.
Starring Richard O'Brian: Science Fiction Double Feature (1975). Let me tell you a story about watching classic science fiction movies in the cinema. About sitting in the backrow. About the day the earth stood still. About what went wrong for Faye Wraye and King Kong. Tricolor linoprint using one linoplate. November, 2020.
Originally inspired by the occult fiction of the seventies, this began life as a cover concept for a commercial horror anthology. It later transitioned away and became a personal project, granting me more freedom with its content, and a return to one of my favourite themes – the offsetting of monstrosity with beauty.
(HB pencil on 80mm x 50mm paper) Similar to previous Guardian Spirit works I've done, but this time on an even smaller format so that I can hand them out as calling cards to people I meet. Again, the idea of them is a rib against those who believe in such nonsense as guardian angels and spirit guides.
Sketch of a painting I'm thinking about. I think as adults, we have our own ambitions about living on the moon. However, once we have children, we can only yearn to be able to live on the moon with them.
These are 5 out of 12 images I did while processing the necessity of healing from life lessons. Heartbreak is prevalent throughout all the levels of tragedies in our lives. At times, the mourning period feels forced-- I never really want my wounds to heal because I feel they're the last of the love I carried for that "thing". The process feels like gold pouring into my gapping heart and I can only scream as it sears through my veins. It hurts to heal. It hurts that it has to happen.
Often times my work is more about a conversation with my anxieties. I have a deep, conflicting relationship with concepts of existentialism. The following works reflect abstract ideas that I simply don’t have words for.
One of the scariest characters I've ever seen. The most frightening of the vampires from the movie "Fright Night" (1985). I had to draw her as a form of therapy. Thumbs-up for the art department on that movie! If she had had white eyes instead of the red eyes in the movie, I would've been irreparably damaged! :) (Pencil on paper, size A4).
Remember that intro for the Goosebumps TV Series? At the start a mysterious man overlooks a town, carrying a briefcase with the name R.L Stine etched on it... And as it flung open all his stories were released and carried into wind... This is my version of it, only instead of R.L Stine it was myself and my pictures of all the grotesque horror drawings were released
Now you seen cheery geeky side, I know wish to introduce my dark and horror side... This is something I drew last autumn. While growing up I always had a taste for ghost stories and eventually horror films... Creating demonic entities eerie and unsettling scenes... The Darkness... the unknown can be both scary... and exciting!
I want my art to look like a child who has probably killed his parents.
Slender Man and Madeleine McCann (2015)
26" x 26"
Acrylic
I got in a lot of trouble for this one.
