This is my first full landscape project that I painted for a skillshare course. It was frustrating at times but I really enjoyed working through the multiple steps of this painting. I wanted to see what I could do it I pushed myself and I am happy with the final painting. I need to focus some more study on trees in the future, I like how the foreground tree came out, the forest edge was much more difficult. I attached the progess photos of this painting from sketch to final piece
I painted this as my project piece for course on Skillshare: https://skl.sh/2O4p8Gp
Here are my progess photos: https://www.skillshare.com/projects/Sacred-Valley/209235
Lead pencils F,B-B7, kneatable- ,normal-, pencil eraser, paper stomps, tissue on A3 bamboo fibre rag paper. Choose to draw her bald, for no particular reason. Zoom in for full detail. Photographed in the sunlight with the canon 28 mm f/1.8 prime lens. Photoshop for greysteps contrast-boost and cropping. Like if you dare. Or else post some critique. Just some try to imagine Christina bald. Realistic? Still doodling? Her eyes are like dominating the whole draw... kind of unreal, isn´t it?
I don't know why these all upload sideways, but here's my latest work for the sketchbook. I created the electric field pattern and printed it on photo paper then doodled these rainbow trout (at the suggestion of my friend Andrew) and glued them on.
Sakura Pigma Micron pen and DR PH Martin Radiant Concentrated Watercolors. One side was painted, then embellished with ink, scanned into Photoshop, copied, flipped and pasted to make the two sides. (Fairly large image, so I included a couple of details.) Silly but fun to do. A little "acid" and a few hours of gazing is all you need for a profound experience. Ask me how I know.
I modified the challenge a wee bit. I didn't use the same paper for the various drawings since I was using (top row, left to right) hard graphite pencils (3H to HB), watercolor pencils, (bottom row, left to right) brush pens and ballpoint pen. These media work best on very different paper textures and moisture absorbing qualities. The second picture shows the object of my study --- and the apparatus I use to hold botanical subjects. "Third hand" tools are very useful and cheap. This one was under $10 and serves my purposes well. Just FYI. (Each drawing/painting was scanned and composited in Photoshop.)
For this series, I'm trying to hone my beginner skills by focusing on the architecture of each strange creature through reference photos, while also using it as a log for interesting animal facts.
Horses ... These noble animals have always been a source of inspiration for every artist, sculptor, photographer and will never cease to delight us as one of the most successful creations of God, pleasing the eye and soul with graceful forms.
Hi! I just now created this page because I have a problem!! I love the idea of drawing (digital, graphite, markers, microns you name it), BUT I never actually get anything finished. It's a curse that has haunted me my entire life. Any good advice on how to stay consistent and follow through with your drawings? This one I've been doodling with Sketchable, using the photo to the left as reference just to eyeball off. I worked on it for a few days and was super inspired and now a year has passed from that (!!!) and It's still in this stage of almost done but I'm struggling with getting back into it..
In folklore, a will-o'-the-wisp, will-o'-wisp or ignis fatuus, is an atmospheric ghost light seen by travelers at night, especially over bogs, swamps or marshes. --Wikipedia
11” x 17” Original ink and watercolor painting on Arches 140# hotpress watercolor paper.
Signed by the artist. Unframed.