A page of comic for a conquest
The story
End of the project: human species. The simulation has been achieving unexpected outcomes. Was increased free thought and the doubts fade away.
At that time, I recreate my own image. However, it's behaviours came with anomalies. We aren't.
You can't run away from you. Dreams were unexisted memories.
The likehood was that we're living an illusion. But, we change our view.
I couldn't attain the freedom I looked for. Everything became real. Everything came down. Am I still dreaming?
Fearful, in discomfort, rapid decaying manner, various creatures may go through such waves in life. To experience, to walk through and try to understand others, to help them. Humans are always in some sort of stress. The world is a very interesting place.
Consume these branches swollen by humanity fractured in dim lights, though feature promise in deeper efforts of kindness, blood cover our parts closer. Thoughts wonder red fever beneath bones of oceanic memory, to voyage away and try to understand this method. Extinction loom over these motions, while further be the faint reminder of our fate.
A medical condition in which the few deal with such discrimination and discomfort in such realm. Looking for answers while some societies accept, as others do not. Humans in voyages, looking for rest and ease.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
Well, I'm joining the Tumblr exodus, which is unfortunate because that's where I post all my sketches! Oh well. Hello DoodleAddicts! This was half of a recent assignment for a figure drawing 2 class, to draw our model in low key lighting. :) Time: 30 mins Medium: Charcoal on Paper
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
PSA to not be a dick to retail workers this holiday season (and all seasons!). Working retail during the holidays was some of my shittiest experiences. People become coupon-waving, red-faced monsters that deserve nothing but a trip into Krampus’ sack.
Here are a few things to remember:
1: They have literally no authority. Honestly, the cashier would love nothing more than to accept a stack of expired coupons to get some cranky-ass customer indignantly insisting that “at this point YOU owe ME money!” through the line. But they can’t. And no amount of screaming will change that. Oh, and the manager is bunkered safely in the back refusing to come out and will only troubleshoot through walkie.
2: If you’re nice (like basic human decency) they are more inclined to help you as much as they are able. Being kind and patient costs nothing and might actually pay off. You might even be able to coax out a skiddish manager that *sometimes* has the magic touch to get things accomplished.
3: Corporate overlords. Managers can do a lot but in the end, the retail world is run from corporate overlords through the machine sentries AKA registers. Welcome to Black Mirror, people. If the machine rejects your request then back to the matrix with you.
A WIP I started a while ago of my oc. Rare semi-realism attempt
Here is full WIP was not supported: https://www.deviantart.com/animalover4six/art/A-Special-WIP-UPDATED-759493873
This is from an assignment to make a drawing from three words. My words were teabag, Hazmat, and cocoa. The friends are sitting inside a flow-through tea bag. Giants make tea out of herbs toxic to humans. Thus the need for the suit, and for drinking cocoa instead of the poisonous tea. But when you have good friends like giants or humans, you make accommodations.
Since Killer whales is about to be exterminated, I gave a whale some wings. Now he can fly away to a better place without pollution and plastic from human beings. Well, sad but true. Its on us. At least I can give it some attention here. The whale is now on my Society6 page.
I watercolored Mathilda's Ms Trunchbull as well as Bride of Frankenstein. I originally painted Lady Frankenstein in green, but it turns out she's a human-skinned person, so I had to change that in Photoshop.
All you have to do is lift your chin up to encounter the most fascinating things in life. What would it take to lift up your chin and talk to the person sitting right next to you. I fear that one day we will forget the very essence of being a human.
Ive been trying to draw human faces as its something i dont do as much normally. Its something ive really been enjoying though, its fun adding silly details and different ideas that can form from it.
