human

Humans, strange creatures.

DAY ONE OF INTENSIVE ART TRAINING! Okay, back up, calm down... So! A little background. I am going into INTENSIVE ART TRAINING because I'm not the best at drawing humans. I want to get better so I can draw people, characters, and find my style. There will be 50 days, and this is day one. This drawing came from an old sketchbook from middle school. I won't post the original drawing (it's...less than ideal...), but you can see this redraw of the character. Thanks for reading this!

This is an illustration I did last year that is included in a book of short stories about 'Abdul-Baha, the son of the founder of the Baha'i Faith, entitled "To Serve All Humanity".

https://jufispaces.blogspot.com/

Something very different(ish) for me… a touch of life drawing! It’s been near enough eight years since I last had a go at this sort of thing. Pleased to see I’m not too bad at it… definitely giving it another go when I can :-)

Squid Wit has never really felt like a person, a human... especially when it comes to gender. Continue to check out my comics to see where Squid Wit goes next!

A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism. The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation. This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.

This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling. Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.

Ben Freeling reminds me of someone. Hmmm. . Ben Freeling (Haunted Hotel) ©️ Matt Roller : voiced by Skyler Gisondo. Dipper Pines (Gravity Falls) ©️ Alex Hirsch : voiced by Jason Ritter. Hunter (The Owl House) ©️ Dana Terrance : voiced by Zeno Robinson. Finn the human (Adventure Time) ©️ Pendleton Ward : voiced by Jeremy Shada

R.I.P. Jeffrey Garcia May 3, 1975 - December 10, 2025 . Sheen Estèves ©️ (Jimmy Neutron Boy Genius) John A. Davis : voiced by Jeffrey Garcia . Rinaldo ©️ (Happy Feet & Happy Feet 2) George T. Miller : voiced by Jeffrey Garcia . Jesús Cristo ©️ (Clone High) Phil Lord, Christopher Miller, and Bill Lawrence : voiced by Jeffrey Garcia . Pip ©️ (Back at the Barnyard) Steve Oedekerk : voiced by Jeffrey Garcia . Tipa & Kipo ©️ (Rio & Rio 2) Carlos Saldanha : voiced by Jeffrey Garcia

It is what it always is.

I've been meaning to draw some objects around my home. I got to these ones today. Pen life drawing.

Divided by Science, half a human face and half a skull.

A whimsical yet haunting reflection on the passage of time, From Time to Time imagines a fragile machine built to bend reality itself. The “Tempus Machina” stands as both invention and relic — humming with promise but tethered by a frayed cord and a warning: Watch Your Step. The cracked wall, warped floorboards, and distorted clock hint that tampering with time comes at a cost. Blending humor, nostalgia, and existential tension, Patmore’s work transforms a steampunk curiosity into a metaphor for our human impulse to repair, rewind, and relive what’s already slipping away.

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Do not give her a snickers, or you'll be her human Capri Sun.

Been bothered for months without realising this, and it seriously affected my ability to draw. It finally decided to show itself today, after I admitted to its existence. I'm not very adept in draw humans, so this twisted aberration is probably the best I can handle.

Abusers are minimizers. Abusers are gaslighters. Abusers are liars. Prejudice is always abusive. x x x Part of a series of drawings. You can find more lying vegetables here: https://www.furaffinity.net/view/62376633/ https://www.furaffinity.net/view/62298147/ https://www.furaffinity.net/view/46199210/ https://www.furaffinity.net/view/46226637 x x x “We can disagree and still love each other unless your disagreement is rooted in my oppression and denial of my humanity and right to exist.” -Robert Jones Jr.

What's a zombie girl to do in a world of...chaos? In this post-apocalyptic tale, Beast wakes into a whole new world that is anything but...human. But unfortunately zombies have an expiration date, unless she can get herself to eat...brains. But can she bring herself to do it? As she races against time before her initial decay. Beast has a bucket list of things she wants to finish. Coming 2026 to Webtoon Canvas

My attempt to draw humans :)

Trying to do some designs of my own characters and practice some point of view, lightning and shadow, human body parts, etc. A color version coming tomorrow.

Drawing a human figure was a dream of mine. This was the closest I could do the reference model.

old but thought I share

A mafia boss with serious style and a literal fish for a head.

Father's (https://www.doodleaddicts.com/uploads/68546/cosmic-horror/) crooked hand, with six fingers (one looks like a fang) of different weird lengths (because He doesn't understand human anatomy well), holding a Gotham snow globe. And of course, the eyes. He loves eyes.

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Testing humans

An alien braking for humans!

a planet has continents that are concepts. there are arrows indicating "immigration" and "emigration" between the continents. the continents are concepts.... there is movement between "they/them" , "she/her", and "he/him". there is also movement between "black", "Hispanic", and "white". there is also movement between "Spain", "Mexico", and "Brazil". gender is a concept. race is a concept. nationality is a concept.