human

old but thought I share

A mafia boss with serious style and a literal fish for a head.

Father's (https://www.doodleaddicts.com/uploads/68546/cosmic-horror/) crooked hand, with six fingers (one looks like a fang) of different weird lengths (because He doesn't understand human anatomy well), holding a Gotham snow globe. And of course, the eyes. He loves eyes.

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Testing humans

An alien braking for humans!

a planet has continents that are concepts. there are arrows indicating "immigration" and "emigration" between the continents. the continents are concepts.... there is movement between "they/them" , "she/her", and "he/him". there is also movement between "black", "Hispanic", and "white". there is also movement between "Spain", "Mexico", and "Brazil". gender is a concept. race is a concept. nationality is a concept.

I am very open to any way I could improve, please give feedback :)

Somewhere out there are a bunch of butterflies having a conversation about whether they've ever landed on a human, and one of them says "Yeah, it's an acquired taste."

Years ago, while digging through old journals and sketches, I stumbled across a quick, scribbled drawing of two pears. Beneath it, I'd written a raw and honest note: "Ann is pissed. I think it's because she's uncertain about me, us, life itself. She just ran into my car with the van. She says it was an accident, but she seems happier now—almost like it was cathartic. . . Like sex." At the time, I scribbled this in frustration, feeling a deep disconnect between us. Intimacy had become a confusing and distant concept in our relationship. The pears I'd sketched were rough and scratchy, charged with my chaotic feelings. Looking back, I see how emotions can drive us to strange actions, some intentional, some accidental, often leaving us oddly relieved afterward. Humans are complex, fascinating beings, navigating messy emotions and messy relationships, sometimes colliding intentionally or unintentionally, seeking relief in unexpected ways. Perhaps the pears were my subconscious pun on "pair," reflecting the awkward, confusing way Ann and I were bumping through life together—making messes, but occasionally finding strange humor and genuine catharsis in the chaos. I've learned to smile gently at the rawness of our humanity, appreciating even our scratchy sketches and emotional collisions. They're reminders that life, relationships, and our own hearts are never simple, but they're authentically human. Here's to embracing life's unexpected catharsis and finding humor in our imperfections.

the wounded soldier is no longer just a man begging for mercy - he is infected with something dangerous, which makes him aggressive and possibly uncontrollable. His outstretched hand may now mean not a plea, but an attempt to grab the protagonist, which increases the sense of threat. The soldier's eyes, wide open and seemingly filled with fear or madness, now look like a sign of loss of humanity. The blood stains on his clothes are no longer just traces of battle, but perhaps the result of his own aggression. The chains in the background can be interpreted as a symbol of restriction or control over the infected - perhaps he was captured or locked up, but was able to break free.

Here is anime style: https://www.doodleaddicts.com/uploads/69316/noa-rabiner/" Did I request thee, Maker, from my clay. To mould me man?" A foreign ability user named Cohen and his sister Noa visited the Agency. Cohen has the ability "I," which allows him to temporarily animate any objects. For example, tables, chairs, statues, etc. But he must manually "unanimate" them. The weakness of his ability is that objects left animated for too long will go insane. He came to the Agency because his brother, Levi, stole their family heirloom - a golem, the best matter with which "I" works in symbiosis. Cohen is dying of an illness. He must pass on his ability to another, but finding the golem is a priority. The main plot twist, of course, is that his "sister" is the animated golem. She does not know about this since the master ordered her to forget and believe in her familial relationship with him - the golem unquestioningly follows the orders of the master and this includes subconscious self-deception. Noa is an ancient creature, but her age matters little because when her master "turns her off," all the memories she has lived are erased from her memory. With a new "turn on," she needs time to gradually gain an independent mind and begin to feel. Unfortunately, this process is rapid enough to cause terrible problems with controlling emotions and feelings, which always lead to blind violence on her part when she can not cope with herself... In some ways, she is naive, but she highly values ​​life and human life in particular. Human beings amaze her with their complexity and their achievements. And life in general is full of exciting colors and aspects for a once inanimate object. However, there is a person who will do anything to prevent Noa from gaining freedom, and it is not even Cohen... "I" is a reference to a chapter name from Gustav Meyrink's novel "Golem." Characters are not based on any writer, but they have references to "Golem" chapters' names.

Abstract painting "Open Air Factory" pastel paper, mixed media, ink and acrylic, 30x42 cm, 2023

So, I drew my BSD OC character, Noa. Trying anime after learning new things. I'm not really happy with her hair. I need to think about her design more. "Did I request thee, Maker, from my clay. To mould me man?" A foreign ability user named Cohen and his sister Noa visited the Agency. Cohen has the ability "I," which allows him to temporarily animate any objects. For example, tables, chairs, statues, etc. But he must manually "unanimate" them. The weakness of his ability is that objects left animated for too long will go insane. He came to the Agency because his brother, Levi, stole their family heirloom - a golem, the best matter with which "I" works in symbiosis. Cohen is dying of an illness. He must pass on his ability to another, but finding the golem is a priority. The main plot twist, of course, is that his "sister" is the animated golem. She does not know about this since the master ordered her to forget and believe in her familial relationship with him - the golem unquestioningly follows the orders of the master and this includes subconscious self-deception. Noa is an ancient creature, but her age matters little because when her master "turns her off," all the memories she has lived are erased from her memory. With a new "turn on," she needs time to gradually gain an independent mind and begin to feel. Unfortunately, this process is rapid enough to cause terrible problems with controlling emotions and feelings, which always lead to blind violence on her part when she can not cope with herself... In some ways, she is naive, but she highly values ​​life and human life in particular. Human beings amaze her with their complexity and their achievements. And life in general is full of exciting colors and aspects for a once inanimate object. However, there is a person who will do anything to prevent Noa from gaining freedom, and it is not even Cohen... "I" is a reference to a chapter name from Gustav Meyrink's novel "Golem." Characters are not based on any writer, but they have references to "Golem" chapters' names.

Let's Wreak Havok

Abstract painting "A refugee leaves his native quarter" whatman, mixed media, acrylic and marker, 54x54 cm, 2023

The og character is actually a human... just wanted to make him a silly doggy for no reason

Posted the sketch of this earlier, but I thought the ink looked nicer, so here you are! I love dragonflies. Deadly hunters, slaughtering their prey without mercy, yet beguiling enough to somehow convince humans they are harmless as butterflies. They have their own sort of deadly, sleek beauty.

A representation of how human connection is formed by dance and the variety of styles found within dance. Additionally, the colors represent the general emotions each style invokes.

Lindsey's prompt: Kangaroo and Human

Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.

Stolas from Helluva Boss...mmm...I do need to fix this picture...but I'm lazy.

So after seeing some pictures of his human pictures I wanted to make something. This is based off the YouTube video link below. This guy made Alastors radio show and its KA! You should go check it out, I like to listen to it when I'm alone at the office, or when I study or whenever really. https://www.youtube.com/watch?v=ns18ZVI-ObQ

I saw his cannon human form and said sure I'll try it. I didn't add his mustache, I don't like it.

Drawn and colored by me, inspiration from a pause oc challenge on YouTube. Zayn is an escaped lab experiment with water elemental abilities. The cat on his shoulder is Raya, a stray that frequented the lab that he befriended. Zayn is a human with animalistic features and four eyes, marking him as unnatural. He is an original character, not based off of anything.

I've been going through my sketches, both completed and incomplete, and found a drawing of a young Sumatran Tiger that I began working on around two years ago, but never completed. I'm actually relieved that I didn't draw it earlier, as it has allowed me to gain more experience in illustrating this stunning creature, which is unfortunately a species at risk of extinction. A few facts about the Sumatran Tigers... The Sumatran tiger Panthera tigris sumatrae*, the smallest tiger subspecies, is critically endangered and stands as the final surviving species of island tigers. Poaching poses a significant danger to Sumatran tigers as hunters target them for their skin, bones, and canines. Additionally, habitat loss caused by oil palm, coffee, and acacia plantations, further endangers these big cats by reducing their prey availability and pushing them closer to human habitations. It is estimated that there are fewer than 400 mature individual tigers in Sumatra in isolated pockets of protected land. Three of the protected areas are classified as UNESCO World Heritage Sites but all are in danger of losing this status due to threats from poaching, illegal logging, agricultural encroachment, and planned road building. It is for these reasons the Sumatran tiger is classified in the most severe IUCN status: Critically endangered. Description: The Sumatran tiger is the smallest and darkest tiger subspecies and tends to be more bearded and maned than the other subspecies. Male tigers can expect to reach somewhere in the region of 120kg and 8ft from head to tail vs females who average 91kg and 7ft length. Breeding: Female tigers are sexually mature at about 3 or 4 years of age, and males at about 4 to 5 years. Mating may occur any time during the year, but it most frequently takes place from November to April. The information was obtained from conservewildcats.org. Thank you. #indonesia #criticallyendangered #sumatrantiger #amateurartist #tigerdrawing #tigersketch #tigercub #sketchadayapp #october2024

This captivating ink drawing features a fantasy character standing still, deeply rooted to the earth and seamlessly merged with nature. Surrounded by a complex web of trees and plants, the figure embodies the essence of the natural world. In the background, a mesmerizing sunset casts a warm glow over abstract waves of clouds, creating a harmonious blend of light and shadow. This artwork symbolizes the profound connection between humanity and the environment, inviting viewers to reflect on the beauty of nature.

This black and white ink drawing portrays an aged man with a beard lost in deep contemplation within a futuristic spaceship setting. The subtle hints of sadness on his face are contrasted against the vastness of space, where the Milky Way is barely visible in the background. The artwork evokes feelings of isolation and reflection, inviting viewers to ponder the human experience amidst the cosmos.