Blue ballpoint pen portrait built through line, repetition, and accumulated marks. I let the background grow dense and restless while keeping the face comparatively quiet—using the brim and shadow to divide the portrait between what is revealed and what remains hidden.
These were drawn on different days, in different places.
A salt shaker and sugar rack at Beans & Barley on Milwaukee’s East Side—a place that is gone now. A chair at Starbucks, which is still there.
When I go places, I wait.
Waiting is filled with observation.
Observation is recorded with marks.
Marks spark memory.
I can look at a few pencil lines years later and remember where I was.
Maybe that’s what a sketchbook really keeps. Not drawings of things, but evidence of moments.
For Doodle Addicts, I would use this rather than making Beans & Barley the whole story. The loss of Beans & Barley gives one sketch poignancy, but your larger idea is better: drawing converts otherwise disposable waiting into memory.
My first attempt at a concertina birthday card. While simple to make, it can be a bit fiddly and getting the proportions and placement of objects right for each layer is important so that everything can be seen once the layers are overlapped. It reminds me of printing processes, where each layer is gradually added. It was quite an enjoyable process.
