This time two Cloud Study Kittens took an adventure to a distant lake with their special inflatable Dinocorn and gazed into the summer sunset that tastes like Strawberry icecream
It’s easier to remain silent for someone
whose words only ever got twisted.
(spoke in other forms though)
Running from what?
Nothing. And everything.
Until they fell off the edge - or flew-
and plunged into an epiphany where words can’t
even translate,
can’t touch you.
“Don’t you come looking for me”
on the wind.
I’ve really been enjoying ink lately - whether pen or Micron inks - it’s been a fun style to try. This was interesting, something different to a typical city street view.
A little 4x6 painting study to start the day off. “The Grizzly Guide” gives these ‘Mallows a ride through the creepy forest in the dead of night. Check out the time lapse video on my Instagram page.
(I had gotten some new fine-point pens last week, and I figured this was a good way to test them out.) Two very different things have been on my mind lately, maybe there's a connection? I think it's interesting how it's taken me 4 years to figure something out, become comfortable enough to open up to others about it, and then embrace it. Yet it's like living a double life, being authentic to some and keeping secrets from others. On the other hand, to the person receiving this drawing, I know I can't do anything to change the situation even though I wish I could. All I can say is I'm forever grateful for all you do, and I truly hope you decide to take advantage of all the opportunities coming your way.
I wanted to draw a crowned animal with a crest on top of its head. Originally , this was colored with colored pencils but I didn't like how it looked so I tried to save it by painting over it with acrylic paint.
I have no mouth and I must scream! ink, watercolour, gouache and gold leaf on paper, 75x50cm, 2020, POA. Another artwork created in lockdown. A reflection of and introspection into thoughts and feeling of living during a pandemic.
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
At the top of Pentregwenlais near Llandybie is Gwenlais Quarry. In itself, the quarry is quite beautiful with its sheer rock faces and the way that nature has started to reclaim it. This scene is one of the paths that leads down from the top of the quarry back towards Pentregwenlais. I was going to do it as a pen & wash but by the time I'd finished with the watercolour I thought it was too complex to start putting ink in there. Watercolours on watercolour paper (6x8")
This very small sketch/doodle, enlarged, inspired a six foot tall painting. The background on the painting is incomplete. I'm back at this work in progress based on this small image from a sketchsheet. This painting will appear at my solo show in Thunder Bay in a couple years.
